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Space and Being in Contemporary French Cinema

James S. Williams
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      This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new ‘space of the cinematic subject’. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies.Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser)
      Format: Paperback / softback CONTRIBUTORS: James S. Williams EAN: 9781784993788 COUNTRY: United Kingdom PAGES: WEIGHT: 0 g HEIGHT: 216 cm
      PUBLISHED BY: Manchester University Press DATE PUBLISHED: 2016-05-18 CITY: GENRE: PERFORMING ARTS / Film / History & Criticism WIDTH: 138 cm SPINE:

      Book Themes:

      Film history, theory or criticism

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      James S. Williams is Professor of Modern French Literature and Film at Royal Holloway, University of London
      This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new ‘space of the cinematic subject’. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies.Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser)
      Format: Paperback / softback CONTRIBUTORS: James S. Williams EAN: 9781784993788 COUNTRY: United Kingdom PAGES: WEIGHT: 0 g HEIGHT: 216 cm
      PUBLISHED BY: Manchester University Press DATE PUBLISHED: 2016-05-18 CITY: GENRE: PERFORMING ARTS / Film / History & Criticism WIDTH: 138 cm SPINE:

      Book Themes:

      Film history, theory or criticism

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      James S. Williams is Professor of Modern French Literature and Film at Royal Holloway, University of London

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