Search results for "Creative Writing Productions"
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R 705.81
R 305.00
Creative Production
Creative Production is a workbook guide designed to help users of language-learning apps reach their foreign language fluency goals. Using a foreign language-learning app is a great way to introduce yourself to a language and learn its basic grammar, but many people may find that even after all the practice points, levels and high rankings that they still do not have a functional mastery of the language. Being functionally fluent in a language is more than drills, translation and grammar. It is communicating your thoughts and understanding the speech and writing of others. It requires flexibility and practicing self-expression. Here, you will do just that: use the grammar and vocabulary learned in your language-learning app to produce in the target language your own unique thoughts and descriptions about your life, beliefs and world. Functional fluency is the ultimate goal of most foreign language students. Creative Production is the guide to reaching that ultimate goal.
R 814.00
Portable MFA in Creative Writing
Get the core knowledge of a prestigious MFA education without the tuition. Have you always wanted to get an MFA, but couldn't because of the cost, time commitment, or admission requirements? Well now you can fulfill that dream without having to devote tons of money or time. The Portable MFA gives you all of the essential information you would learn in the MFA program in one book. Covering fiction, memoirs, personal essays, magazine articles, poetry, and playwriting, this book provides you with: Inspiration and tips on revision, stamina, and productivity Clear instruction on the craft behind the art Detailed reading lists to expand your literary horizons Exercises to improve your writing endeavors By heeding the advice in The Portable MFA, you will gain the wisdom and experience of some of today's greatest teachers, all for just the price of a book.
R 657.06
R 305.00
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R 214.00
R 239.00
Practical Guide to Teaching Creative Writing
Grounded in progressive pedagogy, this essential resource leads creative writing instructors through each step of designing, teaching, and trouble-shooting a course. A Practical Guide to Teaching Creative Writing offers applied strategies and innovative insights equally valuable for novice and seasoned instructors. Tate and Vigna share tried and tested approaches to online, in-person, and hybrid classes from 6 to 300+ students, attentive to the specific opportunities and challenges of genres from fiction to comics, poetry to TV, creative nonfiction to lyric writing. This lively and accessible book includes timely and inclusive recommendations, enlightening interviews with a diverse lineup of writers and teachers, hands-on examples, and actionable interventions to help instructors create rich and meaningful courses that challenge and support students.A Practical Guide to Teaching Creative Writing provides:- Interviews with guest authors and instructors who share classroom strategies, pedagogical provocations, and proven practices—including Felicia Rose Chavez on inclusive course design, Liz Lerman on developing Critical Response Process, Nalo Hopkinson on research and speculative fiction, and many more. - Approaches to active learning in undergraduate and graduate classrooms ranging in size and institutional context.- Guidance on creating effective and meaningful assignments in writing, reading, research, and revision that scaffold learning and build capacity. - Best practices for creating community and navigating the ever-evolving needs of students.- Exploration of thorny topics like workshop conflict, assessment, and GenAI. - Chapters devoted to supporting thesis and capstone work and navigating classroom challenges. With a strong ethos of openness, mutual discovery, and exchange of ideas and expertise, A Practical Guide to Teaching Creative Writing invites instructors to experiment with new ways of thinking, creating, writing, and teaching memorable courses.
R 1,043.00
Key Concepts in Creative Writing
A comprehensive writers' guide to the terminology used across the creative writing industries and in the major literary movements. Packed with practical tips for honing writing skills and identifying opportunities for publication and production, it also explains the workings of publishing houses, literary agencies and producing theatres.
R 1,323.00
Handbook of Creative Writing
This is the inspirational resource for tutors, students and other creative writing professionals, now in a new edition. 54 chapters cover the three central pillars of writing creatively: theories of creativity, the craft of writing and creative writing as a business. With contributions from over 50 experts - poets, novelists, dramatists, publishers, editors, tutors, critics and scholars - from the United Kingdom, the United States, Canada and Australia, this is the essential guide to writing, and getting published, in the English-speaking world. New for this edition: chapters: on 'indie publishing', 'social media', 'flash fiction', 'song lyrics and poetry', 'creative critical hybrids', 'collaboration in the theatre', Inclusion of additional genres and activities; chapters updated to reflect changes in teaching, copyright & earning a living as a writer; and, updated Glossary of Terms.
