Trespasses

* THE NO. 1 BESTSELLER (The Times) * LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2023 ** WINNER OF THE AN POST IRISH BOOK AWARDS NOVEL OF THE YEAR 2022 ** SHORTLISTED FOR BRITISH BOOK OF THE YEAR: DEBUT FICTION ** SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE 2022 ** AN OBSERVER BEST DEBUT NOVELIST OF 2022 ** A BBC RADIO 4 BOOK AT BEDTIME *---------------------------'Like Sally Rooney mixed with a political thriller’ RUSSELL KANE'Intense, unflinchingly honest, it broke my heart a million times' MARIAN KEYES'Absolutely loved it' MAX PORTER 'A beautiful, devastating novel' NICK HORNBYOne by one, she undid each event, each decision, each choice. If Davy had remembered to put on a coat.If Seamie McGeown had not found himself alone on a dark street.If Michael Agnew had not walked through the door of the pub on a quiet night in February in his white shirt. There is nothing special about the day Cushla meets Michael, a married man from Belfast, in the pub owned by her family. But here, love is never far from violence, and this encounter will change both of their lives forever.As people get up each morning and go to work, school, church or the pub, the daily news rolls in of another car bomb exploded, another man beaten, killed or left for dead. In the class Cushla teaches, the vocabulary of seven-year-old children now includes phrases like ‘petrol bomb’ and ‘rubber bullets’. And as she is forced to tread lines she never thought she would cross, tensions in the town are escalating, threatening to destroy all she is working to hold together.Tender and shocking, Trespasses is an unforgettable debut of people trying to live ordinary lives in extraordinary times.---------------------------A 2022 BOOK OF THE YEAR FOR: THE TIMES * SUNDAY TIMES * GUARDIAN * TELEGRAPH * NEW STATESMAN * DAILY MAIL * IRISH TIMES * IRISH INDEPENDENT * BELFAST TELEGRAPH

Sometimes you don’t need to reinvent the wheel. This is an unashamedly conventional realist novel, but such an exceptional one that it’s bound to rekindle even the most cynical reader’s appreciation of the form . . . Spellbindingly, heartbreakingly unforgettable, Not many novels mix juicy romance and wartime violence. War-induced longing is a common fictional occurrence – consider Michael Ondaatje’s The English Patient, Sebastian Faulks’s Birdsong, or, to a lesser degree, Ian McEwan’s Atonement – but a vivid, sexy, not-doomed-feeling love story that also takes a war zone as a central subject rather than simply a setting is rarer, A first novel that reads nothing like one, this is a tender, fiercely beautiful story . . . Every finely grooved detail here feels authentic’, Hands down the best book this year was Trespasses by Louise Kennedy. There has been praise for Kennedy’s eye in recreating the Belfast of the mid-70s, but it is the precision of the emotional detail that holds the readers attention: after a while, you forget to exhale, We know that civil wars are made up of thousands of small tragedies. But I know few novels that convey the grim predictability of everyday violence during that period so well. Kennedy’s careful attention is a welcome counter to Brexit’s careless disregard of lives and loves lost

Louise Kennedy grew up in Holywood, Co. Down. Her short stories have appeared in journals including The Stinging Fly, The Tangerine, Banshee, Wasifiri and Ambit and she has written for the Guardian, Irish Times, BBC Radio 4 and RTE Radio 1. Her work has won prizes and she was shortlisted for the Sunday Times Audible Short Story Award in both 2019 and 2020. Before starting her writing career, she spent nearly thirty years working as a chef. She lives in Sligo with her husband and two children.

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