Search results for "Donald Ray Pollock"
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Pollock
The rebel hero of Abstract Expressionism, Jackson Pollock (1912–1956) careened through his life like a firework across the American art landscape. Channeling ideas from sources as diverse as Picasso and Mexican surrealism, he rejected convention to develop his own way of seeing, interpreting, and expressing.Pollock’s most famous works are his drip paintings, where he dripped and poured household enamel paint over the canvas with a variety of instruments, from sticks to syringes, hardened brushes to broken bits of glass. The splattered results pulsate with energy, replacing the refinement of easel and brush with something altogether more immediate, vivid, and physical. To evade the viewer’s search for figurative elements in his paintings, Pollock abandoned titles and identified each work with a neutral number only.Notoriously reclusive and volatile, struggling with alcoholism, married to fellow Abstract Expressionist Lee Krasner, and killed in a car crash aged just 44, Pollock is as much a compelling celebrity icon as an artistic pioneer. This essential artist introduction explores both his work and his fame to shed light on masterpieces of the modernist story, and the making of a cultural icon.About the seriesBorn back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN’s Basic Art series features:a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importancea concise biographyapproximately 100 illustrations with explanatory captions
R 425.00
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Heavenly Table
Cane, Cob and Chimney Jewett are young Georgia sharecroppers held under the thumb of their God-fearing father, Pearl. When he dies unexpectedly, they set out on horseback for Canada, robbing and looting their way to wealth and infamy. But little goes to plan and soon they’re pursued by both the authorities and the stories emanating from their trail of destruction – making the Jewett Gang out to be the most fearsome trio of murdering bank robbers in the Midwest. The truth, though, is far more complex than the legend. And the heaven they’ve imagined may in fact be worse than the hell they sought to escape.
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Knockemstiff
Blunt, brutal, but infused with a deep sympathy, Knockemstiff is a pitch-dark and hilarious collection of stories set in a tiny town in Southern Ohio.The youth of Knockemstiff grow up in the malignant shadow of their parents; raised on abuse, alcohol, drugs and cigarettes, they are stunted in every possible way: emotionally, mentally, sometimes physically. They talk a lot about escape but they never so much as cross the county line.
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Devil All the Time
**NOW A MAJOR NETFLIX FILM STARRING TOM HOLLAND AND ROBERT PATTINSON**'Some people were born just so they could be buried'In Knockemstiff, Ohio, war veteran Willard can't save his beautiful wife, Charlotte, from a slow death by cancer no matter how much sacrificial blood he pours on his 'prayer log'. Carl and Sandy Henderson, a husband-and-wife team of serial killers, trawl America's highways searching for suitable models to photograph and exterminate. Preacher Roy and his crippled virtuoso-guitar-playing sidekick are running from the law. And caught in the middle of all this is Arvin, Willard and Charlotte's orphaned son, looking for answers....'Superb' The Times'Terrifying ... an unsettling masterwork' GQ
R 340.00
Every River on Earth
Every River on Earth: Writing from Appalachian Ohio includes some of the best regional poetry, fiction, and creative nonfiction from forty contemporary writers, both established and up-and-coming. The wide range of material from authors such as David Baker, Don Bogen, Michelle Burke, Richard Hague, Donald Ray Pollock, and others, offers the reader a window into daily life in the region. The people, the landscape, the struggles, and the deepest undercurrents of what it means to be from and of a place are revealed in these original, deeply moving, and sometimes shocking pieces.The book is divided into four sections: Family & Folks, The Land, The Grind, and Home & Away, each of which explores a different aspect of the place that these authors call home. The sections work together beautifully to capture what it means to live, to love, and to die in this particular slice of Appalachia. The writing is accessible and often emotionally raw; Every River on Earth invites all types of readers and conveys a profound appreciation of the region's character.The authors also offer personal statements about their writing, allowing the reader an intimate insight into their processes, aesthetics, and inspirations.What is it to be an Appalachian? What is it to be an Appalachian in Ohio? This book vividly paints that picture.Every River on EarthDavid Lee GarrisonI look out the window and see through the neighbor's window to an Amish buggywhere three children are peeping back,and in their eyes I see the darknessof plowed earth hiding seed.Wind pokes the land in winter,trying to waken it,and in the melting snowI see rainbows and in themevery river on earth. I see all the wayto the ocean, where sand and stonesembrace each falling waveand reach back to gather it in.
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Every River on Earth
Every River on Earth: Writing from Appalachian Ohio includes some of the best regional poetry, fiction, and creative nonfiction from forty contemporary writers, both established and up-and-coming. The wide range of material from authors such as David Baker, Don Bogen, Michelle Burke, Richard Hague, Donald Ray Pollock, and others, offers the reader a window into daily life in the region. The people, the landscape, the struggles, and the deepest undercurrents of what it means to be from and of a place are revealed in these original, deeply moving, and sometimes shocking pieces.The book is divided into four sections: Family & Folks, The Land, The Grind, and Home & Away, each of which explores a different aspect of the place that these authors call home. The sections work together beautifully to capture what it means to live, to love, and to die in this particular slice of Appalachia. The writing is accessible and often emotionally raw; Every River on Earth invites all types of readers and conveys a profound appreciation of the region's character.The authors also offer personal statements about their writing, allowing the reader an intimate insight into their processes, aesthetics, and inspirations.What is it to be an Appalachian? What is it to be an Appalachian in Ohio? This book vividly paints that picture.Every River on EarthDavid Lee GarrisonI look out the window and see through the neighbor's window to an Amish buggywhere three children are peeping back,and in their eyes I see the darknessof plowed earth hiding seed.Wind pokes the land in winter,trying to waken it,and in the melting snowI see rainbows and in themevery river on earth. I see all the wayto the ocean, where sand and stonesembrace each falling waveand reach back to gather it in.
