Querida offers a place-based lyrical meditation on the poet's immigrant parents, collective memory, language, and family in the San Fernando region of Los Angeles, California. Through a constellation of interweaving persona poems, confessional reflections, imagistic portraits of people and places, and decolonial poetic rituals--braided with a crown of sonnets--a choir of speakers navigate the fraught inheritance of memory frayed by the generational trauma of migration, coloniality, and the exploitative labor of late-stage capitalism. Swaying between maximalist and carnivalesque textual decadence and sparse, brutalist, bilingual inquiries into language as yet another exploitative and extractive tool for control, these poems honor familial and community wisdom as the only way to survive the steadily destabilizing Capitalocene.
Format: CONTRIBUTORS: OsorioEAN: 9780822948377COUNTRY: United StatesPAGES: WEIGHT: 454 gHEIGHT: 203 cm
PUBLISHED BY: University of Pittsburgh PressDATE PUBLISHED: 2024-09-10CITY: GENRE: POETRY / American / Hispanic & LatinoWIDTH: 152 cmSPINE:
Book Themes:
Poetry
In his first book, Nathan Xavier Osorio doesn't think about immigration, family, and capitalism--he thinks through these subjects, imbuing them with a lyrical intelligence that refutes idealization and answers and isolation. Querida is a spectacular book that demands and rewards multiple readings.--Eduardo C. Corral, author of Guillotine, Memory is a guiding force in Nathan Osorio's stunning debut, Querida. From the opening, single-sentence tour-de-force of a poem to sonnet-sequences throughout, Osorio's formal agility and singular voice takes hold of our attention and never lets it go.--Shara McCallum, author of No Ruined Stone, Nathan Xavier Osorio's Querida leads the reader through a series of hymns, songs, and prayers that give voice to the question of how we are formed by what we are born into. The mark of inheritance is presented, repeated, worked through, and returned to--as it is slowly absorbed into the body of the text. Inheritance is the very matter from which this exquisite debut collection derives.--Cynthia Cruz, author of Hotel Oblivion
Nathan Xavier Osorio is the author of The Last Town Before the Mojave, selected by Oliver de la Paz for the Poetry Society of America's 2020 Chapbook Fellowship. His poetry, translations, and essays have been featured or are forthcoming in BOMB, the Offing, Boston Review, Public Books, Notre Dame Review, the New Museum of Contemporary Art, and elsewhere. His writing and teaching have been supported by fellowships from the Fine Arts Work Center, the Kenyon Review, and the Poetry Foundation. He was born and raised in Los Angeles, California.
Querida offers a place-based lyrical meditation on the poet's immigrant parents, collective memory, language, and family in the San Fernando region of Los Angeles, California. Through a constellation of interweaving persona poems, confessional reflections, imagistic portraits of people and places, and decolonial poetic rituals--braided with a crown of sonnets--a choir of speakers navigate the fraught inheritance of memory frayed by the generational trauma of migration, coloniality, and the exploitative labor of late-stage capitalism. Swaying between maximalist and carnivalesque textual decadence and sparse, brutalist, bilingual inquiries into language as yet another exploitative and extractive tool for control, these poems honor familial and community wisdom as the only way to survive the steadily destabilizing Capitalocene.
Format: CONTRIBUTORS: OsorioEAN: 9780822948377COUNTRY: United StatesPAGES: WEIGHT: 454 gHEIGHT: 203 cm
PUBLISHED BY: University of Pittsburgh PressDATE PUBLISHED: 2024-09-10CITY: GENRE: POETRY / American / Hispanic & LatinoWIDTH: 152 cmSPINE:
Nathan Xavier Osorio is the author of The Last Town Before the Mojave, selected by Oliver de la Paz for the Poetry Society of America's 2020 Chapbook Fellowship. His poetry, translations, and essays have been featured or are forthcoming in BOMB, the Offing, Boston Review, Public Books, Notre Dame Review, the New Museum of Contemporary Art, and elsewhere. His writing and teaching have been supported by fellowships from the Fine Arts Work Center, the Kenyon Review, and the Poetry Foundation. He was born and raised in Los Angeles, California.