R 1,584.00
Short-Form Creative Writing
A complete introduction to the art and craft of extremely compressed works of imaginative literature, this book, now in its 2nd edition, introduces both traditional and innovative approaches to the short form and demonstrates how it possesses structure, logic, and coherence while simultaneously resisting expectations. With discussion questions, writing prompts, flash interviews, and illustrated key concepts, the book covers prose poetry, flash fiction, micro memoir, lyric essay, cross-genre/hybrid writing and much more. Two new chapters explore how to spark inspiration and innovation, and how to take the next steps by collaborating with partners and preparing work for publication. In this revised and expanded edition, H. K. Hummel and Stephanie Lenox present the ultimate companion to writing short fiction, featuring microplays, new short-form tactics, and a dozen fresh anthology pieces by Eve L. Ewing, Ross Gay, Jayne Anne Phillips, Gertrude Stein, and Jean Toomer, along with one-sentence student workshops that spotlight small but powerful moves in the short form.The extensive anthology showcases sixty short-form works including microplays and pieces by writers from Argentina, Chile, Guatemala, Canada, France, Greece, Bosnia, and the U.S., offering a vibrant mix of styles, forms, themes, and voices.
R 2,943.00
Writing Bestsellers
While the term 'bestseller' explicitly relates books to sales, commercially successful books are also products of individual creative work. This Element presents a new perspective on the relationship between art and the market, with particular reference to bestselling writers and books. We examine some existing perspectives on art's relationship to the marketplace to trouble persistent binaries that see the two in opposition; we break down the monolith of the marketplace by thinking of it as made up of a range of invested, non-hostile participants such as publishing personnel and readers; we articulate the material dimensions of creative writing in the industry through the words of bestselling writers themselves; and we examine how the existence of bestselling books and writers in the world of letters bears enormous influence on the industry, and on the practice of other writers.
R 714.67
Creative Writing Guidebook
Graeme Harper is quite possibly the best person in the country to edit this book -Richard Kerridge, Bath Spa University College, UK T he Creative Writing Guidebook is the key text for learning creative writing. Packed full of useful advice, exercises and readings, it sets out an informative and inspiring introduction to writing creatively. Taking a practical, workshop approach to creative writing, this comprehensive guidebook includes: introductions to genres of writing, including the novel, poetry, screenwriting, new media and non-fiction; workshop exercises suitable for each genre; a wide-range of examples and suggestions for further reading and discussions of cross-genre issues such as point of view, character, setting and voice. Written by internationally renowned experts, this is the definitive textbook on creative writing for students. Contributors include: Catherine Dent, Ken Dancyge, Adrianne Finlay, Graeme Harper, Gill James, Jeri Kroll, Oliver Mayer, Graham Mort, William S. Penn, Hazel Smith, and Silas Zobal
R 1,382.00
Creative Production
Creative Production is a workbook guide designed to help users of language-learning apps reach their foreign language fluency goals. Using a foreign language-learning app is a great way to introduce yourself to a language and learn its basic grammar, but many people may find that even after all the practice points, levels and high rankings that they still do not have a functional mastery of the language. Being functionally fluent in a language is more than drills, translation and grammar. It is communicating your thoughts and understanding the speech and writing of others. It requires flexibility and practicing self-expression. Here, you will do just that: use the grammar and vocabulary learned in your language-learning app to produce in the target language your own unique thoughts and descriptions about your life, beliefs and world. Functional fluency is the ultimate goal of most foreign language students. Creative Production is the guide to reaching that ultimate goal.
R 489.00
(Re)Writing Craft
(Re)Writing Craft focuses on the gap that exists in many English departments between creative writers and compositionists on one hand, and literary scholars on the other, in an effort to radically transform the way English studies are organized and practiced today. In proposing a new form of writing he calls \u0022craft criticism,\u0022 Mayers, himself a compositionist and creative writer, explores the connections between creative writing and composition studies programs, which currently exist as separate fields within the larger and more amorphous field of English studies. If creative writing and composition studies are brought together in productive dialogue, they can, in his view, succeed in inverting the common hierarchy in English departments that privileges interpretation of literature over the teaching of writing.
