{"product_id":"9780754663447","title":"Francesca Woodman and the Kantian Sublime","description":"In her feminist inquiry into aesthetics and the sublime, Claire Raymond reinterprets the work of the American photographer Francesca Woodman (1958-1981). Placing Woodman in a lineage of women artists beginning with nineteenth-century photographers Julia Margaret Cameron and Clementina, Viscountess Hawarden, Raymond compels a reconsideration of Woodman's achievement in light of the gender dynamics of the sublime.  Raymond argues that Woodman's photographs of decrepit architecture allegorically depict the dissolution of the frame, a dissolution Derrida links to theories of the sublime in Kant's Critique of Judgement. Woodman's self-portraits, Raymond contends, test the parameters of the gaze, a reading that departs from the many analyses of Woodman's work that emphasize her dramatic biography. Woodman is here revealed as a conceptually sophisticated artist whose deployment of allegory and allusion engages a broader debate about Enlightenment aesthetics, and the sublime.","brand":"Claire Raymond","offers":[{"title":"Default Title","offer_id":45820866920766,"sku":"9780754663447","price":9933.65,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4357\/7662\/products\/9780754663447_d6163ad8-648a-4d54-a1b3-41276896b8ae.jpg?v=1707319638","url":"https:\/\/exclusivebooks.co.za\/products\/9780754663447","provider":"Exclusive Books Online","version":"1.0","type":"link"}