A painfully beautiful first novel that is at once a murder mystery, a coming-of-age narrative and a celebration of nature . . . Owens here surveys the desolate marshlands of the North Carolina coast through the eyes of an abandoned child. And in her isolation that child makes us open our own eyes to the secret wonders-and dangers-of her private world, Part murder-mystery, part coming-of-age novel, its evocation of the marshland and its inhabitants is as unforgettable as Kya herself. A story of loneliness, survival and love that's as engrossing as it is moving, For a debut the prose is impressively accomplished . . . A Hollywood film seems inevitable. Yet it will be hard to match on screen the delicacy of Owens's exploration of the natural world. Kya and her magical little world are a rare achievement, Kya is a compelling character, Owen's descriptive prose is lushly impressive, and the twist in the narrative's tail is neat, Owens combines high tension with precise detail about how people dress, sound, live and eat - the case studies in her book are both human and natural . . . Surprise bestsellers are often works that chime with the times. Though set in the 1950s and 60s, Where the Crawdads Sing is, in its treatment of racial and social division and the fragile complexities of nature, obviously relevant to contemporary politics and ecology. But these themes will reach a huge audience though the writer's old-fashioned talents for compelling character, plotting and landscape description
Delia Owens is the co-author of three internationally bestselling nonfiction books about her life as a wildlife scientist in Africa including Cry of the Kalahari. She has won the John Burroughs Award for Nature Writing and has been published in Nature, The African Journal of Ecology, and many others. She currently lives in Idaho. Where the Crawdads Sing is her first novel.