R 2,015.00
Creative Writing
This book is a practical guide to creative writing, providing advice on style and form, and help with developing work to be read or heard and how to get published. Drawing on interviews with other writers, and her own long experience as a poet and tutor, Julia Casterton examines many kinds of writing - autobiography, poetry, dialogue, short stories, writing for screen and longer fiction. The third edition includes three completely new chapters, covering preparing poetry for performance and publication, writing your own myth and how to do research. This final chapter will be based on interviews with a novelist, poet and script-writer and will provide a checklist of the stages needed to research a story, poem, novel or film.
R 3,825.00
Creative Writing
All writers are familiar with terms like plot, suspense, conflict and character. They may be less familiar with intertextuality, anachrony, and fabula, and they may be even less confident in achieving the effects these terms refer to. This book defines fictional techniques and guides the potential writer in their use. It may spark off ideas for stories and novels and provide first-aid for failing stories. A story's ending may come as a surprise to the reader, suspense may have the reader on the edge of the seat, and conflict may lead to unbearable excitement. It is the job of the writer to create these effects and this book illustrates how it is done. The book is for students doing creative writing in higher education, at "A" level, and it will be essential reading for anyone interested in writing fiction. Contents: Definitions of over 200 terms and techniques to do with fiction writing How to achieve fictional effects Literary examples of the techniques described Characteristics of genre as well as literary fiction Basic but essential techniques such as writing dialogue and using figures of speech Definitions of major terms used in publishing
R 1,026.00
Bloomsbury Introduction to Creative Writing
Covering all of the major genres of fiction, nonfiction, poetry, dramatic writing and writing for digital media, this 3rd edition of the book is a practical, complete, introductory manual for students of creative writing.The Bloomsbury Introduction to Creative Writing now features:- New sections and exercises for editing and revising across the genres and hybrid forms- A new chapter on intersectionality and writing alongside interviews with practitioners from a host of backgrounds and experiences- An updated and expanded chapter on writing for digital media that explores the role of AI- An updated and fully expanded glossary of key termsThrough a structured series of practical writing exercises – perfect for the classroom, the writer’s workshop or the creative writing autodidact – the book helps build the new writer from the first explorations of voice and the relationship between writing and knowledge, through to mastery of a wide range of genres and forms. With practical guidance on writing scholarly critiques of your own work, The Bloomsbury Introduction to Creative Writing is an essential guide for any introductory creative writing course and a practical companion for more advanced writers.
R 2,649.00
Creative Writing Handbook
An essential guide for writers of fiction, poetry, life writing and drama, A Creative Writing Handbook offers expert advice on structuring compelling narratives and cultivating distinctive voices.Writing, research and editing activities combine with rich and varied examples to help develop the skills and techniques a writer needs. This hands-on approach examines scriptwriting for different media and considers how skills and techniques from one form of writing might usefully cross over to others: how does a short story become a film? How are techniques from scriptwriting employed in novels? And how might poets and life writers fruitfully engage with the strategies of dramatists and writers of prose fiction?This second edition has been extensively updated with content that reflects current developments in forms such as life writing, flash fiction and audio drama. It includes examples of work by a wide range of writers using a variety of styles and approaches, showcasing the diversity of contemporary writing. For individual writers, writing groups and courses, and writers’ workshops, A Creative Writing Handbook provides: creative techniques for developing short stories and novels detailed introductions to stage, audio and film writing strategies for incorporating dramatic techniques in poetry thought-provoking approaches to life writing practical guidance on layout and adaptation techniques for different media exciting activities to help writers discover new approaches, strengthen their writing, and develop their own practice and voice.A Creative Writing Handbook has been written by nine published authors and creative writing lecturers who have taught at institutions including the University of Cambridge, the University of East Anglia and New York University.It is edited by Derek Neale, a fiction writer and dramatist who is Emeritus Professor of Creative Writing at The Open University, and Heather Richardson, Emma Claire Sweeney and Siobhán Campbell, Senior Lecturers in Creative Writing at The Open University, who are variously novelists, short story writers, poets and authors of creative non-fiction.
