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Coming-of-age novel about two boys who fall in love in a writing class—one from a progressive family and the other from a conservative religious community. Three years ago, Tanner Scott’s family relocated from California to Utah, a move that nudged the bisexual teen temporarily back into the closet. Now, with one semester of high school to go, and no obstacles between him and out-of-state college freedom, Tanner plans to coast through his remaining classes and clear out of Utah. But when his best friend Autumn dares him to take Provo High’s prestigious Seminar—where honor roll students diligently toil to draft a book in a semester—Tanner can’t resist going against his better judgment and having a go, if only to prove to Autumn how silly the whole thing is. Writing a book in four months sounds simple. Four months is an eternity. It turns out, Tanner is only partly right: four months is a long time. After all, it takes only one second for him to notice Sebastian Brother, the Mormon prodigy who sold his own Seminar novel the year before and who now mentors the class. And it takes less than a month for Tanner to fall completely in love with him.* Christina Lauren is the combined pen name of long-time writing partners Christina Hobbs and Lauren Billings. The coauthor duo write both Young Adult and Adult Fiction, and together have produced nine New York Times bestselling novels, including Beautiful Bastard and Sweet Filthy Boy.* Tanner's voice is humorous, compelling, and just snarky enough to make him insanely compelling. Teens will relate to his charm and fly-by-the-seat-of-your-pants attitude, as well as his insecurities and vulnerability.* While Autoboyography isn't exactly a coming out story, it is about Tanner checking and understanding his privilege as a gay kid from a progressive family in Provo, Utah. Tanner slowly comes to see the world is far more complicated than he realized—even when he grew up with the evidence of it right in front of his face.* This book has moments of laugh-out-loud hilarity, but it also tackles serious topics important to teens—young gay teens in particular—making for a perfect, balanced read.
CONTRIBUTORS: Christina LaurenEAN: 9781481481694COUNTRY: United StatesPAGES: WEIGHT: 345 gHEIGHT: 210 cm
PUBLISHED BY: Simon & SchusterDATE PUBLISHED: CITY: GENRE: YOUNG ADULT FICTION / Coming of Age, YOUNG ADULT FICTION / Romance / LGBTQ+, YOUNG ADULT FICTION / Social Themes / Dating & SexWIDTH: 140 cmSPINE:
Book Themes:
Interest age: from c 14 years, Relating to LGBTQ+ people, Children’s / Teenage fiction: General, modern and contemporary fiction, Children’s / Teenage fiction: Relationship stories, Children’s / Teenage personal and social topics: Dating, relationships, romance and love
"Once again writing as Lauren, Christina Hobbs and Lauren Billings (The House) tackle religion, identity, and sexuality, seamlessly interweaving Tanner’s Seminar project, his crush on Sebastian, and the fallout when Sebastian’s feelings conflict with his church’s expectations of him. A hopeful and moving love story.", "Manages to tackle the intricacies of sexuality versus organized religion in an intense but ultimately inspirational narrative. Lauren successfully tackles a weighty subject with both ferocity and compassion.", "Readers will cheer for Tanner's confidence in his sexual identity and for the quality bi representation he provides. Satisfying.", "This sensitive and complex story is as much about finding love as it is about finding and accepting oneself....The text deals sensitively with serious issues, especially Sebastian’s grappling with his sexuality in the context of a stifling Mormon upbringing, but it’s also hilarious and relatable. Readers will enjoy seeing Tanner find his voice.", "An impressively balanced approach to writing about the conflict between sexuality and strict religion. Members of the Mormon church are not painted as one-dimensional villains, but as multifaceted individuals with merits and faults....The teenagers are modern and relatable and the plot is emotionally engaging without becoming dark. VERDICT A thoughtful variation on the traditional high school LGBTQ+ romance"
Christina Lauren is the combined pen name of longtime writing partners and best friends Christina Hobbs and Lauren Billings, the New York Times, USA TODAY, and #1 internationally bestselling authors of the Beautiful and Wild Seasons series, Dating You / Hating You, Autoboyography, Love and Other Words, Roomies, Josh and Hazel’s Guide to Not Dating, My Favorite Half-Night Stand, The Unhoneymooners, Twice in a Blue Moon, The Soulmate Equation, Something Wilder, and The True Love Experiment. You can find them online at ChristinaLaurenBooks.com and @ChristinaLauren on Instagram or Twitter.
