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Boot, Hooves and Wheels
The books title has an apparent misnomer-boots were not used in early armies, at least as apparent from temple sculptures which depict bare-bodied and barefooted soldiers. But is it likely to have been true? Or social reasons led to suppression of footgear on temple walls? The book explores these and myriad other questions on the military experience of South Asia, hoping to construct a picture of how men, animals, and equipment were used on South Asian battlefields from the end of the Paleolithic till the dawn of our era. Further, as all that happens on battlefields is no more than the tip of the proverbial iceberg whose submarine mass conceals many cause-effect relationships in a wide variety of fields, the author, adopting a wide fronted approach, examines the evidence of anthropology, literature, mythology, folklore, technology, archaeology, and architecture, to reconstructs the military atmosphere of South Asia beyond the battlefield, which is the aim of this book.
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Daughters of Edward Darley Boit
When fifteen-year-old Victoria grudgingly accompanies her mother to the Museum of Fine Arts in Boston, she has no idea her life is about to change forever. While there, she falls under the spell of the famous John Singer Sargent portrait The Daughters of Edward Darley Boit. Drawn into the portrait’s shadowy depths, Victoria finds herself transported back in time to the world of the four troubled Boit sisters. By the time she returns to her own world, Victoria understands that the sisters are in serious trouble and need her help. She dedicates herself to solving the mystery of their peculiar loneliness and isolation—only to discover that at the same time she is having an impact on the Boit sisters’ future, they are having an equally dramatic effect on her own. Spanning a brief period in the lives of John Singer Sargent and the Boit family, The Daughters of Edward Darley Boit is a coming-of-age tale that explores both the murky world of Paris in 1882 and the upheaval going on in Victoria’s own time, the early sixties, all the while pondering possible answers to the questions raised by Sargent’s most enigmatic work of art.
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