Despite their rowdy hookups, Harlow and Finn don't even like each other...which would explain why their marriage lasted only twelve hours. He needs to be in charge and takes whatever he wants. She lives by the Want-something-done? Do-it-yourself mantra. Maybe she's too similar to the rugged fisherman-or just what he needs.
CONTRIBUTORS: Christina LaurenEAN: 9781476777962COUNTRY: United StatesPAGES: WEIGHT: 308 gHEIGHT: 210 cm
PUBLISHED BY: Simon & SchusterDATE PUBLISHED: 2014-11-04CITY: GENRE: FICTION / Romance / Contemporary, FICTION / Romance / New Adult, FICTION / WomenWIDTH: 135 cmSPINE:
Book Themes:
Modern and contemporary fiction: general and literary
"A sexy, sweet treasure of a story. I loved every word.", "Readers will quickly fall for Finn. Lauren has mastered writing delectable heroes and strong-willed heroines to match, and the contrast between the rough-edged Finn and polished Harlow makes for a passionate romance.", The pseudonymous writing duo behind Beautiful Bastard (2013) continues the Wild Seasons series with a sequel that is both dirty and rowdy. When a friend's comic-book store opening brings Finn to Harlow's neighborhood, they can't deny their lingering feelings for long […] In addition to casual sex, the two distract themselves from more serious life issues with authentic regional fun involving comic books and craft beers with their friends, who make for hilarious secondary characters. Fans will appreciate that Mia and Ansel, who were the focus of Book 1 [Sweet Filthy Boy], are still together when they all meet up at the grand opening. In a story that is easily devoured in one sitting, the details are sparse but spot-on—"Apparently there are a lot of nerds in San Diego," notes Finn—and witty dialogue carries the plot swiftly to a happy ending. The romance unfolds like a series of drunken text messages, which, perhaps surprisingly, is not a bad thing., “Sweet Filthy Boy lives up to every yummy bit of its title. Each word, each thought, each touch from Ansel is pure, unadulterated SEX. Christina Lauren's assured writing and their ability to create a scorching and witty love story makes them an automatic 1-Click for us.”, "Sweet Filthy Boy had my heart pounding from cover to cover and reminded me of first loves and being young. A must-read!"
Christina Lauren is the combined pen name of longtime writing partners and best friends Christina Hobbs and Lauren Billings, the New York Times, USA TODAY, and #1 internationally bestselling authors of the Beautiful and Wild Seasons series, Dating You / Hating You, Autoboyography, Love and Other Words, Roomies, Josh and Hazel’s Guide to Not Dating, My Favorite Half-Night Stand, The Unhoneymooners, Twice in a Blue Moon, The Soulmate Equation, Something Wilder, and The True Love Experiment. You can find them online at ChristinaLaurenBooks.com and @ChristinaLauren on Instagram or Twitter.
Format: Paperback / softback
Despite their rowdy hookups, Harlow and Finn don't even like each other...which would explain why their marriage lasted only twelve hours. He needs to be in charge and takes whatever he wants. She lives by the Want-something-done? Do-it-yourself mantra. Maybe she's too similar to the rugged fisherman-or just what he needs.
CONTRIBUTORS: Christina LaurenEAN: 9781476777962COUNTRY: United StatesPAGES: WEIGHT: 308 gHEIGHT: 210 cm
PUBLISHED BY: Simon & SchusterDATE PUBLISHED: 2014-11-04CITY: GENRE: FICTION / Romance / Contemporary, FICTION / Romance / New Adult, FICTION / WomenWIDTH: 135 cmSPINE:
Book Themes:
Modern and contemporary fiction: general and literary
Christina Lauren is the combined pen name of longtime writing partners and best friends Christina Hobbs and Lauren Billings, the New York Times, USA TODAY, and #1 internationally bestselling authors of the Beautiful and Wild Seasons series, Dating You / Hating You, Autoboyography, Love and Other Words, Roomies, Josh and Hazel’s Guide to Not Dating, My Favorite Half-Night Stand, The Unhoneymooners, Twice in a Blue Moon, The Soulmate Equation, Something Wilder, and The True Love Experiment. You can find them online at ChristinaLaurenBooks.com and @ChristinaLauren on Instagram or Twitter.
Lani en Elliot balanseer nie en die vonke spat uit die staanspoor
Elliot tree totaal buite karakter op toe hy langs die hoofpad stop om ’n ryloper op te laai. Hy neem haar boonop na sy ouerhuis toe en vind aanhoudend redes om haar binne sy sfeer te hou. Mens sou dit liefde met die eerste opslag wou noem, maar gewilde skrywer, Madelie Human, noem dit Kortpadliefde.
Moenie verwag dat alles glad gaan verloop nie. “Hy en Lani is beslis nie die twee kante van ’n wiskundige vergelyking nie. Hulle balanseer nie. Kyk maar net hoe die vonke tussen hulle van die eerste oomblik af gespat het.” (p.50)
Moet verder nie verwag dat dit die standaard romanse is nie. Daar is baie diepgaande kwessies wat oopgeskryf word, soos ouer-kind verhoudings, beroepsbedrewendheid, soeke na sosiale aansien, selfs ’n cougar wat skaamteloos die mooi verhouding tussen Lani en Elliot verontagsaam. Dwelmsmokkelary, verdagmaking en vooroordeel is dinge wat negatief inwerk op die ontwikkelende verhouding, maar gelukkig gee die skrywer dit in kleinerige porsies deur aan die leser.