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Coming-of-age novel about two boys who fall in love in a writing class—one from a progressive family and the other from a conservative religious community. Three years ago, Tanner Scott’s family relocated from California to Utah, a move that nudged the bisexual teen temporarily back into the closet. Now, with one semester of high school to go, and no obstacles between him and out-of-state college freedom, Tanner plans to coast through his remaining classes and clear out of Utah. But when his best friend Autumn dares him to take Provo High’s prestigious Seminar—where honor roll students diligently toil to draft a book in a semester—Tanner can’t resist going against his better judgment and having a go, if only to prove to Autumn how silly the whole thing is. Writing a book in four months sounds simple. Four months is an eternity. It turns out, Tanner is only partly right: four months is a long time. After all, it takes only one second for him to notice Sebastian Brother, the Mormon prodigy who sold his own Seminar novel the year before and who now mentors the class. And it takes less than a month for Tanner to fall completely in love with him.* Christina Lauren is the combined pen name of long-time writing partners Christina Hobbs and Lauren Billings. The coauthor duo write both Young Adult and Adult Fiction, and together have produced nine New York Times bestselling novels, including Beautiful Bastard and Sweet Filthy Boy.* Tanner's voice is humorous, compelling, and just snarky enough to make him insanely compelling. Teens will relate to his charm and fly-by-the-seat-of-your-pants attitude, as well as his insecurities and vulnerability.* While Autoboyography isn't exactly a coming out story, it is about Tanner checking and understanding his privilege as a gay kid from a progressive family in Provo, Utah. Tanner slowly comes to see the world is far more complicated than he realized—even when he grew up with the evidence of it right in front of his face.* This book has moments of laugh-out-loud hilarity, but it also tackles serious topics important to teens—young gay teens in particular—making for a perfect, balanced read.
CONTRIBUTORS: Christina LaurenEAN: 9781481481694COUNTRY: United StatesPAGES: WEIGHT: 345 gHEIGHT: 210 cm
PUBLISHED BY: Simon & SchusterDATE PUBLISHED: CITY: GENRE: YOUNG ADULT FICTION / Coming of Age, YOUNG ADULT FICTION / Romance / LGBTQ+, YOUNG ADULT FICTION / Social Themes / Dating & SexWIDTH: 140 cmSPINE:
Book Themes:
Interest age: from c 14 years, Relating to LGBTQ+ people, Children’s / Teenage fiction: General, modern and contemporary fiction, Children’s / Teenage fiction: Relationship stories, Children’s / Teenage personal and social topics: Dating, relationships, romance and love
Christina Lauren is the combined pen name of longtime writing partners and best friends Christina Hobbs and Lauren Billings, the New York Times, USA TODAY, and #1 internationally bestselling authors of the Beautiful and Wild Seasons series, Dating You / Hating You, Autoboyography, Love and Other Words, Roomies, Josh and Hazel’s Guide to Not Dating, My Favorite Half-Night Stand, The Unhoneymooners, Twice in a Blue Moon, The Soulmate Equation, Something Wilder, and The True Love Experiment. You can find them online at ChristinaLaurenBooks.com and @ChristinaLauren on Instagram or Twitter.
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A fantastic book. The moment I started reading I was pulled into a gripping storyline that constantly had me on the edge of my seat. I couldn’t put it down even for a moment.
As daar nou al ooit ’n onwaarskynlike liefde geskets is in ’n romanse, is dit die verhouding tussen Danika en Dewald. Dit kon skaars slegter begin, met sy ondeurdagte opmerking by die begrafnis van Danika se man. Maar dit is sy grysblou oë, en nie net die beskuldiging wat hy uitgespreek het nie, wat haar ry.
