FREE delivery to all EXCLUSIVE BOOKS stores nationwide. FREE delivery to your door on all orders over R450. Excludes all international deliveries.

Oxford Handbook of Pop Music

Eric Weisbard
    Product form
      FORMAT: Hardback

      R 9,281.00 Price and availability exclusive to website

      YOU COULD EARN 9,281 FUTURE RETAIL DISCOUNTS.
      ESTIMATED DELIVERY: Approx. 20 - 30 Business Days
      BUY NOW PAY LATER
      From R 1,546.83 per month!
      3x monthly payments of R 3,093.66 with
      4x fortnightly payments of R 2,320.25 with

      Pop music, by definition, is commercial music: motivated by profit more than artistry, changing to fit the needs of audiences and industry, not codes of genre, seeking a mainstream appeal that forbids too much fussiness about aesthetic absolutes. This resistance to firm definition beyond ledger sheets has left no precise field of pop studies to glean from. Nevertheless, academics and writers continue to pursue this shifting field of study, approaching pop music with a rigorous and critical eye. Famously, these studies have yielded the phrase "poptimism," a disposition to correct for the anti-mainstream biases of what, by contrast, is deemed "rockism."The Oxford Handbook of Pop Music uncovers pop music studies within popular music studies. Featuring an international roster of authors from academic and non-academic disciplines, it tracks the origin points, formal staples, identity intersections, and 21st century matriculation of Top 40 music and all its kindred forms as an increasingly global and self-aware enterprise.This volume features chapters on racy 19th-century sheet music, Thailand's pleng string 1980s, Eurovision, the coded influence of Black gay men on pop, disability and pop, Spanish-language pop's breakthrough, streaming's consumer politics, TikTok virality, and much more. Overall, the wide-reaching genre of pop has long represented the easiest entry points for outsiders to sanctioned taste and cultural capital. Non-white performers, women and LGBTQ artists, immigrants and amateurs: pop has welcomed them all to the stage and the spotlight.

      Format: Hardback CONTRIBUTORS: Eric Weisbard EAN: 9780197760253 COUNTRY: United States PAGES: 776 WEIGHT: 1306 g HEIGHT: 254 mm
      PUBLISHED BY: Oxford University Press Inc DATE PUBLISHED: 2026-09-01 CITY: GENRE: MUSIC / Genres & Styles / Pop Vocal WIDTH: 183 mm SPINE:

      Book Themes:

      Easy listening, Music reviews and criticism, Popular music

      Customer Reviews

      Be the first to write a review
      0%
      (0)
      0%
      (0)
      0%
      (0)
      0%
      (0)
      0%
      (0)
      Eric Weisbard is Professor of American Studies at University of Alabama and author of such books as Top 40 Democracy: The Rival Mainstreams of American Music and Songbooks: The Literature of American Popular Music. Cofounder and longtime organizer of the Pop Conference (including three edited collections), he has also co-edited Journal of Popular Music Studies, been Village Voice music editor, and edited the Spin Alternative Record Guide.

      Pop music, by definition, is commercial music: motivated by profit more than artistry, changing to fit the needs of audiences and industry, not codes of genre, seeking a mainstream appeal that forbids too much fussiness about aesthetic absolutes. This resistance to firm definition beyond ledger sheets has left no precise field of pop studies to glean from. Nevertheless, academics and writers continue to pursue this shifting field of study, approaching pop music with a rigorous and critical eye. Famously, these studies have yielded the phrase "poptimism," a disposition to correct for the anti-mainstream biases of what, by contrast, is deemed "rockism."The Oxford Handbook of Pop Music uncovers pop music studies within popular music studies. Featuring an international roster of authors from academic and non-academic disciplines, it tracks the origin points, formal staples, identity intersections, and 21st century matriculation of Top 40 music and all its kindred forms as an increasingly global and self-aware enterprise.This volume features chapters on racy 19th-century sheet music, Thailand's pleng string 1980s, Eurovision, the coded influence of Black gay men on pop, disability and pop, Spanish-language pop's breakthrough, streaming's consumer politics, TikTok virality, and much more. Overall, the wide-reaching genre of pop has long represented the easiest entry points for outsiders to sanctioned taste and cultural capital. Non-white performers, women and LGBTQ artists, immigrants and amateurs: pop has welcomed them all to the stage and the spotlight.

      Format: Hardback CONTRIBUTORS: Eric Weisbard EAN: 9780197760253 COUNTRY: United States PAGES: 776 WEIGHT: 1306 g HEIGHT: 254 mm
      PUBLISHED BY: Oxford University Press Inc DATE PUBLISHED: 2026-09-01 CITY: GENRE: MUSIC / Genres & Styles / Pop Vocal WIDTH: 183 mm SPINE:

      Book Themes:

      Easy listening, Music reviews and criticism, Popular music

      Customer Reviews

      Be the first to write a review
      0%
      (0)
      0%
      (0)
      0%
      (0)
      0%
      (0)
      0%
      (0)
      Eric Weisbard is Professor of American Studies at University of Alabama and author of such books as Top 40 Democracy: The Rival Mainstreams of American Music and Songbooks: The Literature of American Popular Music. Cofounder and longtime organizer of the Pop Conference (including three edited collections), he has also co-edited Journal of Popular Music Studies, been Village Voice music editor, and edited the Spin Alternative Record Guide.

      Recently viewed products

      Login

      Forgot your password?

      Don't have an account yet?
      Create account