Literary Information in China

“Information” has become a core concept across the disciplines, yet it is still often seen as a unique feature of the Western world that became central only in the digital age. In this book, leading experts turn to China’s textual tradition to show the significance of information for reconceptualizing the work of literary history, from its beginnings to the present moment.Contributors trace the organization of literary information across China’s three millennia of history, examining the forms and practices of information management that have evolved alongside the increasing scale and complexity of textual production. They reimagine literary history as information processing, detailing the many kinds of storage, encoding, sorting, and transmission that constitute and feed back into China’s long and ever-growing cultural tradition. The volume features state-of-the-field essays on all major forms of literary information management, from graphs to internet literature, and from commentaries to literary museums and archives. By shifting focus from individual works and their authors to the informatic schemata of literature, it identifies three scales of information management—the word, the document, and the collection—and surveys the forms that operate at each level, such as the dictionary, the anthology, and the library.Literary Information in China is a groundbreaking work that provides a systematic and innovative reassessment of literary history with implications that extend beyond the particular Chinese context, revealing how informatic practices shape literary tradition.

This impressive volume provides a comprehensive and wonderfully detailed account of the mechanisms of textual organization, replication, proliferation, and dissemination from ancient China to the age of the internet. From the zi and graphs to the making of anthologies, encyclopedias, archives, histories, and so on, the authors collectively bring the enduring infrastructure of the literary (wen) to light., This is a wonderful and magisterial effort of editing, writing, and thinking—astonishing in the breadth of its coverage and in the depth of its scholarship. Together these essays provide an enormous step forward in our understanding of the ways information, literature, and culture work together to create the landscape of our communicative lives., This extensive collection of first-rate essays is an impressive exploration of the history, range, and significance of Chinese literary production. From the beginnings of the complex Chinese writing system to contemporary methods and forms of textual composition and preservation, contributors present a scholarly tour de force: unmissable reading for anyone interested in one of the world’s most important textual traditions., Literary Information in China breaks new ground in Chinese studies. This book is bound to generate new dialogues between Chinese cultural history and linguistics, library science, museum studies, digital humanities, and big data. The collection will become an indispensable reference for scholars of Chinese studies., This compilation richly deserves wide attention; it seems destined to inspire, or perhaps to provoke, a waveof new research using its insights.

Jack W. Chen is associate professor of Chinese literature at the University of Virginia.Anatoly Detwyler is assistant professor of modern Chinese literature at the University of Wisconsin-Madison.Christopher M. B. Nugent is professor of Chinese at Williams College.Xiao Liu is assistant professor of East Asian studies at McGill University.Bruce Rusk is associate professor of Asian studies at the University of British Columbia.