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Surgeon in Khaki
Considered by critics to be an accurate portrayal of frontline medical conditions, A Surgeon in Khaki is New Zealand surgeon Arthur Anderson Martin’s account of his experiences in 1914, early in World War I. Already a well-respected and widely traveled surgeon when war broke out, Martin joined the Royal Army Medical Corps. Under Field Marshal Sir John French, he served at Le Havre, Harfleur, and at the battle of the Marne. He marched to Aisne, to the new lines behind La Bassée, and finally to Flanders. During his entire service, he advocated immediate specialist surgery for the direst wounds, even under fire. In this engaging narrative, the reader experiences the daily life of war through the eyes of the medical officers who tried valiantly to help the wounded and ill on the front lines of World War I. Martin provides colorful descriptions of the soldiers and officers, harrowing details of the battles, and riveting accounts of the difficulty of treating men in a war zone. A better firsthand account of medicine during World War I is not to be found.
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Arthur Miller
Arthur Miller has been delivering powerful drama to the stage for decades with such masterpieces as Death of a Salesman , The Crucible , and A View from the Bridge . But, remarkably, no one has yet told the full story of Miller's own extraordinary life-a rich life, much of it shrouded from public view. To achieve this ground-breaking portrait of the artist and the man, the award-winning drama critic and biographer Martin Gottfried masterfully draws on his interviews, on Miller's voluminous lifelong correspondence, and on the annotated scripts and notebooks that reveal Miller's creative process in stunning detail. From Miller's childhood and adolescence in Depression-era New York City to the 1947 play All My Sons that established him as a voice to be reckoned with...from his heroic defiance of the House Un-American Activities Committee during the McCarthy years to his most unlikely pairing with Marilyn Monroe: Here is a highly acclaimed book that is "compulsively readable" ( Booklist , starred review).
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King Arthur and the Myth of History
"The few full-length studies of the Morte D'Arthur and other Arthurian texts published in the past 15 years have rarely reached and sustained the level of theoretical and interpretive sophistication found here. King Arthur and the Myth of History ought to have quite an impact on Arthurian studies, in part because Finke and Shichtman take medieval Arthurian literature--particularly what passes for history and chronicle--very seriously, on its own terms, in its different cultural contexts."--Kathleen Kelly, Northeastern UniversityKing Arthur and the Myth of History considers why, in the 12th century, tales of a 6th-century British king who achieved immortality in an apparently hopeless struggle to repel Saxon invaders, suddenly emerged full blown, virtually from nowhere. Further, why did this figure from the margins of the Norman empire suddenly become an important subject of historical writing at the center of that empire, and why has he since continued to be an enduring cultural icon? Laurie Finke and Martin Shichtman contend that Arthur has been employed by historians as a potent but empty symbol to legitimize institutional political ambitions during times of social stress.The study focuses on three periods of cultural crisis: the Norman colonization of England in the 11th and 12th centuries, the Warsof the Roses in the 15th century, and the rise and resurgence of fascism in 20th-century Europe. It examines four English chronicles of the Norman period--those of William of Malmesbury, Geoffrey of Monmouth, Wace, and Layamon. Other chapters investigate John Hardyng's Chronicle and Malory's Morte D'Arthur, both produced during the tumult of the Wars of the Roses. Finally, it considers more contemporary texts that offer the history of Adolf Hitler's acquisition of the Holy Grail: Jean-Michel Angebert's The Occult and the Third Reich: The Mystical Origins of Nazism and the Search for the Holy Grail and Trevor Ravenscroft's Spear of Destiny.Finke and Shichtman argue that these texts reveal tensions between the claims that history makes about objectivity or referentiality and particular social, political, and ideological agendas. They demonstrate that at historical moments of great stress, the turn to antiquarianism, in an effort to bypass traumas of the recent past in favor of archaic origins, offers a unique opportunity for the literary and cultural theorists to investigate the aims and uses of history itself.
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