King Leopold's Ghost

Winner of the Duff Cooper Prize, Adam Hochschild's King Leopold’s Ghost is the true and haunting account of Leopold's brutal regime and its lasting effect on a ruined nation. In the late nineteenth century, when the great powers in Europe were tearing Africa apart and seizing ownership of land for themselves, King Leopold of Belgium took hold of the vast and mostly unexplored territory surrounding the Congo River. In his devastatingly barbarous colonization of this area, Leopold stole its rubber and ivory, pummelled its people and set up a ruthless regime that would reduce the population by half. While he did all this, he carefully constructed an image of himself as a deeply feeling humanitarian.King Leopold's Ghost is the inspiring and deeply moving account of a handful of missionaries and other idealists who travelled to Africa and unwittingly found themselves in the middle of a gruesome holocaust. Instead of turning away, these brave few chose to stand up against Leopold. Adam Hochschild brings life to this largely untold story and, crucially, casts blame on those responsible for this atrocity.'All the tension and drama that one would expect in a good novel' - Robert Harris, author of Fatherland

All the tension and drama that one would expect in a good novel, A history like none other . . . an amazing book, Astonishing . . . Adam Hochschild writes a compelling narrative in lucid prose, one that chronicles a conveniently forgotten atrocity that stains the pages of world history., With this book, Hochschild, like other historians before him, ensures that King Leopold has not gotten away with his efforts to erase the memory of his brutal acts.

Adam Hochschild teaches writing at the Graduate School of Journalism at the University of California at Berkeley. He lives in San Francisco with his wife. He is the author of Spain in Our Hearts: Americans in the Spanish Civil War, 1936–1939 and King Leopold’s Ghost: a Story of Greed, Terror and Heroism in Colonial Africa which won the Duff Cooper Prize in the UK, the Lionel Gelber Prize in Canada and was a finalist for the 1998 National Book Critics Circle Award in the United States.

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