Performing History: How to Research, Write, Act, and Coach Historical Performance addresses those areas that are of greatest challenge to novice historical performers. Historical performers must approach the process that is their work with a respect for both subject matter (the people who made the decisions that lead to what we call history) and for audiences, whatever the knowledge level they bring to the subject. That respect requires careful, on going research (to wear the mantle of authority), while also recognizing that none of us will ever know everything there is to know (the mantle is lined with humility). It requires the crafting of stories that will interest targeted audiences, and the skill to tell those stories in a compelling manner.Performing History is crafted for people who want to develop a first person narrative, those who have created a first person narrative but want to make it better, and those who want to help others develop first person narratives--museum and historic site volunteer coordinators, program and education curators, and, of course, those who wear many hats in small staffs. It is also for teachers, parents, and partners who are providing support for historical performers.
Format: Paperback / softbackCONTRIBUTORS: Ann E. BirneyEAN: 9781442278905COUNTRY: United StatesPAGES: WEIGHT: 404 gHEIGHT: 230 cm
PUBLISHED BY: Rowman & LittlefieldDATE PUBLISHED: 2018-03-22CITY: GENRE: BUSINESS & ECONOMICS / Museum Administration & MuseologyWIDTH: 149 cmSPINE:
Book Themes:
Museology and heritage studies, History: theory and methods
Performing History: How to Research, Write, Act, and Coach Historical Performances is an excellent follow-up to Telling History. Sorting through many sources of information and deciding what to use and how to use it was difficult for me as a beginner in historic interpretation. I found Chapter 2: ‘Overcoming Fear of Research with Historians’ Powerful Tools’ especially helpful in resolving these issues. Overall, the information contained in this book has given me tools to strengthen my interpreter skills., Performing History is infused with the joyful creativity that Ann and Joyce have consistently brought to historical performance for many decades. Whether you are a beginning performer, a seasoned one, or a presenter, you will find a wealth of helpful tips and inspiration for your work here.
Ann E. Birney is managing partner of Ride into History and volunteer executive director of Ride into History Cultural and Educational Project, Inc. She joined the troupe in 1992, creating a composite teacher-turned suffrage-lecturer and a year later began work on her signature performance as Amelia Earhart. She researches, writes, and performs her first person narratives, which also include Rachel Carson and Julia Archibald Holmes. She has conducted, with Dr. Thierer, fifty-five one-week historical performance camps in addition to over one hundred workshops and conference sessions.Joyce M. Thierer is the author of Telling History: A Manual for Performers and Presenters of First Person Narratives. She toured as the "stand-up historian" (MC) with the Kansas Chautauqua for two summers, was on the Kansas Humanities Council's History Alive! roster since its beginning in 1992 and on the Oklahoma and Nebraska humanities council rosters, all as Calamity Jane. She is the founding partner of Ride into History, a historical performance touring troupe. Providing entertainment as well as the sound scholarship required of humanities councils, Ride into History was juried onto the Kansas Arts Commission's touring program and Mid-America Arts Alliance theatre rosters.
Performing History: How to Research, Write, Act, and Coach Historical Performance addresses those areas that are of greatest challenge to novice historical performers. Historical performers must approach the process that is their work with a respect for both subject matter (the people who made the decisions that lead to what we call history) and for audiences, whatever the knowledge level they bring to the subject. That respect requires careful, on going research (to wear the mantle of authority), while also recognizing that none of us will ever know everything there is to know (the mantle is lined with humility). It requires the crafting of stories that will interest targeted audiences, and the skill to tell those stories in a compelling manner.Performing History is crafted for people who want to develop a first person narrative, those who have created a first person narrative but want to make it better, and those who want to help others develop first person narratives--museum and historic site volunteer coordinators, program and education curators, and, of course, those who wear many hats in small staffs. It is also for teachers, parents, and partners who are providing support for historical performers.
Format: Paperback / softbackCONTRIBUTORS: Ann E. BirneyEAN: 9781442278905COUNTRY: United StatesPAGES: WEIGHT: 404 gHEIGHT: 230 cm
PUBLISHED BY: Rowman & LittlefieldDATE PUBLISHED: 2018-03-22CITY: GENRE: BUSINESS & ECONOMICS / Museum Administration & MuseologyWIDTH: 149 cmSPINE:
Book Themes:
Museology and heritage studies, History: theory and methods
Ann E. Birney is managing partner of Ride into History and volunteer executive director of Ride into History Cultural and Educational Project, Inc. She joined the troupe in 1992, creating a composite teacher-turned suffrage-lecturer and a year later began work on her signature performance as Amelia Earhart. She researches, writes, and performs her first person narratives, which also include Rachel Carson and Julia Archibald Holmes. She has conducted, with Dr. Thierer, fifty-five one-week historical performance camps in addition to over one hundred workshops and conference sessions.Joyce M. Thierer is the author of Telling History: A Manual for Performers and Presenters of First Person Narratives. She toured as the "stand-up historian" (MC) with the Kansas Chautauqua for two summers, was on the Kansas Humanities Council's History Alive! roster since its beginning in 1992 and on the Oklahoma and Nebraska humanities council rosters, all as Calamity Jane. She is the founding partner of Ride into History, a historical performance touring troupe. Providing entertainment as well as the sound scholarship required of humanities councils, Ride into History was juried onto the Kansas Arts Commission's touring program and Mid-America Arts Alliance theatre rosters.
An amazing and detailed depiction of war, loss, survival and finding love despite it all. The characters are well fleshed out and flawed but deeply relatable. The actual story and premise of the book is brilliant, with plot twists you would never expect. Devastating and beautiful.
Bittersoet liefdesverhaal van onwaarskynlike pasmaats wat mekaar vind
Klopdans vir die hart, die nuwe Romanza uit die pen van René van Zyl, kon net so wel in die Inspirasie-subgenre tuis gewees het. Nie alleen is dit ’n bittersoet liefdesverhaal van twee onwaarskynlike pasmaats wat mekaar oor die loop van ’n week leer ken nie. Dit is ook vir Caitlin ’n ondersoekende reis na die Here, ’n proses om lewenslange verwerping en liefdeloosheid te bowe te kom.
Om dit ’n reisverhaal te noem, maak egter ook goeie sin. Caitlin en Aiden word deur die dominerende en hartelose matriarg van die Fitzgeralds, Ierland toe gestuur vir ’n wegbreek vir paartjies. Anders as wat dikwels gebeur wanneer die toneel verskuif na ’n ander land, word die leser hier nie verveel met eindelose skilder van die omgewing nie. Inteendeel, die bekoorlike omgewing word geïnkorporeer in die program van die wegbreekweek. Elke leser kan baie leer oor die huwelik uit die leidrade wat byvoorbeeld verskaf word vir die fietsreis deur die omgewing.
René van Zyl se liefde vir en kennis van Ierland, kastele en katedrale skemer deur in die oortuigende storielyn. So ook spreek die toneel van ’n pa en ’n gestremde seun uit eie ervaring.
As jy hierdie Romanza van Lapa Uitgewers aankoop, hetsy in gedrukte of e-formaat, sal dit geld baie goed gespandeer wees. Ek kan waarborg dat jy nie onaangeraak sal wees nie.