Search results for "Austin Carson"
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R 534.02
Secret Wars
Secret Wars is the first book to systematically analyze the ways powerful states covertly participate in foreign wars, showing a recurring pattern of such behavior stretching from World War I to U.S.-occupied Iraq. Investigating what governments keep secret during wars and why, Austin Carson argues that leaders maintain the secrecy of state involvement as a response to the persistent concern of limiting war. Keeping interventions “backstage” helps control escalation dynamics, insulating leaders from domestic pressures while communicating their interest in keeping a war contained.Carson shows that covert interventions can help control escalation, but they are almost always detected by other major powers. However, the shared value of limiting war can lead adversaries to keep secret the interventions they detect, as when American leaders concealed clashes with Soviet pilots during the Korean War. Escalation concerns can also cause leaders to ignore covert interventions that have become an open secret. From Nazi Germany’s role in the Spanish Civil War to American covert operations during the Vietnam War, Carson presents new insights about some of the most influential conflicts of the twentieth century.Parting the curtain on the secret side of modern war, Secret Wars provides important lessons about how rival state powers collude and compete, and the ways in which they avoid outright military confrontations.
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Secret Wars
Secret Wars is the first book to systematically analyze the ways powerful states covertly participate in foreign wars, showing a recurring pattern of such behavior stretching from World War I to U.S.-occupied Iraq. Investigating what governments keep secret during wars and why, Austin Carson argues that leaders maintain the secrecy of state involvement as a response to the persistent concern of limiting war. Keeping interventions “backstage” helps control escalation dynamics, insulating leaders from domestic pressures while communicating their interest in keeping a war contained.Carson shows that covert interventions can help control escalation, but they are almost always detected by other major powers. However, the shared value of limiting war can lead adversaries to keep secret the interventions they detect, as when American leaders concealed clashes with Soviet pilots during the Korean War. Escalation concerns can also cause leaders to ignore covert interventions that have become an open secret. From Nazi Germany’s role in the Spanish Civil War to American covert operations during the Vietnam War, Carson presents new insights about some of the most influential conflicts of the twentieth century.Parting the curtain on the secret side of modern war, Secret Wars provides important lessons about how rival state powers collude and compete, and the ways in which they avoid outright military confrontations.
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Being Dope
Being Dope is a book that will challenge what you think you know about rap and rappers. It is not a typical memoir and is as much about genre as it is about anything else: history, hip hop scholarship, storytelling, and theorizing through rap. Each section features A.D. Carson's mixtap/e/ssay lyrics alongside poetry, reflective prose, and critical analysis that provide social, historical, academic, and personal context. Being Dope is about permission and sanctioning. As Carson demonstrates, dope is distinct from drugs like illegal is distinct from legal and illicit is distinct from licit. Being Dope is about the rapper as genre, a contested category of human relegated to subhuman status in the public imagination. The book is, therefore, a refusal of this refusal: the rapper being, on his own terms. Dope is rooted in the experiences of Black people in the U.S., including histories of people treated as property, chattel, technology, and the "War on Drugs" - a war on people - its casualties and aftermaths. Dope is also a measure of quality, of cool. Being Dope is about the presence of pasts and futures - methods of intoxication - more than it is about the absence of humility. Being Dope is the beautiful, ugly, abundant, and otherwise art made from the ruins of war and the carnage it leaves.
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Carson
The partition of Ireland in 1921, and the birth of Northern Ireland as a political entity, was the work of one man above all. Edward Carson, born in Dublin in 1854, was a brilliant lawyer whose cross-questioning of Oscar Wilde at his libel trial brought about Wilde's downfall. An inspiring orator and a political heavyweight at Westminster, his defense of Unionism in the years before the First World War, and of the rights of Ulster not to be swamped in an independent Ireland, made a united Ireland a political impossibility. While some of his actions were denounced in England as close to treason, Carson's idealism and religious tolerance were untypical of the sectarian bigotry that marred the later history of Northern Ireland. "Carson: The Man Who Divided Ireland" is the first modern biography of a major figure in both British and Irish politics.
