Performing the Sacred: Christian Representation and the Arts

What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? Performing the Sacred: Christian Representation and the Arts explores both the meaning of re-presentation and the role of performance within the Christian tradition between arts and drama. The essays in this book demonstrate that the idea of performance was central to Christian theology and that—from the Middle Ages to the Early Modern era—it became a device through which people saw, prayed, preached, wrote, imagined, officiated rites, celebrated cults, and practiced devotions. Seen that performance is a habitus within Christianity, performing the sacred does not just mean representing it, but rather enacting it in a tangible, visible and involved way.

Carla M. Bino, Ph.D. (2001), Catholic University of the Sacred Heart, is Associate Professor of History of Theatre. She has published on the dramatic culture of the Christian Middle Ages, including Il dramma e l’immagine. Teorie cristiane della rappresentazione (Le Lettere, 2015).Corinna Ricasoli, Ph.D. (2014), is an art historian and museum curator with an international exhibition record, including The Living Dead: Ecclesiastes through Art (Ferdinand Schöning, 2018). She boasts collaborations with prominent international museums and is widely published in a variety of peer-reviewed forms.Contributors are Carla M. Bino, Rachel Fulton Brown, Fabrizio Fiaschini, Kamil Kopania, Francesc Massip, Carolyn Muessig, Nils Holger Petersen, Jean–Claude Schmitt, Allie Terry-Fritsch, Timothy Verdon, Andrew Walker White.