R 1,014.00
Writing with Pleasure
An essential guide to cultivating joy in your professional and personal writingWriting should be a pleasurable challenge, not a painful chore. Writing with Pleasure empowers academic, professional, and creative writers to reframe their negative emotions about writing and reclaim their positive ones. By learning how to cast light on the shadows, you will soon find yourself bringing passion and pleasure to everything you write.Acclaimed international writing expert Helen Sword invites you to step into your “WriteSPACE”—a space of pleasurable writing that is socially balanced, physically engaged, aesthetically nourishing, creatively challenging, and emotionally uplifting. Sword weaves together cutting-edge findings in the sciences and social sciences with compelling narratives gathered from nearly six hundred faculty members and graduate students from across the disciplines and around the world. She provides research-based principles, hands-on strategies, and creative “pleasure prompts” designed to help you ramp up your productivity and enhance the personal rewards of your writing practice. Whether you’re writing a scholarly article, an administrative email, or a love letter, this book will inspire you to find delight in even the most mundane writing tasks and a richer, deeper pleasure in those you already enjoy.Exuberantly illustrated by prizewinning graphic memoirist Selina Tusitala Marsh, Writing with Pleasure is an indispensable resource for academics, students, professionals, and anyone for whom writing has come to feel like a burden rather than a joy.
R 720.00
Creative Producer
In 1938, Warner Brothers production chief Hal Wallis grudgingly described David Lewis—one of his six "supervisors" and a veteran of 15 feature films—to director Michael Curtiz: "That Lewis is a genius at getting scripts out of people who can't write!" Wallis knew that writing ultimately defined the job of the creative producer and that David Lewis had an uncanny talent for coaxing the best filmic material from the screenwriters he supervised. In this memoir, Lewis describes his development as a production executive and how the associate producer helped make the famed studio system work. It was the producer (or "supervisor", at Warners) who saw the script budgeted, cast the film, helped choose the director, and gently influenced the filming itself. Once shooting was complete, it was the producer who stayed with the project through editing and previews. David Lewis (1903-1987) was an associate producer at RKO and later at MGM. He hit his stride at Warner Bros., where, between 1937 and 1942, he produced twelve films with such popular stars as James Cagney (Each Dawn I Die), Humphrey Bogart (It All Came True), Bette Davis (Dark Victory), Ronald Reagan (Kings Row), Errol Flynn (Four's a Crowd), and Charles Boyer (All This and Heaven Too). His films were nominated for a total of 15 Academy Awards, including three for Best Picture. Some of Lewis's films have rightfully become classics; all reflect an unerring instinct for character and structure, part of the filmmaking process he describes in The Creative Producer.
R 3,664.00
Toward an Inclusive Creative Writing
The creative writing workshop has existed since the early part of the 20th century, but does it adequately serve the students who come to it today? While the workshop is often thought of as a form of student-centered pedagogy, it turns out that workshop conversations serve to marginalize a range of aesthetic orientations and the cultural histories to which they belong. Given the shifting demographics of higher education, it is time to re-evaluate the creative writing curriculum and move literary writing pedagogy toward a more inclusive, equitable model.Toward an Inclusive Creative Writing makes the argument that creative writing stands upon problematic assumptions about what counts as valid artistic production, and these implicit beliefs result in exclusionary pedagogical practices. To counter this tendency of creative writing, this book proposes a revised curriculum that rests upon 12 threshold concepts that can serve to transform the teaching of literary writing craft. The book also has a companion website www.criticalcreativewriting.org offering supplemental materials such as lesson plans and course materials.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollection.com. Open access was funded by Knowledge Unlatched.
R 1,411.00
Toward an Inclusive Creative Writing
The creative writing workshop has existed since the early part of the 20th century, but does it adequately serve the students who come to it today? While the workshop is often thought of as a form of student-centered pedagogy, it turns out that workshop conversations serve to marginalize a range of aesthetic orientations and the cultural histories to which they belong. Given the shifting demographics of higher education, it is time to re-evaluate the creative writing curriculum and move literary writing pedagogy toward a more inclusive, equitable model.Toward an Inclusive Creative Writing makes the argument that creative writing stands upon problematic assumptions about what counts as valid artistic production, and these implicit beliefs result in exclusionary pedagogical practices. To counter this tendency of creative writing, this book proposes a revised curriculum that rests upon 12 threshold concepts that can serve to transform the teaching of literary writing craft. The book also has a companion website www.criticalcreativewriting.org offering supplemental materials such as lesson plans and course materials.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollection.com. Open access was funded by Knowledge Unlatched.
