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'A truly great translation . . . This English version really is better' - A. N. Wilson, The SpectatorTIMES LITERARY SUPPLEMENT BOOKS OF THE YEAR 2014This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues. Embarking on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption.Fyodor Dostoevsky (1821-1881) was born in Moscow and made his name in 1846 with the novella Poor Folk. He spent several years in prison in Siberia as a result of his political activities, an experience which formed the basis of The House of the Dead. In later life, he fell in love with a much younger woman and developed a ruinous passion for roulette. His subsequent great novels include Notes from Underground, Crime and Punishment, The Idiot, Demons and The Brothers Karamazov.Oliver Ready is Research Fellow in Russian Society and Culture at St Antony's College, Oxford. He is general editor of the anthology, The Ties of Blood: Russian Literature from the 21st Century (2008), and Consultant Editor for Russia, Central and Eastern Europe at the Times Literary Supplement.
Format: CONTRIBUTORS: Fyodor Dostoevsky, Oliver ReadyEAN: 9780141192802COUNTRY: United KingdomPAGES: WEIGHT: 403 gHEIGHT: 181 cm
Classic fiction: general and literary, Fiction in translation
A superb translation , A truly great translation ... Sometimes new translations of old favourites are surplus to our requirements. Sometimes, though, a new translation really makes us see a favourite masterpiece afresh. And this English version of Crime and Punishment really is better ... Crime and Punishment, as well as being an horrific story and a compelling drama, is also extremely funny. Ready brings out this quality well ... That knife-edge between sentimentality and farce has been so skilfully and delicately captured here ... Ready's version is colloquial, compellingly modern and - in so far as my amateurish knowledge of the language goes - much closer to the Russian. ... The central scene in the book is a masterpiece of translation, I was delighted to discover Oliver Ready's new translation of Crime and Punishment ... It is brimful of a young man's rage and energy and bullshit. I adored it, This vivid, stylish and rich rendition by Oliver Ready compels the attention of the reader in a way that none of the others I've read comes close to matching. Using a clear and forceful mid-20th-century idiom, Ready gives us an entirely new kind of access to Dostoyevsky's singular, self-reflexive and at times unnervingly comic text. This is the Russian writer's story of moral revolt, guilt and possible regeneration turned into a new work of art ... [It] will give a jolt to the nervous system to anyone interested in the enigmatic Russian author, Oliver Ready's translation of Crime and Punishment . . . is a five-star hit, which will make you see the original with new eyes
Fyodor Mikhailovich Dostoyevsky was born in Moscow in 1821. In 1849 he was arrested for involvement with the politically subversive 'Petrashevsky circle' and until 1854 he lived in a convict prison in Omsk, Siberia. After the death of his first wife, Maria, in 1864, Dostoyevsky completed Notes from Underground and began work towards Crime and Punishment (1866). The major novels of his late period are The Idiot (1868), Demons (1871-2) and The Brothers Karamazov (1879-80). He died in 1881.Oliver Ready is Research Fellow in Russian Society and Culture at St Antony's College, Oxford. He is general editor of the anthology, The Ties of Blood: Russian Literature from the 21st Century (2008), and Consultant Editor for Russia, Central and Eastern Europe at the Times Literary Supplement.
'A truly great translation . . . This English version really is better' - A. N. Wilson, The SpectatorTIMES LITERARY SUPPLEMENT BOOKS OF THE YEAR 2014This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues. Embarking on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption.Fyodor Dostoevsky (1821-1881) was born in Moscow and made his name in 1846 with the novella Poor Folk. He spent several years in prison in Siberia as a result of his political activities, an experience which formed the basis of The House of the Dead. In later life, he fell in love with a much younger woman and developed a ruinous passion for roulette. His subsequent great novels include Notes from Underground, Crime and Punishment, The Idiot, Demons and The Brothers Karamazov.Oliver Ready is Research Fellow in Russian Society and Culture at St Antony's College, Oxford. He is general editor of the anthology, The Ties of Blood: Russian Literature from the 21st Century (2008), and Consultant Editor for Russia, Central and Eastern Europe at the Times Literary Supplement.
