Trumpet

*Winner of the Guardian Fiction Prize*‘Rich, taut and compelling’ – Melvyn Bragg, The Guardian‘An accomplished display of vocal versatility’ – The Literary ReviewThe death of legendary jazz trumpeter Joss Moody exposes an extraordinary secret. Unknown to all but his wife Millie, Joss was a woman living as a man. The discovery is most devastating for their adopted son, Colman, whose bewildered fury brings the press to the doorstep and sends his grieving mother to the sanctuary of a remote Scottish village.Part of the Picador Collection, Trumpet by Jackie Kay is a starkly beautiful modern classic about the lengths to which people will go for love. It is a moving story of a shared life founded on an intricate lie, of loving deception and lasting devotion, and of the intimate workings of the human heart.‘Kay carefully registers the technical difficulties of transgendered life . . . She leaves us with a broad landscape of sweet tolerance and familial love’ – The New York Times

Recounted in clear, spare, utterly unsentimental prose . . . the voices in this tender, compassionate work were still singing in my head a couple of weeks after I'd finished it, The book's style works like a jazz riff, a literary improvisation of the central melody of Joss's death, In an accomplished display of vocal versatility, Kay shifts effortlessly between the voices of Millie, Colman and Sophie Stones, an avaricious journalist who offers to help Colman avenge himself by ghostwriting a bare-all biography . . . the beauty of this book is the way its love, the character and story around which all the others orbit, is kept so intriguingly in the shadows, so fantastically out of view, Kay's powerful rendition of everyday speech combines perfectly with the themes and construction of her story, From the angry and disbelieving voice of the son Colman, whose hurt and alienation can only find expression through the cliche´s of tabloid exposé, to Millie's personal elegy for her husband, Jackie Kay's ear for the poetry as well as for the rudeness of everyday speech is as powerful as ever

Jackie Kay was born in Edinburgh. She is a poet, novelist and writer of short stories and has enjoyed great acclaim for her work for both adults and children. She has published two collections of stories with Picador, Why Don’t You Stop Talking and Wish I Was Here; a memoir, Red Dust Road; and a collection of poems, Fiere. She teaches at Newcastle University, and lives in Manchester.