Search results for "Deforge"
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Holy Lacrimony
The post-alien abduction trauma memoir we ve all been waiting for. 'Ah, there s that famous lip quiver!' says Jackie s abductor and student. Jackie has been determined to be the saddest living person in the entire world by a mysterious team of alien abductors. His earthly musical celebrity is nothing compared to his emotional superstar status in the eyes of these curious and peculiar shape-shifters. Jackie is forced to perform his sadness over and over again on command, so his captors can study and master this very puzzling, very human emotion. Until just like that, Jackie is returned to his old life. Trying to comprehend what has happened, he joins a support group. It s a sea of conspiracy theorists, emotional vampires, and simpatico real abductees. As each person tells their story, he realizes he may never know. Holy Lacrimony is classic DeForge oscillating between shockingly dirty, casually funny and earnestly engaged in the socio-politics of his fictive worlds. Part abstract shape blending and part hieroglyphic storytelling, each image is a discrete and tightly designed object of beauty that never loses the forward motion of the best personal cartooning. DeForge continues to prove that he s the single most innovative and empathetic cartoonist in the past twenty years.
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All the Cameras in My Room
Razor-sharp short stories from the greatest contemporary comics stylist. Michael DeForge has been dissecting the comics visual language for more than a decade and continues his creative winning streak with his tenth book for D&Q and second collection of short stories, All the Cameras in My Room. The prolific cartoonist s hilarious and horny approach to comics fiction never disappoints. In 'Figure Skating,' a star athlete s impossible feats captivate the world, turning a simple skater s rotation into a catalyst for national paralysis. While in 'Holiday Special,' a narrator tells us about his favorite Christian holiday special that bears an uncanny resemblance to a certain bald-headed-boy-and-his-dog classic. No matter the conceit, characters in All the Cameras in My Room stretch and flatten and spiral around each other and burrow deep into the folds of a reader s brain. Deforge s stories break down how we consume pop culture, interrogate our relationship to star power and recontextualize our nostalgia into a shared mythology, cementing his place as the most consistent and beguiling cartoonist working today.
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Ant Colony
BEST OF THE YEAR NODS FROM THE GLOBE & MAILL, AMAZON.COM, QUILL & QUIRE! The Toronto cartoonist's first full-length graphic novel follows a clutch of misfit ants, trying to maintain some semblance of civilization in the shadow of war. Psychedelically gorgeous, uncomfortably funny.-Sean Rogers, Globe & Mail Best Books of 2014 The debut graphic novel from a dazzling newcomer with a singular, idiosyncratic style In the few short years since he began his pamphlet-size comic book series Lose, Michael DeForge has announced himself as an important new voice in alternative comics. His brash, confident, undulating artwork sent a shock wave through the comics world for its unique, fully formed aesthetic. From its opening pages, Ant Colony immerses the reader in a world that is darkly existential, with false prophets, unjust wars, and corrupt police officers, as it follows the denizens of a black ant colony under attack from the nearby red ants. On the surface, it's the story of this war, the destruction of a civilization, and the ants' all too familiar desire to rebuild. Underneath, though, Ant Colony plumbs the deepest human concerns-loneliness, faith, love, apathy, and more. All of this is done with humor and sensitivity, exposing a world where spiders can wreak unimaginable amounts of havoc with a single gnash of their jaws. DeForge's striking visual sensibility-stark lines, dramatic color choices, and brilliant use of page and panel space-stands out in this volume.
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Heaven No Hell
One of the most inventive and prolific cartoonists working today.--VultureIn the past ten years, Michael DeForge has released eleven books. While his style and approach have evolved, he has never wavered from taut character studies and incisive social commentary with a focus on humor. He has deeply probed subjects like identity, gentrification, fame, and sexual desire. In "No Hell," an angel's tour of the five tiers of heaven reveals her obsession with a haunting infidelity. In "Raising," a couple uses an app to see what their unborn child would look like. Of course, what begins as a simple face-melding experiment becomes a nightmare of too-much-information where the young couple is forced to confront their terrible choices. "Recommended for You" is an anxious retelling of our narrator's favorite TV show--a Purge-like societal collapse drama--as a reflection of our desire for meaning in pop culture. Each of these stories shows the inner turmoil of an ordinary person coming to grips with a world vastly different than their initial perception of it. The humor is searing and the emotional weight lingers long after the story ends. Heaven No Hell collects DeForge's best work yet. His ability to dig into a subject and break it down with beautiful drawings and sharp writing makes him one of the finest short story writers of the past decade, in comics or beyond. Heaven No Hell is always funny, sometimes sad, and continuously innovative in its deconstruction of society.
