With an introduction by Hilary Mantel, author of Wolf Hall.Originally published in 1956, The Long View is Elizabeth Jane Howard's uncannily authentic portrait of one marriage and one woman. Observant and heartbreaking, written with exhilarating wit, it is a gut-wrenching account of the birth and death of a relationship – as extraordinary as it is timeless.One of his secret pleasures was the loading of social dice against himself. He did not seem for one moment to consider the efforts made by kind or sensitive people to even things up: or if such notions ever occurred to him, he would have observed them with detached amusement, and reloaded more dice. In 1950s London, Antonia Fleming faces the prospect of a life lived alone. Her children are now adults; her husband Conrad, a domineering and emotionally complex man, is a stranger. As Antonia looks towards her future, the novel steadily moves backwards in time, tracing Antonia's relationship with Conrad to its beginning in the 1920s, through years of mistake and motherhood, dreams and war.

Beautifully written and richly perceptive, When I read The Long View . . . I realized I would never write anything of such subtlety and penetration: there was no point in even hoping to write a novel if this was the standard of excellence, What a beautiful, subtle, endlessly insightful writer. What compassion, what mesmerising detail, what godlike lightness of touch

Elizabeth Jane Howard was the author of fifteen highly acclaimed novels. The Cazalet Chronicles – The Light Years, Marking Time, Confusion, Casting Off and All Change – have become modern classics and have been adapted for a major BBC television series and for BBC Radio 4. In 2002 Macmillan published Elizabeth Jane Howard's autobiography, Slipstream. In that same year she was awarded a CBE in the Queen's Birthday Honours List. She died, aged ninety, at home in Suffolk on 2 January 2014.