The worlds of new music and historically informed performance might seem quite distant from one another. Yet, upon closer consideration, clear points of convergence emerge. Not only do many contemporary performers move easily between these two worlds, but they often do so using a shared ethos of flexibility, improvisation, curiosity, and collaboration—collaboration with composers past and present, with other performers, and with audiences. Bringing together expert scholars and performers considering a wide range of issues and case studies, Historical Performance and New Music—the first book of its kind—addresses the synergies in aesthetics and practices in historical performance and new music. The essays treat matters including technologies and media such as laptops, printing presses, and graphic notation; new music written for period instruments from natural horns to the clavichord; personalities such as the pioneering singer Cathy Berberian; the musically "omnivorous" ensembles A Far Cry and Roomful of Teeth; and composers Luciano Berio, David Lang, Molly Herron, Caroline Shaw, and many others. Historical Performance and New Music presents pathbreaking ideas in an accessible style that speaks to performers, composers, scholars, and music lovers alike. Richly documented and diverse in its methods and subject matter, this book will open new conversations about contemporary musical life.
Format: HardbackCONTRIBUTORS: Rebecca CypessEAN: 9781032291420COUNTRY: United KingdomPAGES: WEIGHT: 0 gHEIGHT: 234 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2023-11-30CITY: GENRE: WIDTH: 156 cmSPINE:
Book Themes:
The early music revival and the new music scene have been inspiring each other and cross-pollinating for several decades. Historical Performance and New Music: Aesthetics and Practices presents a groundbreaking and comprehensive exploration of the dynamic relationship between these two domains by bringing together first-hand testimonies from some of the most authoritative, experienced, and original voices in both scholarship and practice. This pioneering work delves into the intertwining threads that connect early and new music, shedding new light on performance practice, instrumentarium, and notation. It is a must-read for composers and performers immersed in both realms, encouraging a reevaluation of the historical context of the early music revival and a broader outlook on contemporary repertoire, to the extent of redefining the boundaries of historical performance.-Alon Schab, author of A Performer's Guide to Transcribing, Editing and Arranging Early Music
Rebecca Cypess, musicologist and historical keyboardist, is Associate Dean for Academic Affairs at Mason Gross School of the Arts, Rutgers University. Her publications include Women and Musical Salons in the Enlightenment (2022) and Curious and Modern Inventions: Instrumental Music as Discovery in Galileo’s Italy (2016). Estelí Gomez is Assistant Professor of Voice at Lawrence University. Praised for her "clear, bright voice" (New York Times), she is a founding member of the Grammy-award-winning vocal octet Roomful of Teeth and a specialist in both early and new repertoires. Gomez holds degrees from Yale and McGill. Rachael Lansang serves as Assistant Director of Academic Affairs at the Mannes School of Music. She holds a PhD in Musicology from Rutgers University, and her research interests include vocal pedagogy, music and gender studies, and contemporary opera and musical theater.
The worlds of new music and historically informed performance might seem quite distant from one another. Yet, upon closer consideration, clear points of convergence emerge. Not only do many contemporary performers move easily between these two worlds, but they often do so using a shared ethos of flexibility, improvisation, curiosity, and collaboration—collaboration with composers past and present, with other performers, and with audiences. Bringing together expert scholars and performers considering a wide range of issues and case studies, Historical Performance and New Music—the first book of its kind—addresses the synergies in aesthetics and practices in historical performance and new music. The essays treat matters including technologies and media such as laptops, printing presses, and graphic notation; new music written for period instruments from natural horns to the clavichord; personalities such as the pioneering singer Cathy Berberian; the musically "omnivorous" ensembles A Far Cry and Roomful of Teeth; and composers Luciano Berio, David Lang, Molly Herron, Caroline Shaw, and many others. Historical Performance and New Music presents pathbreaking ideas in an accessible style that speaks to performers, composers, scholars, and music lovers alike. Richly documented and diverse in its methods and subject matter, this book will open new conversations about contemporary musical life.
Format: HardbackCONTRIBUTORS: Rebecca CypessEAN: 9781032291420COUNTRY: United KingdomPAGES: WEIGHT: 0 gHEIGHT: 234 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2023-11-30CITY: GENRE: WIDTH: 156 cmSPINE:
Rebecca Cypess, musicologist and historical keyboardist, is Associate Dean for Academic Affairs at Mason Gross School of the Arts, Rutgers University. Her publications include Women and Musical Salons in the Enlightenment (2022) and Curious and Modern Inventions: Instrumental Music as Discovery in Galileo’s Italy (2016). Estelí Gomez is Assistant Professor of Voice at Lawrence University. Praised for her "clear, bright voice" (New York Times), she is a founding member of the Grammy-award-winning vocal octet Roomful of Teeth and a specialist in both early and new repertoires. Gomez holds degrees from Yale and McGill. Rachael Lansang serves as Assistant Director of Academic Affairs at the Mannes School of Music. She holds a PhD in Musicology from Rutgers University, and her research interests include vocal pedagogy, music and gender studies, and contemporary opera and musical theater.
An amazing and detailed depiction of war, loss, survival and finding love despite it all. The characters are well fleshed out and flawed but deeply relatable. The actual story and premise of the book is brilliant, with plot twists you would never expect. Devastating and beautiful.
Bittersoet liefdesverhaal van onwaarskynlike pasmaats wat mekaar vind
Klopdans vir die hart, die nuwe Romanza uit die pen van René van Zyl, kon net so wel in die Inspirasie-subgenre tuis gewees het. Nie alleen is dit ’n bittersoet liefdesverhaal van twee onwaarskynlike pasmaats wat mekaar oor die loop van ’n week leer ken nie. Dit is ook vir Caitlin ’n ondersoekende reis na die Here, ’n proses om lewenslange verwerping en liefdeloosheid te bowe te kom.
Om dit ’n reisverhaal te noem, maak egter ook goeie sin. Caitlin en Aiden word deur die dominerende en hartelose matriarg van die Fitzgeralds, Ierland toe gestuur vir ’n wegbreek vir paartjies. Anders as wat dikwels gebeur wanneer die toneel verskuif na ’n ander land, word die leser hier nie verveel met eindelose skilder van die omgewing nie. Inteendeel, die bekoorlike omgewing word geïnkorporeer in die program van die wegbreekweek. Elke leser kan baie leer oor die huwelik uit die leidrade wat byvoorbeeld verskaf word vir die fietsreis deur die omgewing.
René van Zyl se liefde vir en kennis van Ierland, kastele en katedrale skemer deur in die oortuigende storielyn. So ook spreek die toneel van ’n pa en ’n gestremde seun uit eie ervaring.
As jy hierdie Romanza van Lapa Uitgewers aankoop, hetsy in gedrukte of e-formaat, sal dit geld baie goed gespandeer wees. Ek kan waarborg dat jy nie onaangeraak sal wees nie.