R 5,150.00
Creativity and Contingency in Literary Writing
The first book to investigate, analyze and theorize the creative processes of literary writers, Creativity and Contingency in Literary Writing uses author interviews, manuscript genetics and textual evidence to explore creativity from the authorial perspective. Studying an author’s practice, literary form and contextual contingencies as elements that affect literary creativity, Karin Kukkoken develops theoretical models for examining the age-old problem of artistic creation and how it has been put to works by authors from the nineteenth century to the age of digital fiction, across a range of languages. With insights from the cognitive sciences, anthropology and philosophy of mind as well as literary studies, the book calls upon interviews with Siri Hustvedt, Marina Warner, Anne Weber, Camille Laurens, Gwenaëlle Aubry, Kate Pullinger, Gunnhild Øyehaug, Maria Stepanova and György Dragomán and studies the manuscripts of Charlotte Brontë, Cora Sandel, Elsa Morante and Italo Calvino.Overcoming the traditional distinction between creative agent, process and creative product, Creativity and Contingency in Literary Writing is as accessible and illuminating as it is important to understandings of human creativity.
R 3,384.00
Cambridge Introduction to Creative Writing
This pioneering book introduces students to the practice and art of creative writing and creative reading. It offers a fresh, distinctive and beautifully written synthesis of the discipline. David Morley discusses where creative writing comes from, the various forms and camouflages it has taken, and why we teach and learn the arts of fiction, poetry and creative nonfiction. He looks at creative writing in performance; as public art, as visual art, as e-literature and as an act of community. As a leading poet, critic and award-winning teacher of the subject, Morley finds new engagements for creative writing in the creative academy and within science. Accessible, entertaining and groundbreaking, The Cambridge Introduction to Creative Writing is not only a useful textbook for students and teachers of writing, but also an inspiring read in its own right. Aspiring authors and teachers of writing will find much to discover and enjoy.
R 1,653.82
Short-Form Creative Writing
A complete introduction to the art and craft of extremely compressed works of imaginative literature, this book, now in its 2nd edition, introduces both traditional and innovative approaches to the short form and demonstrates how it possesses structure, logic, and coherence while simultaneously resisting expectations. With discussion questions, writing prompts, flash interviews, and illustrated key concepts, the book covers prose poetry, flash fiction, micro memoir, lyric essay, cross-genre/hybrid writing and much more. Two new chapters explore how to spark inspiration and innovation, and how to take the next steps by collaborating with partners and preparing work for publication. In this revised and expanded edition, H. K. Hummel and Stephanie Lenox present the ultimate companion to writing short fiction, featuring microplays, new short-form tactics, and a dozen fresh anthology pieces by Eve L. Ewing, Ross Gay, Jayne Anne Phillips, Gertrude Stein, and Jean Toomer, along with one-sentence student workshops that spotlight small but powerful moves in the short form.The extensive anthology showcases sixty short-form works including microplays and pieces by writers from Argentina, Chile, Guatemala, Canada, France, Greece, Bosnia, and the U.S., offering a vibrant mix of styles, forms, themes, and voices.
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R 458.00
Inarticulacy in Creative Writing Practice and Translation
An investigation into the powerful effects occurring at the threshold between articulation and inarticulation in original and translated works, this book models how creative writing research, practice, processes, products and theories can further academic thought. At the threshold of in/articulacy, language can be said to ‘thicken’ and obscure the usual conditions of legibility or lexical meaning, becoming unfamiliar, flexible, incomplete, even absent. These ‘thickening’ moments alter and enrich literary processes and texts to initiate a paradigm shift in composition, translation and reading experiences. Interrogating this shift from the viewpoints of writers, translators and readers, Judy Kendall draws on translation studies, literary theory, anthropology, philosophy and physics and more to examine the practices of Semantic Poetry Translation, code-switching, made-up English, visual text, vital materiality and the material-discursive. Breaking new ground with her enactment of the ways in which creative writing can take an active and productive lead in research enquiries, Kendall looks at works including Old English riddles, Nigerian novels, J R. R. Tolkien’s and Ursula K. Le Guin’s narratives, Caroline Bergvall’s hybrid works, Caryl Churchill’s The Skriker, Patrick Chamoiseau’s novels, Zong! and several other visual texts.
