Search results for "Charlotte Scherch"
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R 451.00
Wetlands
Wetlands--an international sensation with more than a million copies sold worldwide--has been at the center of a heated debate about feminism and sexuality since its publication last spring. Charlotte Roche's controversial debut novel is the story of Helen Memel, an outspoken, sexually precocious eighteen-year-old lying in a hospital bed as she recovers from an operation. To distract herself, she ruminates on her past sexual and physical adventures in increasingly uncomfortable detail. The result is a funny, shocking, and fearlessly intimate manifesto on sex, hygiene, and the compulsion to obliterate the covenant that keeps girls clean, quiet, and nice.
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Charlotte
Charlotte Charke's father, Colley Cibber, was one of the eighteenth-century's great actor/playwrights - the toast of the British aristocracy, a favourite of the king. When his high spirited, often rebellious daughter, Charlotte, revealed a fondness for things theatrical, it was thought that the young actress would follow in his footsteps at the legendary Drury Lane, creating a brilliant career on the London stage. But this was not to be. And it was not that Charlotte lacked talent - she was gifted, particularly at comedy. Troublesome, however was her habit of dressing in men's clothes - a preference first revealed onstage but adopted elsewhere after her disastrous marriage to an actor, who became the last man she ever loved.
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Charlotte Lennox
This volume compiles and annotates for the first time the complete correspondence of the eighteenth-century British author Charlotte Lennox, best known for her novel The Female Quixote. Lennox corresponded with famous contemporaries from different walks of life such as James Boswell, David Garrick, Samuel Johnson, and Sir Joshua Reynolds, and she interacted with many other influential figures including her patroness the Countess of Bute, publisher Andrew Millar, and the Reverend Thomas Winstanley. In addition to Lennox’s and her correspondents’ letters, this book presents related documents such as the author’s proposals for subscription editions of her works, her file with the Royal Literary Fund, and a series of poems and stories supposedly composed by her son but perhaps written by herself. In these carefully and extensively annotated documents, Charlotte Lennox traces the vagaries in the career of a female writer in the male-dominated eighteenth-century literary marketplace.The introduction situates Lennox in the context of contemporaneous print culture and specifically examines the contentious question of the authorship of The Female Quixote, Lennox’s experimentation with various forms of publication, and her appeals for charity to the Royal Literary Fund when she was impoverished towards the end of her life. The author who emerges from Charlotte Lennox was an active, assertive, innovative, and independent woman trying to find her place—and make a literary career—in eighteenth-century Britain. Thus, this volume makes an important contribution to the history of female authorship, literary history, and eighteenth-century studies.
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Charlotte von Kirschbaum and Karl Barth
Charlotte von Kirschbaum and Karl Barth is the first concentrated study of the collaboration of the towering theologian Karl Barth and his secretary and theological assistant for more than three decades, Charlotte von Kirschbaum. Barth always maintained that he could not have produced his theological oeuvre without her. Von Kirschbaum was also his constant companion. Discussion of the two has long been aswirl in rumor and speculation, with regard both to their personal relationship and to von Kirschbaum’s part in Barth's theological achievement.Drawing upon published and unpublished sources that include their own writings, the observations of contemporaries, and correspondence with people who knew them, Suzanne Selinger seeks to describe the collaboration in a multidimensional way. Von Kirschbaum gave a series of lectures in 1949, published in the same year, on women in the perspective of Scripture, theology, and the church. In the three volumes of Barth's Church Dogmatics that deal with humankind, including the male-female relationship as the locus of the image of God, Barth cites von Kirschbaum's scholarship. The subject inevitably reflects upon their own relationship. Moreover, it is just this subject—the anthropology of gender—that has been the source of the categorical rejection of Barth by many feminists.The author—a Barthian, a feminist, and a trained historian—addresses the concerns of Barth's critics by agreeing deeply with them in part but also by insisting upon understanding Barth and von Kirschbaum contextually. This means biographically and in relation to early German feminism (a phenomenon little known in the English-speaking world), the intellectual movement known as dialogical personalism, and the background of everything Barth and von Kirschbaum wrote or thought in their work together: the steady, threatening growth of the Nazi state, World War II, and the postwar German situation.
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Charlotte Salomon. Life? or Theatre?
When German artist Charlotte Salomon (1917–1943) handed her gouache series Life? or Theater? over to a friend, she beseeched him to “take good care of it, it is my entire life.” A few months later, the five-months pregnant Charlotte was picked up by a Gestapo truck, deported to Drancy, and then on to Auschwitz, where she died upon arrival at the age 26.The work Salomon left behind is, in a very real sense, her pièce de résistance – in her own words, “something wildly eccentric.” A cycle of nearly 1,300 autobiographical gouaches, it combines creative force with pioneering personal narrative into one shattering document of self-expression.Divided into three sections, the gouaches unveil a vivid self-portrait spanning across all facets of Charlotte's existence: from a complicated family life, marked by the suicides of nearly all female relatives; growing up in Berlin; her close relation to singing teacher Alfred Wolfsohn; the rise of the Nazis; to her exile to France in 1939. Throughout, the artist challenges these destructive forces by deploying playful pseudonyms and fantastical elements alongside emotional candor, remarkable observation, and a meticulous visual memory. Her film strip-like sequences are interspersed not only with words but also musical suggestions, making Life? or Theater? the storybook for a whole musical, years before the heyday of that genre.Without comparison, the gouaches are a triumph of personal truth and individual expression. Published here with a selection of the 400 most important pieces, Life? Or Theatre? is an unrivaled opus magnum from a great and ambitious artist, dark with her early death, but luminous with her precision, her lyricism, and her courage.
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On Charlotte's Shoulders
In a dank Dublin tenement in 1942, Julie meets a stranger – her father. Like her severely ill sisters, her father is on the periphery of her early family life. Her Ma, however, is her bedrock – a feisty, hard-working woman who single-handedly struggles to put food on the table and shoes on the feet of her large family – she does not suffer fools gladly. Young Julie plays happily in the street with her siblings and cousins, dreaming of being a singer, unaware of many of her Ma’s daily battles and ignorant of a better life. But as she grows into a young woman and sees her family go through poverty, illness, and heart-breaking troubles, she begins to understand the extent of her Ma’s bravery. On Charlotte’s Shoulders is a touching family portrait of the challenges of Irish family life in the ’40s and ’50s.
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R 545.00
Charlotte Perkins Gilman
New in Paperback! Gilman (1860-1935), best known today for "The Yellow Wall-paper" and Women and Economics and a prolific writer, was virtually forgotten until the 1970s. Even now her publications are still largle inaccessible, and this first comprehensive bibliography traces the original appearances of her works, their republications, and their translations. Cloth edition published in 1985.
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