Reading George Eliot's work was described by one Victorian critic as like the feeling of entering the confessional in which the novelist sees and hears all the secrets of human psychology—'that roar which lies on the other side of silence'. This new biography of George Eliot goes beyond the much-told story of her life. It gives an account of what it means to become a novelist, and to think like a novelist: in particular a realist novelist for whom art existsnot for art's sake but in the exploration and service of human life. It shows the formation and the workings of George Eliot's mind as it plays into her creation of some of the greatest novels of the Victorian era. When at the age of 37 Marian Evans became George Eliot, this change followed long mental preparation and personal suffering. During this time she related her power of intelligence to her capacity for feeling: discovering that her thinking and her art had to combine both. That was the great ambition of her novels—not to be mere pastimes or fictions but experiments in life and helps in living, through the deepest account of human complexity available. Philip Davis's illuminating newbiography will enable you both to see through George Eliot's eyes and to feel what it is like to be seen by her, in the imaginative involvement of her readers with her characters.
Format: CONTRIBUTORS: Philip DavisEAN: 9780198825630COUNTRY: United KingdomPAGES: WEIGHT: 582 gHEIGHT: 233 cm
PUBLISHED BY: Oxford University PressDATE PUBLISHED: 2018-09-20CITY: GENRE: BIOGRAPHY & AUTOBIOGRAPHY / Literary Figures, LITERARY COLLECTIONS / Women Authors, LITERARY CRITICISM / Modern / 19th CenturyWIDTH: 152 cmSPINE:
Book Themes:
19th century, c 1800 to c 1899, Biography: writers, Literary studies: fiction, novelists and prose writers
The strength of Davis's superbly written work of "the great transmitter," as he calls her, lies in the readings of the fiction and discussion of the impact of George Lewes's work on Eliot ... Summing Up: Highly recommended. Lower-division undergraduates through faculty; general readers., The Transferred Life of George Eliot makes its case with impressive force and eloquence. In doing so, it leaves aside many of the standard elements of a biography: an orderly sequence of life-events, financial affairs, contacts with other cultural figures, and so forth. Davis's narrative sticks to Eliot's emotional and intellectual development, as revealed in her fiction and letters. It presents Eliot's life as the heroic overcoming of the multiple
oppressions inflicted on a brilliant but awkward and misunderstood provincial girl., There have been several good new biographies of George Eliot in recent years but none quite like this... Davis has a magisterial command of all her writing., A dense and revelatory study., Thoughtful and searching account of the writer we know as George Eliot, Philip Davis undertakes a project of which his subject would have approved... acute on the psychology of the novels, both in their content and on their connection to their authors life.
Philip Davis is the author of The Victorians 1830-1880, volume 8 in the Oxford English Literary History Series, and a companion volume on Why Victorian Literature Still Matters. He has written on Shakespeare, Samuel Johnson, the literary uses of memory from Wordsworth to Lawrence, and various books on reading. He is general editor of OUP's new paperback series, The Literary Agenda, on the role of literature in the world of the twenty-first century.His previous literary biography was a life of Bernard Malamud. Davis is editor of The Reader magazine, the written voice of the outreach organisation The Reader.
Reading George Eliot's work was described by one Victorian critic as like the feeling of entering the confessional in which the novelist sees and hears all the secrets of human psychology—'that roar which lies on the other side of silence'. This new biography of George Eliot goes beyond the much-told story of her life. It gives an account of what it means to become a novelist, and to think like a novelist: in particular a realist novelist for whom art existsnot for art's sake but in the exploration and service of human life. It shows the formation and the workings of George Eliot's mind as it plays into her creation of some of the greatest novels of the Victorian era. When at the age of 37 Marian Evans became George Eliot, this change followed long mental preparation and personal suffering. During this time she related her power of intelligence to her capacity for feeling: discovering that her thinking and her art had to combine both. That was the great ambition of her novels—not to be mere pastimes or fictions but experiments in life and helps in living, through the deepest account of human complexity available. Philip Davis's illuminating newbiography will enable you both to see through George Eliot's eyes and to feel what it is like to be seen by her, in the imaginative involvement of her readers with her characters.
Format: CONTRIBUTORS: Philip DavisEAN: 9780198825630COUNTRY: United KingdomPAGES: WEIGHT: 582 gHEIGHT: 233 cm
PUBLISHED BY: Oxford University PressDATE PUBLISHED: 2018-09-20CITY: GENRE: BIOGRAPHY & AUTOBIOGRAPHY / Literary Figures, LITERARY COLLECTIONS / Women Authors, LITERARY CRITICISM / Modern / 19th CenturyWIDTH: 152 cmSPINE:
Book Themes:
19th century, c 1800 to c 1899, Biography: writers, Literary studies: fiction, novelists and prose writers
Philip Davis is the author of The Victorians 1830-1880, volume 8 in the Oxford English Literary History Series, and a companion volume on Why Victorian Literature Still Matters. He has written on Shakespeare, Samuel Johnson, the literary uses of memory from Wordsworth to Lawrence, and various books on reading. He is general editor of OUP's new paperback series, The Literary Agenda, on the role of literature in the world of the twenty-first century.His previous literary biography was a life of Bernard Malamud. Davis is editor of The Reader magazine, the written voice of the outreach organisation The Reader.