Search results for "Andrea V M Greaves"
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Land of Ionia
Incorporating over a century of archaeological research, Greaves offers a reassessment of Archaic Ionia that attempts to understand the region within its larger Mediterranean context and provides a thematic overview of its cities and people. Seeks to balance the Greek and Anatolian cultural influences at work in Ionia in this important period of its history (700BC to the Battle of Lade in 494BC)Organised thematically, covering landscape, economy, cities, colonisation, warfare, cult, and artAccesses German and Turkish scholarship, presenting a useful point of entry to the published literature for academics and students
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Land of Ionia
Incorporating over a century of archaeological research, Greaves offers a reassessment of Archaic Ionia that attempts to understand the region within its larger Mediterranean context and provides a thematic overview of its cities and people. Seeks to balance the Greek and Anatolian cultural influences at work in Ionia in this important period of its history (700BC to the Battle of Lade in 494BC)Organised thematically, covering landscape, economy, cities, colonisation, warfare, cult, and artAccesses German and Turkish scholarship, presenting a useful point of entry to the published literature for academics and students
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Angel Assassins - Book I - Lineage & Lies
The prophesied child has been found. Many factions will fight to gain control of him. Will the Drakim rise again? Jake Avalon lives a privileged life on his Grandfather's estate. He has everything a 16 year old boy would want, money, freedom and great friends. His life, however, begins to unravel when he encounters a man hiding in a corn field on the estate. The man turns out to be the brother he didn't know he had, Xavier, his protector. Jake is a phenomenon, he is half human and half angel. He is the prophesied child, who would re-establish an ancient order of angel assassins. He bears the mark of The Drakim, destined to become a very powerful man and all hell, heaven and everything in between wants a piece of that power. Some will come to take that power for evil, others as leverage to secure their own precarious position of power. There are those, like his brother and a certain suspected renegade archangel called Gabriel, who will do everything in their power to ensure that Jake has a choice.
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Welcome to Dorley Hall
What if the only way to fix toxic masculinity were to erase it entirely?Mark Vogel is like the older brother Stefan never had, but one day he disappears without a trace. A year later, after encountering a woman who looks near-identical to Mark, Stefan becomes obsessed. He finds that dozens of young men have disappeared over the years, many of them students at the Royal College of Saint Almsworth, and most of them troubled or unruly. Why are students going missing? Who are these women who bear striking resemblances to them? And what is their connection to the selective student accommodation on the edge of campus, Dorley Hall?Stefan starts studying at Saint Almsworth for one reason and one reason only: to find out exactly what happened to the women who live at Dorley Hall, and to get it to happen to him, too.An electrifying début by Alyson Greaves, Welcome to Dorley Hall is an intense exploration of gender and society that will appeal to readers of Torrey Peters, Imogen Binnie and Gretchen Felker-Martin.
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William Greaves
William Greaves is one of the most significant and compelling American filmmakers of the past century. Best known for his experimental film about its own making, Symbiopsychotaxiplasm: Take One, Greaves was an influential independent documentary filmmaker who produced, directed, shot, and edited more than a hundred films on a variety of social issues and on key African American figures ranging from Muhammad Ali to Ralph Bunche to Ida B. Wells. A multitalented artist, his career also included stints as a songwriter, a member of the Actors Studio, and, during the late 1960s, a producer and cohost of Black Journal, the first national television show focused on African American culture and politics.This volume provides the first comprehensive overview of Greaves’s remarkable career. It brings together a wide range of material, including a mix of incisive essays from critics and scholars, Greaves’s own writings, an extensive meta-interview with Greaves, conversations with his wife and collaborator Louise Archambault Greaves and his son David, and a critical dossier on Symbiopsychotaxiplasm. Together, they illuminate Greaves’s mission to use filmmaking as a tool for transforming the ways African Americans were perceived by others and the ways they saw themselves. This landmark book is an essential resource on Greaves’s work and his influence on independent cinema and African-American culture.
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Ida Greaves
Ida Greaves, who was born in Barbados in 1907, is one of the "missing female voices" of early development economics. This biography, the first for Ida Greaves, attempts to construct her career and era before the past wholly disappears. The biography covers her early years in Barbados, her time at boarding school in England, at McGill University in Canada where she focused on human behaviour under the influence of changing social and political histories and also published an early pathbreaking study of Black migrants into Canada, and her later research at Harvard and Columbia in the United States and at the London School of Economics. Individual chapters follow her career acting as economic adviser to the Colonial Office in London, where she worked alongside Arthur Lewis, and at the fledgling United Nations in New York. She published in top journals and produced an outstanding study of the influence of colonial monetary systems on poor countries.This accessible biography provides unexpected insights into personalities and institutions during a critical period in late colonial history. The issues it raises of class and race, gender and inequality, poverty and unemployment, are of no less relevance today than they were in her lifetime.
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William Greaves
William Greaves is one of the most significant and compelling American filmmakers of the past century. Best known for his experimental film about its own making, Symbiopsychotaxiplasm: Take One, Greaves was an influential independent documentary filmmaker who produced, directed, shot, and edited more than a hundred films on a variety of social issues and on key African American figures ranging from Muhammad Ali to Ralph Bunche to Ida B. Wells. A multitalented artist, his career also included stints as a songwriter, a member of the Actors Studio, and, during the late 1960s, a producer and cohost of Black Journal, the first national television show focused on African American culture and politics.This volume provides the first comprehensive overview of Greaves’s remarkable career. It brings together a wide range of material, including a mix of incisive essays from critics and scholars, Greaves’s own writings, an extensive meta-interview with Greaves, conversations with his wife and collaborator Louise Archambault Greaves and his son David, and a critical dossier on Symbiopsychotaxiplasm. Together, they illuminate Greaves’s mission to use filmmaking as a tool for transforming the ways African Americans were perceived by others and the ways they saw themselves. This landmark book is an essential resource on Greaves’s work and his influence on independent cinema and African-American culture.
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Rorke's Drift Revisited
Dr Adrian Greaves’ is widely acknowledged as a leading expert on the Anglo-Zulu War of 1879 and his previous account of Rorke’s Drift has become a standard work on that battle. However, by his own admission, it is hopelessly out of date as are other existing accounts. Rorke’s Drift Revisited is not merely a revised edition of that earlier work but a completely new account with much new research that challenges many misconceptions and myths.Explaining how previous accounts have been distorted by false reporting, false memory syndrome, ignorance of the site and archaeological evidence, the author presents fascinating fresh evidence and analysis. Among the more sensational revelations is that Lieutenant John Chard did not write the famous Chard Report, which has been the main primary source for the battle. He also shows that neither Lieutenant Ardendorff nor the missionary Reverend Otto Witt was there. Nor were the famous mealie-bag-and-biscuit-box barricades hastily erected, as per the film; they were carefully planned and built over several preceding days. Drawing on previously neglected eyewitness accounts as well as the latest archaeological evidence, there is a wealth of other new information and fresh perspectives. The shift in perceptions of the battle and its hold on the national psyche is also discussed. Uniquely, over a quarter of a century of physically revisiting Rorke’s Drift and associated sites as a tour leader allows him to give an accurate appraisal of the battlefield today.
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