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International Cinema and the Girl

Fiona Handyside
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      From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (imagined) childhood innocence, the site of intrigue and nostalgia for adults, a metaphor for the precarious nature of subjectivity itself, the girl is caught between infancy and adulthood, between objectification and power. She speaks to many strands of interest for film studies: feminist questions of cinematic representation of female subjects; historical accounts of shifting images of girls and childhood in the cinema; and philosophical engagements with the possibilities for the subject in film. This collection considers the specificity of girls' experiences and their cinematic articulation through a multicultural feminist lens which cuts across the divides of popular/art-house, Western/non Western, and north/south. Drawing on examples from North and South America, Asia, Africa, and Europe, the contributors bring a new understanding of the global/local nature of girlhood and its relation to contemporary phenomena such as post-feminism, neoliberalism and queer subcultures. Containing work by established and emerging scholars, this volume explodes the narrow post-feminist canon and expands existing geographical, ethnic, and historical accounts of cinematic cultures and girlhood.
      Format: Hardback CONTRIBUTORS: Fiona Handyside EAN: 9781137388919 COUNTRY: United Kingdom PAGES: WEIGHT: 3943 g HEIGHT: 216 cm
      PUBLISHED BY: Palgrave Macmillan DATE PUBLISHED: 2015-11-30 CITY: GENRE: HISTORY / Social History, PERFORMING ARTS / General, PERFORMING ARTS / Film / History & Criticism, SOCIAL SCIENCE / Sociology / Marriage & Family, SOCIAL SCIENCE / Gender Studies WIDTH: 140 cm SPINE:

      Book Themes:

      Performing arts, Film history, theory or criticism, Gender studies, gender groups, Sociology: family and relationships, Social and cultural history

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      Fiona Handyside is Senior Lecturer in Film Studies at the University of Exeter, UK.   Kate Taylor-Jones is Senior Lecturer in East Asian Studies at the University of Sheffield, UK. 
      From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (imagined) childhood innocence, the site of intrigue and nostalgia for adults, a metaphor for the precarious nature of subjectivity itself, the girl is caught between infancy and adulthood, between objectification and power. She speaks to many strands of interest for film studies: feminist questions of cinematic representation of female subjects; historical accounts of shifting images of girls and childhood in the cinema; and philosophical engagements with the possibilities for the subject in film. This collection considers the specificity of girls' experiences and their cinematic articulation through a multicultural feminist lens which cuts across the divides of popular/art-house, Western/non Western, and north/south. Drawing on examples from North and South America, Asia, Africa, and Europe, the contributors bring a new understanding of the global/local nature of girlhood and its relation to contemporary phenomena such as post-feminism, neoliberalism and queer subcultures. Containing work by established and emerging scholars, this volume explodes the narrow post-feminist canon and expands existing geographical, ethnic, and historical accounts of cinematic cultures and girlhood.
      Format: Hardback CONTRIBUTORS: Fiona Handyside EAN: 9781137388919 COUNTRY: United Kingdom PAGES: WEIGHT: 3943 g HEIGHT: 216 cm
      PUBLISHED BY: Palgrave Macmillan DATE PUBLISHED: 2015-11-30 CITY: GENRE: HISTORY / Social History, PERFORMING ARTS / General, PERFORMING ARTS / Film / History & Criticism, SOCIAL SCIENCE / Sociology / Marriage & Family, SOCIAL SCIENCE / Gender Studies WIDTH: 140 cm SPINE:

      Book Themes:

      Performing arts, Film history, theory or criticism, Gender studies, gender groups, Sociology: family and relationships, Social and cultural history

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      Fiona Handyside is Senior Lecturer in Film Studies at the University of Exeter, UK.   Kate Taylor-Jones is Senior Lecturer in East Asian Studies at the University of Sheffield, UK. 

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