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Birds of Maine
Take flight to this post-apocalyptic utopia filled with birds. Long after the demise of humankind, birds roam freely around a new earth complete with fruitful trees, sophisticated fungal networks, and an enviable socialist order. The universal worm feeds all, there are no weekends, and economics is as fantastical a study as unicorn psychology. No concept of money or wealth plagues the thoughts of these free-minded birds. Instead, there are angsty teens who form bands to show off their best bird song and other youngsters who yearn to become clothing designers even though clothes are only necessary during war. (The truly honourable professions for most birds are historian and/or librarian.) These birds are free to crush on hot pelicans and live their best lives until a crash-landed human from the moon threatens to change everything. Michael DeForge s post-apocalyptic reality brings together the author s quintessential deadpan humour, surrealist imagination, and undeniable socio-political insight. Appearing originally as a webcomic, Birds of Maine follows DeForge s prolific trajectory of astounding graphic novels that reimagine and question the world as we know it. His latest comic captures the optimistic glow of utopian imagination with a late-capitalism sting of irony.
R 797.00

Familiar Face
The bodies of citizens and the infrastructure surrounding them is constantly updating. People can t recognize themselves in old pictures, and they wake up in apartments of completely different sizes andshapes. Commuter routes radically differ day to day. The citizens struggle with adaptability as updates happen too quickly, and the changes are far too radical to be intuitive. There is no way to resist the updates are enacted by a nameless, faceless force.Familiar Face s narrator works in the government s department of complaints, reading through citizens reports of the issues they ve had with the system updates. The job isn t to fix anything, but rather to bethe sole human sounding board, a comfort in a system so decidedly impersonal. These complaints aren t mere bug reports they can be anything: existential, petty, just plain heartbreaking.Michael DeForge s ability to find the humanity and emotional truth within the outlandish bureaucracy of everyday life is unparalleled. The signatures of DeForge s work a vibrant color palette, surrealdesigns, and self-aware sense of humor enliven an often-bleak technocratic future. Familiar Face is a masterful and deeply funny exploration of how we define our sense of self, and how we cope when somuch of life is out of our control.
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Forged
"Fans of pseudo-medieval fantasy quest tales and authors like Terry Brooks, Anne McCaffrey, and Brandon Sanderson, and those looking for something to read after bingeing the Netflix show Cursed, will get a kick out of Overmyer's action-packed series." — Booklist on The Goblets ImmortalForged is the third book in Overmyer’s Blade and Bone series.Verve is meant to rule and unite the mortal and magical realms. There are several challenges standing in her way, however. Dacre, her former captor and greatest enemy, seeks to set up a kingdom with himself crowned as king and Verve as his queen. That is, until Verve tumbles through a portal leading to a realm from which there are no known means of escape. Now not only must she discover how to conquer a fae more powerful than she, Verve must also find a way home without being eaten by wyverns or losing her magic to a crafty siphon.The Blade & Bone trilogy follows Verve as she navigates Letorheas, the land of Faerie, where an ancient prophecy shapes her destiny. FLAME TREE PRESS is the imprint of long-standing independent Flame Tree Publishing, dedicated to excellent original writing in horror, science fiction and fantasy. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more at www.flametreepress.com and connect on social media @FlameTreePress. Awarded independent publisher of 2024 by the British Fantasy Society.
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Deformation
A fascinating account of the use and meaning of visual and spatial distortions in seventeenth-century art and architectureDuring the Catholic Reformation, patrons, artists, architects, and viewers, especially in Rome, were strongly drawn to visual and spatial distortions or “deformations”—works of art and architecture that were designed to be visually incomprehensible, at least initially. From Borromini’s San Carlo alle Quattro Fontane in Rome to the attention-grabbing prospettiva in the city’s Palazzo Spada and the anamorphoses that define the corridors and walls of Minim and Jesuit buildings, The Deformation explores what this intriguing phenomenon reveals about contemporary religious belief, optics, and the natural sciences, as well as wider questions about attention and discernment.Failing to conform to an established ideal, deformations required a “reformation” to achieve that ideal. Anamorphic deformations, for example, could only be reformed into clarity when viewed from a particular angle or through a special mirror. Susanna Berger examines how deformations were experienced by beholders, and how they were embraced or opposed by critics. The book shows how deformations and related works—whether altar tabernacles, ephemeral religious architecture, churches, monumental sundials, colonnades with accelerated perspective, illusionistic frescoes, turned ivories, or painted anamorphoses—focused observers’ attention on theological mysteries and the social power and sophistication of patrons. The book’s rich illustrations include two gatefolds and some anamorphic images that can be seen without distortion by using an included reflective insert as a mirror.Looking at writings as well as visual works in multiple artistic media not typically considered in relation to each other, The Deformation offers a new interpretation of deformation that highlights the delay between perception and discernment.
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Forged
According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality.Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Göring, to the frustratedBritish artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes inthe arts. Keats uncovers what forgeries—and our reactions to them—reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Forgery has been much discussed—and decried—as a crime. Forged is the first book to assess great forgeries as high art in their own right.
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