This book explores the relationship between creative innovation, deviance and morbidity. To innovate, one has to be able to view the medium and the object of creativity in a different, hitherto unexplored manner. The essence of art is creative innovation, coupled with an ability, in varying degrees, to transcend the boundaries of consciousness. But this 'ability' is also the prerogative of the mentally deranged. Likewise, the criminal and the deviant are more likely to transcend normative barriers while creating, hence the wide range of criminal and deviant behaviour in society. Although the inverse hypothesis does not hold -- the mere existence of deviance or morbidity does not predispose the individual to creativity -- nevertheless criminal and mad behaviour are often very innovative. This thesis is illustrated by historical case histories of creative deviance and genius madness, and contemporary observations. The painter Michelangelo Merisi Caravaggio killed a man while still a teenager, and a second victim during a ball game. In his lifetime he was considered degenerate, but today he is considered the greatest painter of the Italian Settecento, and his portrait adorns the Hundred-Thousand Lira note. Jean Genet the homosexual thief was born out of wedlock and as a teenager he transgressed almost all the paragraphs of the French criminal code. But he became a famous French playwright, the mouthpiece for criminals and deviants. His plays built up a philosophical apology for the raison d'etre of the criminal group.
Format: Paperback / softbackCONTRIBUTORS: Shlomo Giora ShohamEAN: 9781903900062COUNTRY: United KingdomPAGES: WEIGHT: 0 gHEIGHT: 0 cm
PUBLISHED BY: Liverpool University PressDATE PUBLISHED: 2003-01-01CITY: GENRE: ART / History / GeneralWIDTH: 0 cmSPINE:
Book Themes:
Theory of art, Crime and criminology, Psychological theory, systems, schools and viewpoints
"Rich in detail and psychocultural analysis this book will take its place beside Freud's Moses and other classics of art interpretation..." -- Graeme R Newman, Professor, School of Criminal Justice."Broad intellectual range, curiosity, deep and profound knowledge and authenticity. The whole spirit of Shlomo Shoham's reasoning is both refreshing and challenging..." -- Dr Manfred Wimmer, Konrad Lorenz Institute for Evolution and Cognition Research.
Shlomo G. Shoham is a world renowned criminologist, recipient of the Selinglueck Award from the American Society of Criminology in 1977 and the Israel Prize Laureate for 2003. He has published some 90 books in 20 languages and 2000 articles in 30 languages in the areas of criminology, psychology, philosophy, sociology, theology and art. He has developed an interdisciplinary personality theory which is most suitable for the explanation of deviance and alienation.
This book explores the relationship between creative innovation, deviance and morbidity. To innovate, one has to be able to view the medium and the object of creativity in a different, hitherto unexplored manner. The essence of art is creative innovation, coupled with an ability, in varying degrees, to transcend the boundaries of consciousness. But this 'ability' is also the prerogative of the mentally deranged. Likewise, the criminal and the deviant are more likely to transcend normative barriers while creating, hence the wide range of criminal and deviant behaviour in society. Although the inverse hypothesis does not hold -- the mere existence of deviance or morbidity does not predispose the individual to creativity -- nevertheless criminal and mad behaviour are often very innovative. This thesis is illustrated by historical case histories of creative deviance and genius madness, and contemporary observations. The painter Michelangelo Merisi Caravaggio killed a man while still a teenager, and a second victim during a ball game. In his lifetime he was considered degenerate, but today he is considered the greatest painter of the Italian Settecento, and his portrait adorns the Hundred-Thousand Lira note. Jean Genet the homosexual thief was born out of wedlock and as a teenager he transgressed almost all the paragraphs of the French criminal code. But he became a famous French playwright, the mouthpiece for criminals and deviants. His plays built up a philosophical apology for the raison d'etre of the criminal group.
Format: Paperback / softbackCONTRIBUTORS: Shlomo Giora ShohamEAN: 9781903900062COUNTRY: United KingdomPAGES: WEIGHT: 0 gHEIGHT: 0 cm
PUBLISHED BY: Liverpool University PressDATE PUBLISHED: 2003-01-01CITY: GENRE: ART / History / GeneralWIDTH: 0 cmSPINE:
Book Themes:
Theory of art, Crime and criminology, Psychological theory, systems, schools and viewpoints
Shlomo G. Shoham is a world renowned criminologist, recipient of the Selinglueck Award from the American Society of Criminology in 1977 and the Israel Prize Laureate for 2003. He has published some 90 books in 20 languages and 2000 articles in 30 languages in the areas of criminology, psychology, philosophy, sociology, theology and art. He has developed an interdisciplinary personality theory which is most suitable for the explanation of deviance and alienation.
This book has given me a new insight into the “murky” world of the stock exchange, and a renewed respect for the traders who navigate this challenging environment on a daily basis.