A call to action to include marginalized, non-western communities in the continuously expanding digital revolutionIn the digital age, technology has shrunk the physical world into a “global village,” where we all seem to be connected as an online community as information travels to the farthest reaches of the planet with the click of a mouse. Yet while we think of platforms such as Twitter and Facebook as open and accessible to all, in reality, these are commercial entities developed primarily by and for the Western world. Considering how new technologies increasingly shape labor, economics, and politics, these tools often reinforce the inequalities of globalization, rarely reflecting the perspectives of those at the bottom of the digital divide. This book asks us to re-consider ‘whose global village’ we are shaping with the digital technology revolution today. Sharing stories of collaboration with Native Americans in California and New Mexico, revolutionaries in Egypt, communities in rural India, and others across the world, Ramesh Srinivasan urges us to re-imagine what the Internet, mobile phones, or social media platforms may look like when considered from the perspective of diverse cultures. Such collaborations can pave the way for a people-first approach toward designing and working with new technology worldwide. Whose Global Village seeks to inspire professionals, activists, and scholars alike to think about technology in a way that embraces the realities of communities too often relegated to the margins. We can then start to visualize a world where technologies serve diverse communities rather than just the Western consumer.
Format: Hardback
CONTRIBUTORS: Ramesh Srinivasan
EAN: 9781479862962
COUNTRY: United States
PAGES:
WEIGHT: 590 g
HEIGHT: 229 cm
PUBLISHED BY: New York University Press
DATE PUBLISHED: 2017-02-28
CITY:
GENRE: POLITICAL SCIENCE / Globalization, SOCIAL SCIENCE / Media Studies
WIDTH: 152 cm
SPINE:
Book Themes:
Globalization, Media studies
Whose Global Village? invites us to question some of the sacred narratives that have grown up around digital and networked technologies in the westfirst among them, the idea that digital technologies follow some universal path of development. This book is a powerful corrective to various forms of cyberutopianism, even as it reimagines core conceptsfrom agency and voice to participation and appropriation., In the age of video streaming and the internet, indigenous peoples can fight for their rights as we see with the Dakota Pipeline and across the world today. Whose Global Village? points the way forward to a digital world that recognizes the dignity and voices of indigenous peoples., In this bold book, Srinivasan tackles the myth of digital universality head on, insisting that technologies should be designed by and serve diverse communities rather than corporate elites. Based on years of fieldwork,Whose Global Village?reads like a manifesto and is bound to stir up debate. A must read for media scholars, technology designers, and community organizations alike., The 2016 election showed us what happens when technologies like Facebook, that are supposed to connect us, actually leave us in bubbles and oblivious to the world that doesnt agree with us. Whose Global Village? shows that another technology is possible, and in fact exists, through examples across the world that are all about furthering cultural voices and conversations., Upstart successes like The Young Turks are becoming less common, partially as a result of the increasing corporatization and monopolization of social media. Whose Global Village? offers an alternate path, out of the self-selected echo chambers that marginalize non-western and indigenous voices, and into a future where new technology operates in greater harmony with grassroots concerns and culturally diverse populations across the world.
Ramesh Srinivasan isthe Director of the Digital Cultures Lab and Associate Professor of Information Studies and Design and Media Arts at UCLA. His work has been featured by Al Jazeera, The Washington Post, The Young Turks, National Public Radio, and The Huffington Post.