Kortpadliefde is die nuutste in ’n lang lys van suksesvolle Romanzas deur Madelie Human, wat uitgegee is deur Lapa.
As ’n gesoute leser van romanses, mag jy dalk dink dat jy ’n goeie idee het oor romantiese liefde. Lees jy egter René van Zyl se nuutste Romanza, Sigeunerliefde, gaan jy ’n nuwe definisie raaklees wat die skrywer gaan leen het uit die opera, Carmen. “Liefde is ’n sigeuner se kind wat hom nie aan wette steur nie en nie gedwing kan word om lief te hê nie.” (p.182)
Karmen se verhaal het my skoon nostalgies gehad. Ek het self die voorreg gehad om Spanje te besoek en goeie herinneringe het kom aanklop: Flamenco-dansers, Gaudi, die Sagrada Familia-basilika, metrotreinritte deur Barcelona, sangria by ‘n kafee, stap met La Rambla langs. Jy hoef egter nie te vrees dat dit gaan lees soos ’n reisbrosjure nie. Die agtergrond is presies dit, die verhoog waarop ’n hartroerende verhaal afspeel van ’n jong vrou wat geteister word deur verwyte, gemis van haar ouers en veroordeling deur haar ouma.
Die straatmusikant wat haar hart kom steel, leer haar ook dat sy nie mag het oor lewe en dood nie. Sy moet die skuldlas laat vaar wat haar dryf om soos ’n sigeuner rond te swerf en nêrens rus te vind nie.
Die skrywer gee subtiele wenke oor sekere elemente van die storie, net genoeg om nie die oomblik te bederf wanneer die kloutjie en die oortjie mekaar vind nie. Hierdie is ’n heel oorspronklike storielyn wat ek geweldig baie geniet het, selfs ’n traan afgevee het.
This is one of the best books I've ever read.
At first, it seems like a simple story about farm animals who rebel against their owner in search of a better life. However, as the story progresses it becomes clear that Orwell is making a much deeper point about politics, corruption and power.
What I found most interesting was how the pigs slowly become just as bad as the humans they replaced. Napoleon’s rise to power feels frustrating to watch, especially because the other animals trust him so easily. Characters like Boxer are particularly memorable because they show how loyalty and hard work can be taken advantage of by those in authority.
Although Animal Farm is based on historical events, its message still feels relevant today. The book highlights how propaganda, misinformation, and blind trust in leaders can allow people to gain and abuse power. Orwell presents these ideas in a way that is easy to understand without making the story feel like a history lesson.
Overall, I really enjoyed Animal Farm. Its simple writing style makes it accessible, but the themes are complex and thought-provoking. I would recommend it to anyone who enjoys books that make you think about society and human nature or just people that really enjoy political satire.
Met die pragtige Helene de Kock Inspirasie-omnibus in my hand, het ek vrymoedigheid geneem om by die skrywer aan te klop met ’n paar vrae, wat sy goedgunstiglik beantwoord het.
Ek wou in die eerste plek weet of sy sulke romans wat vir herpublikasie oorweeg word, moet redigeer. Haar antwoord was baie duidelik en goed gemotiveer: sy skaaf nooit aan heruitgawes nie omdat dit goed is dat lesers ’n boek binne sy tydvak lees. “Al beweeg die karakters teen die tydsgees in”, het sy gesê.
Verder wou ek weet of sy, as skrywer, insae het in die keuse van boeke vir ‘n omnibus, waarop sy positief geantwoord het dat sy wel insae het en dit moet goedkeur.
Die produk van hierdie proses is die kombinasie van Kruispad vir Kara, oorspronklik uitgegee in 2018, en Engel op die drumpel, uitgegee in 1999. Daar is nogal heelwat raakpunte tussen hierdie twee romans in die geestelike fiksie genre. Die hoofkarakters in albei is studente aan Tukkies en albei is pratige meisies wat die aandag trek van mansstudente wat sosiale en akademiese aansien geniet. Jannes Conradie en Hein Leroux deel egter ’n swakte: hulle is nie ouens wat erns maak met verhoudings nie.
Liriese taalgebruik en goeie kennis van die Woord asook die gawe om dit toepaslik in die storielyn te verweef, maak van Helene de Kock se boeke iets besonders, sonder om prekerig oor te kom. Haar karakters ly verlies, hulle voer ’n geloofstryd, het baie wroeging, en hulle moet indringend selfondersoek doen alvorens daar uiteindelik oorwinning kom. Vir die romantiese siele is daar ook die belofte van liefde wat oorwin.
Die Inspirasie-omnibus is uitgegee deur Lux Verbi, die geestelike druknaam van Jonathan Ball Uitgewers. Jy sal dit oral in goeie boekwinkels kan opspoor.