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Kit Carson
History has portrayed Christopher ""Kit"" Carson in black and white. Best known as a nineteenth-century frontier hero, he has been represented more recently as an Indian killer responsible for the deaths of hundreds of Navajos. Biographer David Remley counters these polarized views, finding Carson to be less than a mythical hero, but more than a simpleminded rascal with a rifle.Kit Carson: The Life of an American Border Man strikes a balance between prevailing notions about this quintessential western figure. Whereas the dime novelists exploited Carson's popular reputation, Remley reveals that the real man was dependable, ethical, and - for his day - relatively open-minded. Sifting through the extensive scholarship about Kit, the author illuminates the key dimensions of Carson's life, including his often neglected Scots-Irish heritage. His people's dire poverty and restlessness, their clannish rural life and sternly Protestant character, committed Carson, like his Scots-Irish ancestors, to loyalty and duty and to following his leader into battle without question.Remley also places Carson in the context of his times by exploring his controversial relations with American Indians. Although despised for the merciless warfare he led on General James H. Carleton's behalf against the Navajos, Carson lived amicably among many Indian people, including the Utes, whom he served as U.S. government agent. Happily married to Waa-Nibe, an Arapaho woman, until her death, he formed a lasting friendship with their daughter, Adaline.Remley sees Carson as a complicated man struggling to master life on America's borders, those highly unstable areas where people of different races, cultures, and languages met, mixed, and fought, sometimes against each other, sometimes together, for the possession of home, hunting rights, and honor.
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Kit Carson
Doctor! Compadre! Adios!"" with these words passed a wiry little man who has become a legend of the Old West.Much has been written about Kit Carson, some of it truth, a great deal of it fiction. The two have been mixed all too often, resulting in an unfaithful and highly distorted picture of the Great Scout. Incorporating as its introduction a paper on the subject by the late Professor Edgar L. Hewett, M. Morgan Estergreen's Kit Carson is the long-awaited corrective to that picture.Born in the wilderness of Iredell County in Western North Carolina on December 24, 1809, Kit grew up on the frontier as it moved ever westward. In Missouri, he ran away from the saddlers to whom he had been apprenticed and joined a Santa Fe-bound caravan at Independence.Trader, interpreter, teamster, scout, trapper, guide, express rider, Indian agent, brevet brigadier general, Indian fighter - Kit Carson was all of these things and more. He was a faithful and devoted husband to Josefa, his second wife, a gentle and loving father to their seven children, and loyal and trusted friend to all who knew him. Modest and soft-spoken, he was a man of quite but fierce courage, a man who could be counted on when the chips were down.Based on the unpublished notes and other primary source materials of the late Blanche C. Grant, including interviews and letters from Kit's family and friends, Kit Carson is the story of Kit' life as he lived it, not as many wishful-thinking writers have imagined it to be.
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Lying and Deception
Thomas Carson offers the most comprehensive and up-to-date investigation of moral and conceptual questions about lying and deception. Part I addresses conceptual questions and offers definitions of lying, deception, and related concepts such as withholding information, "keeping someone in the dark," and "half truths." Part II deals with questions in ethical theory. Carson argues that standard debates about lying and deception between act-utilitarians and theircritics are inconclusive because they rest on appeals to disputed moral intuitions. He defends a version of the golden rule and a theory of moral reasoning. His theory implies that there is a moral presumption against lying and deception that causes harm — a presumption at least as strong as that endorsedby act-utilitarianism. He uses this theory to justify his claims about the issues he addresses in Part III: deception and withholding information in sales, deception in advertising, bluffing in negotiations, the duties of professionals to inform clients, lying and deception by leaders as a pretext for fighting wars (with special attention to the case of Bush and Cheney), and lying and deception about history (with special attention to the Holocaust), and cases of distorting the historicalrecord by telling half-truths. The book concludes with a qualified defence of the view that honesty is a virtue.
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Social History of Bourbon
The distinctive beverage of the Western world, bourbon is Kentucky's illustrious gift to the world of spirits. Although the story of American whiskey is recorded in countless lively pages of our nation's history, the place of bourbon in the American cultural record has long awaited detailed and objective presentation. Not a recipe book or a barman's guide, but a fascinating and informative contribution to Americana, The Social History of Bourbon reflects an aspect of our national cultural identity that many have long suppressed or overlooked. Gerald Carson explores the impact of the liquor's presence during America's early development, as well as bourbon's role in some of the more dramatic events in American history, including the Whiskey Rebellion, the scandals of the Whiskey Ring, and the "whiskey forts" of the fur trade. The Social History of Bourbon is a revealing look at the role of this classic beverage in the development of American manners and culture.
