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Russian Opera and the Symbolist Movement, Second Edition

Simon Morrison
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      Acclaimed for treading new ground in operatic studies of the period, Simon Morrison’s influential and now-classic text explores music and the occult during the Russian Symbolist movement. Including previously unavailable archival materials about Prokofiev and Tchaikovsky, this wholly revised edition is both up to date and revelatory. Topics range from decadence to pantheism, musical devilry to narcotic-infused evocations of heaven, the influence of Wagner, and the significance of contemporaneous Russian literature. Symbolism tested boundaries and reached for extremes so as to imagine art uniting people, facilitating communion with nature, and ultimately transcending reality. Within this framework, Morrison examines four lesser-known works by canonical composers—Pyotr Tchaikovsky, Nikolay Rimsky-Korsakov, Alexander Scriabin, and Sergey Prokofiev—and in this new edition also considers Alexandre Gretchaninoff’s Sister Beatrice and Alexander Kastalsky’s Klara Milich, while also making the case for reviving Vladimir Rebikov’s The Christmas Tree.
      Format: CONTRIBUTORS: Simon Morrison EAN: 9780520305465 COUNTRY: United States PAGES: WEIGHT: 635 g HEIGHT: 229 cm
      PUBLISHED BY: University of California Press DATE PUBLISHED: 2019-09-10 CITY: GENRE: ART / European, HISTORY / Russia & the Former Soviet Union, LITERARY CRITICISM / Russian & Former Soviet Union, MUSIC / History & Criticism, MUSIC / Genres & Styles / Opera WIDTH: 152 cm SPINE:

      Book Themes:

      Russia, History of art, Music reviews and criticism, Opera, Literary studies: general, European history

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      Simon Morrison is Professor of Music and Slavic Languages and Literatures at Princeton University. He is the author of Bolshoi Confidential, The People's Artist: Prokofiev’s Soviet Years, and Lina and Serge: The Love and Wars of Lina Prokofiev.
      Acclaimed for treading new ground in operatic studies of the period, Simon Morrison’s influential and now-classic text explores music and the occult during the Russian Symbolist movement. Including previously unavailable archival materials about Prokofiev and Tchaikovsky, this wholly revised edition is both up to date and revelatory. Topics range from decadence to pantheism, musical devilry to narcotic-infused evocations of heaven, the influence of Wagner, and the significance of contemporaneous Russian literature. Symbolism tested boundaries and reached for extremes so as to imagine art uniting people, facilitating communion with nature, and ultimately transcending reality. Within this framework, Morrison examines four lesser-known works by canonical composers—Pyotr Tchaikovsky, Nikolay Rimsky-Korsakov, Alexander Scriabin, and Sergey Prokofiev—and in this new edition also considers Alexandre Gretchaninoff’s Sister Beatrice and Alexander Kastalsky’s Klara Milich, while also making the case for reviving Vladimir Rebikov’s The Christmas Tree.
      Format: CONTRIBUTORS: Simon Morrison EAN: 9780520305465 COUNTRY: United States PAGES: WEIGHT: 635 g HEIGHT: 229 cm
      PUBLISHED BY: University of California Press DATE PUBLISHED: 2019-09-10 CITY: GENRE: ART / European, HISTORY / Russia & the Former Soviet Union, LITERARY CRITICISM / Russian & Former Soviet Union, MUSIC / History & Criticism, MUSIC / Genres & Styles / Opera WIDTH: 152 cm SPINE:

      Book Themes:

      Russia, History of art, Music reviews and criticism, Opera, Literary studies: general, European history

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      Simon Morrison is Professor of Music and Slavic Languages and Literatures at Princeton University. He is the author of Bolshoi Confidential, The People's Artist: Prokofiev’s Soviet Years, and Lina and Serge: The Love and Wars of Lina Prokofiev.

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