Format: Paperback / softback
Since its publication in 1925, The Great Gatsby has become one of the world's best-loved books. Careless People tells the true story behind F. Scott Fitzgerald's masterpiece, exploring in newly rich detail its relation to the extravagant, scandalous, and chaotic world in which the author lived.With wit and insight, Sarah Churchwell traces the genesis of a masterpiece, mapping where fiction comes from, and how it takes shape in the mind of a genius. Careless People tells the extraordinary tale of how F. Scott Fitzgerald created a classic and in the process discovered modern America.
CONTRIBUTORS: Sarah Churchwell
EAN: 9781844087686
COUNTRY: United Kingdom
PAGES:
WEIGHT: 310 g
HEIGHT: 197 cm
PUBLISHED BY: Little, Brown Book Group
DATE PUBLISHED: 2014-03-06
CITY:
GENRE: HISTORY / General, LITERARY CRITICISM / General
WIDTH: 128 cm
SPINE:
Book Themes:
United States of America, USA, English, 20th century, c 1900 to c 1999, Literary studies: c 1900 to c 2000, Literary studies: fiction, novelists and prose writers, Social and cultural history
[Sarah Churchwell] tells the story crisply and intelligently, judiciously deploying Fitzgerald's eminently quotable literary remains, and also Zelda's, which are often even better, in a sprightly, enjoyable and slightly strange book: part "biography" of the novel, part sketch of the roaring 1920s, part brief account of the second half of Fitzgerald's life. Churchwell is perceptive and well-informed, A perfect book to read alongside The Great Gatsby. Excellent, This book has as much spirit as gin fizz cocktails, A treasury of new material. Churchwell adds considerably to our understanding of the early 1920s, and how life for Fitzgerald played into the development of his art . . . Engaging deeply with the facts on the ground, the richly chaotic matrix that was Fitzgerald's life, Sarah Churchwell's Careless People takes us back there, A suggestive, almost musical evocation of the spirit of the time
Sarah Churchwell is Professorial Fellow in American Literature and Chair of Public Understanding of the Humanities at the School of Advanced Study, University of London. She is Director of Being Human Festival and Living Literature, and she reviews widely.