Format: CONTRIBUTORS: Fyodor Dostoevsky, Oliver ReadyEAN: 9780141192802COUNTRY: United KingdomPAGES: WEIGHT: 403 gHEIGHT: 181 cm
Fyodor Mikhailovich Dostoyevsky was born in Moscow in 1821. In 1849 he was arrested for involvement with the politically subversive 'Petrashevsky circle' and until 1854 he lived in a convict prison in Omsk, Siberia. After the death of his first wife, Maria, in 1864, Dostoyevsky completed Notes from Underground and began work towards Crime and Punishment (1866). The major novels of his late period are The Idiot (1868), Demons (1871-2) and The Brothers Karamazov (1879-80). He died in 1881.Oliver Ready is Research Fellow in Russian Society and Culture at St Antony's College, Oxford. He is general editor of the anthology, The Ties of Blood: Russian Literature from the 21st Century (2008), and Consultant Editor for Russia, Central and Eastern Europe at the Times Literary Supplement.
Vier komplekse verhoudings, bietjie misdaad, baie liefde
Die titel van Elsa Winckler se nuwe roman, ’n Ierse knoop, vat die essensie van die storielyn baie goed vas. Neem vier Ierse broers, voeg daarby vier aantreklike, intelligente vriendinne, en jy het die resep vir ’n stewige romantiese knoop. Volgens tradisie het ’n Ierse knoop (Celtic cross) oneindige lyne wat vervleg sodat die onderskeid vervaag, inderdaad wat gebeur wanneer die O’Connor broers vinnig elkeen sy gunsteling vind onder die vier dames wat hulle voorgenome ontwikkeling in Fynbosbaai teëstaan.
“Ierse stories het selde ’n happy ending.” (p.153) Al die broers deel Liam se fatalistiese siening oor verhoudings, voortspruitend uit die voorbeeld van hulle ouers se huwelik. Dit spreek dus vanself dat daar oorgenoeg konflik gaan wees namate die vier verhoudings sukkel om op dreef te kom. Voeg verder daarby, afdreiging, perlemoenstropery en onopgeloste verdwynings.
Ek het die boek begin lees met die verwagting dat één van die broers ’n volatiele verhouding gaan aanknoop met één van die vriendinne, wat ’n reeks sou impliseer. Die skrywer het egter verras deur vier komplekse verhoudings te skep in een boek. Dit het uiteraard uitdagings gestel met agt hoofkarakters wat om die beurt fokaliseer. ’n Paar foute het ongelukkig deurgeglip, maar aanhangers sal steeds lekker kan lees en tevrede wees met die tradisionele gelukkige einde.
’n Ierse knoop is uitgegee deur Lapa, ’n afdeling van Penguin Random House SA.
I am amazed by this book. It is a murder mystery with suprising twists. It follows a 17 year old Pippa. Pip wants to do her EPQ school project on the Andie Bell case and throughout her project she discovers new leads that might lead her to the killer if he hasnt already been found. There isn't really romance in this book. Though I am rooting for a couple in mind. This book has loss and gain and is a must read. This book was really popular on bookyok a couple of years ago and I regret not reading it earlier. Theres also a show based on this book. Suitable for all ages really.
Debra drops (or is dropped?) into Uruk in Sumer in 2000BC. It is a shock certainly, four thousand years ago is a long time, but noone has any time for ninnies here. In between working in the fields and hand-in-hand with the 6-year-old Leqi, she listens to ancient Sumerian stories about Gilgamesh, the precursors to the bible stories, and the material that has proved to be fundamental to our literary tradition. Given the opportunity to go to school (after all she can write in a funny script already) She persuades the head priest to allow her to take young Leqi with her. The tension lies in the penurious circumstances in Uruk for peasants and the financial demands created by schooling, beautifully crafted between two narrative threads - daily life vs. the literary tradition. In the final moment of the book they slam together in a way that brought tears to my eyes. I couldn't recommend it highly enough.