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A book-length sequence of poems about place, time, illness and recoveryEach of the three sections in Goyle, Chert, Mire focuses on one of the distinctive elements characteristic of the Blackdown Hills – a little-known, sparsely populated area straddling the border between Somerset and Devon – and in particular the remote springline valley where the author lives. In this unique landscape, relatively unchanged over the centuries, the past is so evident that it can come to seem indistinguishable from the present.Illness causes a similar slippage in an individual’s sense of time. The poems trace an overlapping narrative of meningitis and the cognitive symptoms – at once distorting and revelatory – that came in its aftermath.In company with Geoffrey Hill, Ted Hughes and Pauline Stainer, Goyle, Chert, Mire employs a tough lyricism and taut line to scrutinise the natural world through historical and personal lenses. Alert to texture and temperature, humanity and history, time passing and time standing still, these poems are a deep examination of landscape, body and mind.'Jean Sprackland’s poems are an uncommon pleasure to read' Observer‘Accessible but worth close reading, she is among the best of her generation’ Herald
A book-length sequence of poems about place, time, illness and recoveryEach of the three sections in Goyle, Chert, Mire focuses on one of the distinctive elements characteristic of the Blackdown Hills – a little-known, sparsely populated area straddling the border between Somerset and Devon – and in particular the remote springline valley where the author lives. In this unique landscape, relatively unchanged over the centuries, the past is so evident that it can come to seem indistinguishable from the present.Illness causes a similar slippage in an individual’s sense of time. The poems trace an overlapping narrative of meningitis and the cognitive symptoms – at once distorting and revelatory – that came in its aftermath.In company with Geoffrey Hill, Ted Hughes and Pauline Stainer, Goyle, Chert, Mire employs a tough lyricism and taut line to scrutinise the natural world through historical and personal lenses. Alert to texture and temperature, humanity and history, time passing and time standing still, these poems are a deep examination of landscape, body and mind.'Jean Sprackland’s poems are an uncommon pleasure to read' Observer‘Accessible but worth close reading, she is among the best of her generation’ Herald