Die storielyn fokus sterk op skuld, aanspreeklikheid en die invloed van ander se oordeel oor situasies. Mens kan kers opsteek by Dewald, met sy nugtere uitkyk. Dit was egter juis sy geneigdheid om jammer te kry en te vergoed vir onreg, wat ’n tydelike wig tussen hulle ingedryf het.
Ek het nog nooit die voorreg van ’n ski-vakansie gehad nie, daarom het ek dit baie geniet saam met Danika en haar familie. Net genoeg inligting om die storielyn te ondersteun en Danika se vertwyfeling finaal stop te sit.
Ek het vinnig weer gekyk na hierdie skrywer se vorige twee Romanzas, Om die sterre te raak, en Waag en wen, en ek voel daar is ’n duidelike groei in haar skryfstyl. Onvoorwaardelike liefde verdien ’n ekstra ster van my kant af.
Die Romanza in die Moderne subgenre, is uitgegee deur Lapa Uitgewers.
In onlangse Romanzas was daar ’n paar boere waaroor lesers en heldinne geswymel het. Malene Breytenbach skryf toe ook ’n boer in haar nuwe Romanza in, maar met die verskil dat hierdie boer die skurk is. ’n Angswekkende en afstootlike teisteraar wat vir Kira Louw noop om ’n pos as verpleegster op ’n luukste passasierskip te aanvaar in ’n poging om van hom ontslae te raak.
Dit bring dan ook die ware held in die prentjie, die aantreklike skeepsdokter, Albert Dorell. Struikelblokke is ’n gegewe in die romanse genre, maar die skrywer vermy een wat alte dikwels opduik, naamlik ’n held wat vooraf besluit het, om welke rede ookal, dat hy nie gaan trou nie. Sy kom met ’n vars invalshoek, naamlik die vereiste dat ’n vrou vir Albert moet kan aanpas by ’n gegoede en tradisievaste familie op Malta. Anders as sy pa en sy voormalige Suid-Afrikaanse vrou, wie se huwelik nie die toets deurstaan het nie.
Die feit dat aantreklike mans en vrouens gewoonlik té veel aandag kry van die teenoorgestelde geslag, maak ook telkens deel uit van die storielyn van Seenimf en die skeepsdokter. Die skip en die bedrywighede dien as agtergrond, maar oorheers nie die storielyn nie. ’n Oulike ekstra is die pittige karakter, Lee-Anne in wie Kira ’n bondgenoot vind. “Jy’t nie vir my koebaai gesê nie, toe’s ek nogal aangevat in my binneste, jy weet.” (p.106) Ek het vir Lee-Anne baie geniet, so ook die storie as geheel. Daar was oorgenoeg onverwagte wendings om die aandag te behou, alvorens die uiteindelike gelukkige einde aanmeld.
Haar voorneme om nie weer betrokke te raak nie, swig voor 'n aantreklike boer
’n Jaar nadat haar verlowing misluk het, koop Marguerite van Wyk Die Blou Turksvy, ’n besige winkel op haar grootworddorp, Viljoensvlei. Sy het groot planne om dit uit te brei en vaste voornemens om “eerder kaalvoet oor die naaste berg (te loop) as om ooit weer die gedagte te kry om haar aan ’n man te verbind.” (p. 11)
Op Engels is daar ’n uitdrukking wat lui: famous last words. Dit is wat mens spoedig van haar voorneme kan sê wanneer Bernard Visagie op die toneel verskyn. Die aantrekkingskrag tussen dié twee gee ook aanleiding tot ’n interessante dimensie in die storielyn, want dit word duidelik dat daar ’n vete van meer as dertig jaar bestaan tussen die Van Wyks en die Visagies. Die skrywer hou mens aan die wonder daaroor, terwyl Bernard en Marguerite hulle eie stryd het met hulle gevoelens vir mekaar.
Die oulike titel kom by monde van die einste boer, Bernard: “Miskien gee iemand jou eendag ’n rede om te bly.” (p.117) Die held kry volpunte by my, ’n man uit een stuk, standvastig en met goeie maniere. Die romanse is uitgegee in die sub-genre, Plaas, en het goed daarin geslaag om my aandag te behou. Ek het juis deesdae so ’n swakte vir boere en boere se vrouens!