R 3,384.00
Creative Process
The creative process refers to the sequence of thoughts and actions that are involved in the production of new work that is both original and valuable in its context. This book examines this process across the domains of visual art, writing, engineering, design and music. It characterizes each domain’s creative process based on evidence stemming from creators’ accounts of their own activity and a wide-range of observational material and theories specific to each field. Results from empirical research are then presented across a set of closely linked chapters, using a common set of methodologies that seek to trace the creative process as it unfolds. This highly interdisciplinary edited collection offers valuable insight into the creative process for scholars and practitioners in the fields of psychology, education, and creative studies, as well as for any other readers interested in the creative process. Todd Lubart brings together a group of authors who are themselves actively involved in their respective creative fields and invites readers to adopt a broad perspective on the creative process in order to unravel some of its mysteries.
R 3,583.75
Creative Writing Innovations
When teachers experiment, students benefit. When students gain confidence to pursue their own literary experiments, creative writing can become a life-changing experience.With chapters written by experienced teachers and classroom innovators, Creative Writing Innovations builds on these principles to uncover the true potential of the creative writing classroom. Rooted in classroom experience, this book takes teaching beyond the traditional workshop model to explore topics such as multi-media genres, collaborative writing and field-based work, as well as issues of identity. Taken together, this is an essential guide for teachers of creative writing at all levels from the authors and editors of Creative Writing in the Digital Age.
R 5,150.00
Creative Writer's Handbook
This handbook is the perfect reference for beginning creative writers. It offers abundant illustrations, exercises, and useful techniques in all genres. While emphasizing problem-solving and the mastery of literary conventions, this handbook also takes the apprentice writer on a journey from inspiration to revision.
R 4,315.00
R 610.00
Guide to Creative Writing and the Imagination
Teaching creative writing for the multicultural, global, and digital generation, this volume offers a fresh approach for enhancing core writing skills in the major forms of Poetry, Fiction, Nonfiction, and Drama. A Guide to Creative Writing and the Imagination aims to provide students with organic, active learning through imitation and examples which not only emphasize writing and reading but look to other art forms for inspiration. This volume’s key features include:• Strengthening key underlying capabilities of what we mean by imagination: physical and mental alertness, clarity of perception, listening skills, attention to detail, sustained concentration, lateral thinking, and enhanced memory. • Taking direction from other art forms such as African American musical improvisation, Brancusi’s sculptural idea of “finding form,” key ideas from drawing such as foreground, background, and negative space—and some of the great lessons learned from National Geographic photography. • Incorporating techniques drawn from unusual sources such as advertising, military intelligence, ESL, working with the blind, stage magic, and oral traditions of remote indigenous cultures in Oceania and Africa. The work is intended for a global English market as a core or supplementary text at the undergraduate level and as a supporting frame at the M.F.A. level.
R 2,363.86
Creative Writing Innovations
When teachers experiment, students benefit. When students gain confidence to pursue their own literary experiments, creative writing can become a life-changing experience.With chapters written by experienced teachers and classroom innovators, Creative Writing Innovations builds on these principles to uncover the true potential of the creative writing classroom. Rooted in classroom experience, this book takes teaching beyond the traditional workshop model to explore topics such as multi-media genres, collaborative writing and field-based work, as well as issues of identity. Taken together, this is an essential guide for teachers of creative writing at all levels from the authors and editors of Creative Writing in the Digital Age.
R 1,441.00
Cambridge Introduction to Creative Writing
This pioneering book introduces students to the practice and art of creative writing and creative reading. It offers a fresh, distinctive and beautifully written synthesis of the discipline. David Morley discusses where creative writing comes from, the various forms and camouflages it has taken, and why we teach and learn the arts of fiction, poetry and creative nonfiction. He looks at creative writing in performance; as public art, as visual art, as e-literature and as an act of community. As a leading poet, critic and award-winning teacher of the subject, Morley finds new engagements for creative writing in the creative academy and within science. Accessible, entertaining and groundbreaking, The Cambridge Introduction to Creative Writing is not only a useful textbook for students and teachers of writing, but also an inspiring read in its own right. Aspiring authors and teachers of writing will find much to discover and enjoy.
R 5,137.14
