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Feminist Theory and the Bible: Interrogating the Sources conceptualizes, contextualizes and maps a new kind of burgeoning scholarship that has grown up in recent decades. This scholarship emerged in the margins of Feminist Studies and Biblical Studies and has yet to find a foothold in either one of these more established contexts. In this book, Esther Fuchs argues that in order to find an enduring, stable place in the academe, this scholarship requires a theoretical perspective. Biblical Studies as a whole has not yet been sufficiently theorized as an academic field, and currently consists of multiple disciplines relying for the most part on traditional scholarly discourses. In this regard, Feminist Biblical Studies is both a departure from and an important supplement to both Feminist Studies and Biblical Studies.
Format: HardbackCONTRIBUTORS: Esther FuchsEAN: 9781498527811COUNTRY: United StatesPAGES: WEIGHT: 417 gHEIGHT: 240 cm
PUBLISHED BY: Lexington BooksDATE PUBLISHED: 2016-02-23CITY: GENRE: RELIGION / General, RELIGION / Biblical Studies / General, RELIGION / Biblical Criticism & Interpretation / Old Testament, SOCIAL SCIENCE / Feminism & Feminist TheoryWIDTH: 158 cmSPINE:
Book Themes:
Feminism and feminist theory, Religion and beliefs, Criticism and exegesis of sacred texts
This compact volume by one of the foremost contemporary feminist scholars of the Hebrew Bible packs a big punch. Feminist Theory and the Bible: Interrogating the Sources contains six well-defined essays, each of which can stand independently, but which together weave into a succinct yet remarkably comprehensive and thought-provoking assessment and interrogation of feminist theory of the Bible.... In the course of this introduction, Esther Fuchs constructs helpful thumbnail sketches and synopses of arguments, but her generalizations are never simplistic; only someone so completely on top of her game can pull something like this off so deftly.... [I] am left deeply admiring this volume and how Fuchs succeeds in being both concise and comprehensive; self-reflective, aware of the big picture, but able to provide insightful and pertinent detail; theoretically informed but also providing concrete examples. This volume distills significant contours and developments in feminist biblical theory and pushes them further, demonstrating in the process the significant contributions of Fuchs herself, which span over three decades. Feminist Theory and the Bible is erudite but accessible, and is consequently a rich resource for both students and scholars., This rich and challenging collection of essays brings together six of Esther Fuchs’ groundbreaking studies, integrating feminist theoretical discussions into the analysis of the Hebrew bible in the context of a succinct overview of feminist theory and biblical studies. In offering options and trajectories for moving feminist biblical criticism forward, Fuchs has provided a map for the future of the field as well as a valuable resource for the next generation of feminist biblical scholars., Esther Fuchs is one of the most important feminist bible critics of the so-called Third Wave. Her importance stems, first and foremost, from her insistence on methodological approaches that combine literary criticism with extrabiblical feminist approaches. Moreover, her status as a Jewish bible feminist scholar is uncontested, in historical as well as present terms. Her erudition, energy and understanding—even anger—have helped blaze a path for all of us. We are grateful that she has now given us another guide in the form of this book.
Esther Fuchs, PhD, is the author of numerous academic books and essays in Hebrew literature, Israel studies, Holocaust studies and biblical studies. She taught for over a quarter of a century at the University of Arizona, as a tenured professor of Judaic studies, and prior to that she taught at the University of Texas in Austin and at Brandeis University. Her interest is focused on the intersection of gender, identity and scholarship in Jewish studies. Among her publications are Cunning Innocence: Ironic Art in S.Y. Agnon’s Work (1985 in Hebrew), Israeli Mythogynies: Women in Contemporary Hebrew Fiction (1987), Women and the Holocaust: Narrative and Representation (1999), Sexual Politics in the Biblical Narrative: Reading the Hebrew Bible as a Woman (2000), Israeli Women’s Studies: A Reader (2005) and Israeli Feminist Scholarship: Gender, Zionism and Difference (2014). She is the co-editor of On the Cutting Edge: The Study of Women in Biblical Worlds (2004), and her latest book is Feminist Theory and the Bible.
Feminist Theory and the Bible: Interrogating the Sources conceptualizes, contextualizes and maps a new kind of burgeoning scholarship that has grown up in recent decades. This scholarship emerged in the margins of Feminist Studies and Biblical Studies and has yet to find a foothold in either one of these more established contexts. In this book, Esther Fuchs argues that in order to find an enduring, stable place in the academe, this scholarship requires a theoretical perspective. Biblical Studies as a whole has not yet been sufficiently theorized as an academic field, and currently consists of multiple disciplines relying for the most part on traditional scholarly discourses. In this regard, Feminist Biblical Studies is both a departure from and an important supplement to both Feminist Studies and Biblical Studies.
