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Sexuality of Christ in Renaissance Art and in Modern Oblivion

Leo Steinberg
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      Steinberg argues in this work that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation.
      Format: CONTRIBUTORS: Leo Steinberg EAN: 9780226771878 COUNTRY: United States PAGES: WEIGHT: 0 g HEIGHT: 0 cm
      PUBLISHED BY: The University of Chicago Press DATE PUBLISHED: 1997-01-01 CITY: GENRE: ART / Criticism & Theory, ART / History / Renaissance, ART / Subjects & Themes / Religious WIDTH: 0 cm SPINE:

      Book Themes:

      Religious and ceremonial art, Christianity

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      Leo Steinberg (1920-2011) was born in Moscow and raised in Berlin and London, emigrating with his family to New York in 1945. He was a professor of art history at Hunter College, City University of New York, and then Benjamin Franklin Professor at the University of Pennsylvania, where he remained until his retirement in 1990.
      Steinberg argues in this work that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation.
      Format: CONTRIBUTORS: Leo Steinberg EAN: 9780226771878 COUNTRY: United States PAGES: WEIGHT: 0 g HEIGHT: 0 cm
      PUBLISHED BY: The University of Chicago Press DATE PUBLISHED: 1997-01-01 CITY: GENRE: ART / Criticism & Theory, ART / History / Renaissance, ART / Subjects & Themes / Religious WIDTH: 0 cm SPINE:

      Book Themes:

      Religious and ceremonial art, Christianity

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      Leo Steinberg (1920-2011) was born in Moscow and raised in Berlin and London, emigrating with his family to New York in 1945. He was a professor of art history at Hunter College, City University of New York, and then Benjamin Franklin Professor at the University of Pennsylvania, where he remained until his retirement in 1990.

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