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Storytelling in the Media Convergence Age

R. Pearson
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      Why do screen narratives remain so different in an age of convergence and globalisation that many think is blurring distinctions? This collection attempts to answer this question using examples drawn from a range of media, from Hollywood franchises to digital comics, and a range of countries, from the United States to Japan
      Format: Hardback CONTRIBUTORS: R. Pearson EAN: 9781137388148 COUNTRY: United Kingdom PAGES: WEIGHT: 4385 g HEIGHT: 216 cm
      PUBLISHED BY: Palgrave Macmillan DATE PUBLISHED: 2014-12-18 CITY: GENRE: PERFORMING ARTS / General, PERFORMING ARTS / Film / History & Criticism, SOCIAL SCIENCE / General, SOCIAL SCIENCE / Media Studies WIDTH: 140 cm SPINE:

      Book Themes:

      Film history, theory or criticism, Television

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      Alessandro Catania, University of Nottingham, UKAaron Calbreath-Frasieur, University of Nottingham, UKGloria Dagnino, Università della Svizzera Italiana, SwitzerlandClaudio Pires Franco, University of Bedfordshire, UKDaniel Merlin Goodbrey, University of Hertfordshire, UKMatt Hills, Aberystwyth University, UKRichard McCulloch, Regent's University London, UKJason Mittell, Middlebury College, USARoberta Pearson, University of NottinghamCécile Renaud, University of Roehampton, London, UKAnthony N. Smith, University of Nottingham, UKIain Robert Smith, University of Roehampton, London, UK
      Why do screen narratives remain so different in an age of convergence and globalisation that many think is blurring distinctions? This collection attempts to answer this question using examples drawn from a range of media, from Hollywood franchises to digital comics, and a range of countries, from the United States to Japan
      Format: Hardback CONTRIBUTORS: R. Pearson EAN: 9781137388148 COUNTRY: United Kingdom PAGES: WEIGHT: 4385 g HEIGHT: 216 cm
      PUBLISHED BY: Palgrave Macmillan DATE PUBLISHED: 2014-12-18 CITY: GENRE: PERFORMING ARTS / General, PERFORMING ARTS / Film / History & Criticism, SOCIAL SCIENCE / General, SOCIAL SCIENCE / Media Studies WIDTH: 140 cm SPINE:

      Book Themes:

      Film history, theory or criticism, Television

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      Alessandro Catania, University of Nottingham, UKAaron Calbreath-Frasieur, University of Nottingham, UKGloria Dagnino, Università della Svizzera Italiana, SwitzerlandClaudio Pires Franco, University of Bedfordshire, UKDaniel Merlin Goodbrey, University of Hertfordshire, UKMatt Hills, Aberystwyth University, UKRichard McCulloch, Regent's University London, UKJason Mittell, Middlebury College, USARoberta Pearson, University of NottinghamCécile Renaud, University of Roehampton, London, UKAnthony N. Smith, University of Nottingham, UKIain Robert Smith, University of Roehampton, London, UK

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