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Anne Carson
The scholar is transparent and accountable, the poet inward and errant: anyone who reads Anne Carson has to suspend many such separations of power. The first monographic study of her work to date, Anne Carson: The Glass Essayist makes the case for the acclaimed poet, classicist, and translator as a remarkable experimental scholar and reader, who rehearses scholarly methods while slipping their constraints of form and emotion. Carson's attention tosources-ancient and modern, textual or visual-is one of few constants across almost four decades of her published writing, whose uncertain claims on discipline and genre are claimed here as a certain interpretive style. The book follows Carson's readings through variations in form-from early academic prose and poem-essays to creative adaptations and works for performance-to come to grips with what Coles calls Carson's transparency: not her easiness or literalism, but a taste for the exposure of her presence, process, and intent. Carson's portraits of working perform to readers even where she fantasizes her own erasure; where chance, poetic economy, impersonation, and imitation ride the line of anonymity. Colessituates Carson in a vibrant contemporary conversation around the essay, scholar-poets, and post-critical form, where creation transacts critique, and where roles and prerogatives are reset. Reading Carson as a reader, the book argues, is the most pressing way of reading her now.
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Being Dope
Being Dope is a book that will challenge what you think you know about rap and rappers. It is not a typical memoir and is as much about genre as it is about anything else: history, hip hop scholarship, storytelling, and theorizing through rap. Each section features A.D. Carson's mixtap/e/ssay lyrics alongside poetry, reflective prose, and critical analysis that provide social, historical, academic, and personal context. Being Dope is about permission and sanctioning. As Carson demonstrates, dope is distinct from drugs like illegal is distinct from legal and illicit is distinct from licit. Being Dope is about the rapper as genre, a contested category of human relegated to subhuman status in the public imagination. The book is, therefore, a refusal of this refusal: the rapper being, on his own terms. Dope is rooted in the experiences of Black people in the U.S., including histories of people treated as property, chattel, technology, and the "War on Drugs" - a war on people - its casualties and aftermaths. Dope is also a measure of quality, of cool. Being Dope is about the presence of pasts and futures - methods of intoxication - more than it is about the absence of humility. Being Dope is the beautiful, ugly, abundant, and otherwise art made from the ruins of war and the carnage it leaves.
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Carson the Magnificent
A much-anticipated biography—twenty years in the making—of the entertainer who redefined late-night television and reshaped American culture.In 2002, Bill Zehme landed one of the most coveted assignments for a magazine writer: an interview with Johnny Carson—the only one he’d granted since retiring from hosting The Tonight Show a decade earlier. Zehme was tapped for the Esquire feature story thanks to his years of legendary celebrity profiles, and the resulting piece portrayed Carson as more human being than showbiz legend. Shortly after Carson’s death in 2005 and urged on by many of those closest to Carson, Zehme signed a contract to do an expansive biography. He toiled on the book for nearly a decade—interviewing dozens of Carson’s colleagues and friends and filling up a storage locker with his voluminous research—before a cancer diagnosis and ongoing treatments halted his progress. When he died in 2023 his obituaries mentioned the Carson book, with New York Times comedy critic Jason Zinoman calling it “one of the great unfinished biographies.” Yet the hundreds of pages Zehme managed to complete are astounding both for the caliber of their writing and how they illuminate one of the most inscrutable figures in entertainment history: A man who brought so much joy and laughter to so many millions but was himself exceedingly shy and private. Zehme traces Carson’s rise from a magic-obsessed Nebraska boy to a Navy ensign in World War II to a burgeoning radio and TV personality to, eventually, host of The Tonight Show—which he transformed, along with the entirety of American popular culture, over the next three decades. Without Carson, there would be no late-night television as we know it. On a much more intimate level, Zehme also captures the turmoil and anguish that accompanied the success: four marriages, troubles with alcohol, and the devastating loss of a child. In one passage, Zehme notes that when asked by an interviewer in the mid-80s for the secret to his success, Carson replied simply, “Be yourself and tell the truth.” Completed with help from journalist and Zehme’s former research assistant Mike Thomas, Carson the Magnificent offers just that: an honest assessment of who Johnny Carson really was.
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