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Countdown to Casablanca
A ruthless Axis agent code-named Sirocco and an American linguist turned amateur spy find themselves on a collision course with destiny in romantic and exotic World War II Casablanca. Roosevelt and Churchill are coming to Casablanca. So are Eisenhower and Patton, Montgomery and DeGaulle. For ten days, the entire Allied High Command will be gathered in one place-to plan the invasion of Fortress Europe. Learning of the secret conference through an Abwehr intercept, Hitler launches an audacious counterstrike - with one demonic blow he will take out the assembled Allied chieftains and turn the tide of war back in favor of the Reich.
R 913.00
Jackson Pollock
Nowhere is the complex and destructive painter Jackson Pollock (1912-1956) revealed with more compassion and insight than in this exemplary biography. Friedman, a friend of Pollock's and active in the art world, shows him to be a brilliant man tormented by his relationship to his family an artist who worked hard through years of poverty to achieve his controversial painting technique the first American painter to gain an international reputation for himself and for what has been variously called Action Painting or Abstract Expressionism and a man who struggled with alcohol and the tension between gentleness and violence.Newly illustrated with seminal Pollock paintings, this book takes the reader inside the art world of New York during the'40s and'50s, when Action Painting first emerged. Friedman reveals what it meant to Pollock to experience the invasion of his studio and of the very act of painting by the external pressures of shows, reviews, films, dealers, critics, hostile publicity and how, despite it all, Pollock created many of the most graceful and powerful paintings ever made in America.
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My Doo-Dah Days
Alfred Pollock knew at age eight that he wanted to race horses. By the time he was in high school, he had already designed a course for sneaking out of Commerce High School on the Upper Westside of New York City. He arrived with binoculars, a racing form, and betting money, but sneaked stealthily down the steps and out the doors to the racetracks. Reviewing his doo-day days-a term from Stephen Foster's famous song, "Camptown Races"-Pollock combines a natural flair for finding the irony and absurdity in each event. Readers will be magnetized by Pollock's retelling of his uproarious, rib-tickling adventures-some raucous, some surreal, many unbelievable. Add to those scenes his ingenious reworking of and commenting on the rich language he encounters, and you have one remarkable personal testimony based on tenacious perseverance.
R 324.00
Knowledge and Justification
One of the most firmly entrenched beliefs of contemporary philosophy is that the only way to analyze a concept is to state its truth conditions. In epistemology this has led to the search for reductive analyses, to phenomenalism, behaviorism, and their analogues in other areas of knowledge. Arguing that these attempts at reductive analysis have invariably failed, John L. Pollock defends an alternative theory of conceptual analysis in this book. The author suggests that concepts should be analyzed in terms of their justification conditions rather than their truth conditions. After laying a theoretical foundation for this alternative scheme of analysis, Professor Pollock applies his theory in proposing solutions to a number of traditional epistemological problems. Among the areas of knowledge discussed are perception, knowledge of the past, induction, knowledge of other minds, and a priori knowledge. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press.These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Stalin and the Soviet Science Wars
Between 1945 and 1953, while the Soviet Union confronted postwar reconstruction and Cold War crises, its unchallenged leader Joseph Stalin carved out time to study scientific disputes and dictate academic solutions. He spearheaded a discussion of "scientific" Marxist-Leninist philosophy, edited reports on genetics and physiology, adjudicated controversies about modern physics, and wrote essays on linguistics and political economy. Historians have been tempted to dismiss all this as the megalomaniacal ravings of a dying dictator. But in Stalin and the Soviet Science Wars, Ethan Pollock draws on thousands of previously unexplored archival documents to demonstrate that Stalin was in fact determined to show how scientific truth and Party doctrine reinforced one another. Socialism was supposed to be scientific, and science ideologically correct, and Stalin ostensibly embodied the perfect symbiosis between power and knowledge.Focusing on six major postwar debates in the Soviet scientific community, this elegantly written book shows that Stalin's forays into scholarship can be understood only within the context of international tensions, institutional conflicts, and the growing uncertainty about the proper relationship between scientific knowledge and Party-dictated truths. The nature of Stalin's interventions makes clear that more was at stake than high politics: these science wars were about asserting that the Party was rational and modern, and about codifying the Soviet worldview in a battle for the hearts and minds of people around the globe during the early Cold War. Ultimately, however, the effort to develop a scientific basis for Soviet ideology undermined the system's legitimacy.
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