Format: HardbackCONTRIBUTORS: Esther FuchsEAN: 9781498527811COUNTRY: United StatesPAGES: WEIGHT: 417 gHEIGHT: 240 cm
PUBLISHED BY: Lexington BooksDATE PUBLISHED: 2016-02-23CITY: GENRE: RELIGION / General, RELIGION / Biblical Studies / General, RELIGION / Biblical Criticism & Interpretation / Old Testament, SOCIAL SCIENCE / Feminism & Feminist TheoryWIDTH: 158 cmSPINE:
Book Themes:
Feminism and feminist theory, Religion and beliefs, Criticism and exegesis of sacred texts
Esther Fuchs, PhD, is the author of numerous academic books and essays in Hebrew literature, Israel studies, Holocaust studies and biblical studies. She taught for over a quarter of a century at the University of Arizona, as a tenured professor of Judaic studies, and prior to that she taught at the University of Texas in Austin and at Brandeis University. Her interest is focused on the intersection of gender, identity and scholarship in Jewish studies. Among her publications are Cunning Innocence: Ironic Art in S.Y. Agnon’s Work (1985 in Hebrew), Israeli Mythogynies: Women in Contemporary Hebrew Fiction (1987), Women and the Holocaust: Narrative and Representation (1999), Sexual Politics in the Biblical Narrative: Reading the Hebrew Bible as a Woman (2000), Israeli Women’s Studies: A Reader (2005) and Israeli Feminist Scholarship: Gender, Zionism and Difference (2014). She is the co-editor of On the Cutting Edge: The Study of Women in Biblical Worlds (2004), and her latest book is Feminist Theory and the Bible.
Dramatiese wisselwerking tussen 'n onderhandelaar en 'n skieter
“Ons het ’n gyselaarsituasie in Stellenbosch.” Blinde kol boei vanaf hierdie openingsin, met ’n spanningslyn wat deurgaans snaarstyf volgehou word. Dit is 2 Oktober 2025 en ’n man het sy pad ingeskiet in ’n dameskoshuis. Hy hou verskeie studente aan en kort-kort klap daar nog skote. Hy vra vir Karla Blanckenberg by die naam, wil spesifiek met háár praat.
Karla onthou dat die skieter, Altus, die seun is wat sy in 2019 oorreed het om nie van ’n dak af spring nie. Die storielyn wissel behendig en ongeforseerd tussen hierdie twee tydgleuwe, ook tussen die voorgeskiedenis van die skieter en dié van Karla.
Benewens die spanningsvolle gebeure, word daar sensitiewe dinge oopgeskryf, soos selfmutilasie. “Ink kan sê hoe sy voel. Maar bloed kan dit ’n ruk lank wegvat.” (p.156) Daar is ook Altus se obsessie met mooi meisies en seks wat hy voel dat hy verdien maar nie kry nie. Daar is baie bloedvergieting, maar Martin Steyn is ’n meester wat dit verteerbaar aanbied, selfs vir ’n redelike sensitiewe leser soos ekself.
Adjudant Karla Blanckenberg en haar spanlid, Adjudant Colin Menck, het verskyn in vroeëre boeke van hierdie skrywer, maar Blinde Kol kan op eie bene staan. Dit is ’n produk van Lapa Uitgewers.
'n Joernalis soek na 'n fonds op 'n roosplaas in Marokko, en ontbloot geheime
Om ’n laaste wens van haar pa te eerbiedig, vertrek Gemma na Marokko, en spesifiek na die roosplaas, Sangrose. Die Marokkaanse landskap daarheen word goed uitgebeeld en verklaar waarom Soet rose, donker geheime, deur Frenette van Wyk uitgegee is as ’n romanse in die Reis sub-genre. Die titel is ook goed gekies, want op die pragtige plaas met duisende roosbome, is daar beslis geheime opgesluit.
Gemma is ’n joernalis met ’n ondersoekende gees. Haar pogings om die geheime te ontbloot, bring haar in uiteindelik in konflik met die eienaar van die plaas, die wewenaar, Julien, terwyl daar vanuit die staanspoor ’n definitiewe aantrekking tussen hulle was.
Die storie herinner my sterk aan Daphne du Maurier se Rebecca, hoewel dit in verskillende tye en plekke afspeel. Dalk is dit die rosetuine, maar veral die antagonis, die hatige Mrs Danvers. In hierdie verhaal is dit Samira wat openlik vyandig is en soos ’n skim verskyn oral waar Gemma beweeg.
Soet rose, donker geheime is ’n publikasie van Lapa Uitgewers onder die Romanza druknaam.
Luke en Lilihanna is lank genoeg in ’n verhouding dat sy al ’n diamantring begin verwag. Drama sommer met die intrapslag: hy verlaat die prentjie op onbedagsame wyse en laat vir Lilihanna verslae agter. Die volgende man wat te voorskyn kom is die skatryk Sebastian. Ek het nie geweet wat om te maak met hierdie karakter nie. Is hy ’n gewillige held of ’n onwaarskynlike held? Of is die held dalk die fotograaf, Leo, met sy lang hare, sy motorfiets en sy byna rebelse aantreklikheid?
Voorkoms staan sentraal in die storielyn. Sebastian, wat ’n reeks haarsalonne en ’n holostiese spa besit waar oormaaksessies aan die orde van die dag is, verras met ’n stelling: “Liefde is die onwerklike opwelling van emosie wanneer jy onverwags daardie één sien, ongeag of hulle nou in aanddrag uitgevat is of in vodde.” (p.31)
Skrywer Beatrix Smith was ook nie haastig om al my vrae te beantwoord nie, en ek gaan dit net so aan lesers oorlaat om te bepaal wié Lilihanna se hart gaan steel. My bestemde beminde is ’n Romanza uit Lapa Uitgewers se stal.