Search results for "Duván Cardona"
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Extended Abstracts 2021/2022
This volume presents modern developments in analysis, PDEs and geometric analysis by some of the leading worldwide experts, prominent junior and senior researchers who were invited to be part of the Ghent Analysis & PDE Center Methusalem Seminars from 2021 to 2022. The contributions are from the speakers of the Methusalem Colloquium, Methusalem Junior Seminar and Geometric Analysis Seminar. The volume has two main topics: 1. Analysis and PDEs. The volume presents recent results in fundamental problems for solving partial integro-differential equations in different settings such as Euclidean spaces, manifolds, Banach spaces, and many others. Discussions about the global and local solvability using micro-local and harmonic analysis methods, studies of new techniques and approaches arising from a physical perspective or the mathematical point of view have also been included. Several connected branches arising in this regard are shown.2. Geometric analysis. The volume presents studies of modern techniques for elliptic and subelliptic PDEs that in recent times have been used to establish new results in differential geometry and differential topology. These topics involve the intrinsic research in microlocal analysis, geometric analysis, and harmonic analysis abroad. Different problems having relevant geometric information for different applications in mathematical physics and other problems of classification have been considered.
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Conversations with Diego Rivera
A year of weekly interviews (1949-1950) with artist Diego Rivera by poet Alfredo Cardona-Peña disclose Rivera’s iconoclastic views of life and the art world of that time. These intimate Sunday dialogues with what is surely the most influential Mexican artist of the twentieth century show us the free-flowing mind of a man who was a legend in his own time; an artist who escaped being lynched on more than one occasion, a painter so controversial that his public murals inspired movements, or, like the work commissioned by John D. Rockefeller, were ordered torn down. Here in his San Angelín studio, we hear Rivera’s feelings about the elitist aspect of paintings in museums, his motivations to create public art for the people, and his memorable, unedited expositions on the art, culture, and politics of Mexico. The book has seven chapters that loosely follow the range of the author’s questions and Rivera’s answers. They begin with childlike, yet vast questions on the nature of art, run through Rivera’s early memories and aesthetics, his views on popular art, his profound understanding of Mexican art and artists, the economics of art, random expositions on history or dreaming, and elegant analysis of art criticisms and critics. The work is all the more remarkable to have been captured between Rivera’s inhumanly long working stints of six hours or even days without stop. In his rich introduction, author Cardona-Peña describes the difficulty of gaining entrance to Rivera’s inner sanctum, how government funtionaries and academics often waited hours to be seen, and his delicious victory. At eight p. m. the night of August 12, a slow, heavy-set, parsimonious Diego came in to where I was, speaking his Guanajuato version of English and kissing women’s hands. I was able to explain my idea to him and he was immediately interested. He invited me into his studio, and while taking off his jacket, said, “Ask me...” And I asked one, two, twenty... I don't know how many questions ‘til the small hours of the night, with him answering from memory, with an incredible accuracy, without pausing, without worrying much about what he might be saying, all of it spilling out in an unconscious and magical manner. A series of Alfredo Cardona-Peña’s weekly interviews with Rivera were published in 1949 and 1950 in the Mexican newspaper, El Nacional, for which Alfredo was a journalist. His book of compiled interviews with introduction and preface, El Monstruo en su Laberinto, was published in Spanish in 1965. Finally, this extraordinary and rare exchange has been translated for the first time into English by Alfredo’s half-brother Alvaro Cardona Hine, also a poet. According to the translator’s wife, Barbara Cardona-Hine, bringing the work into English was a labor of love for Alvaro, the fulfillment of a promise made to his brother in 1971 that he did not get to until the year before his own death in 2016.
R 2,580.00
Manuel Cardona
This book pays tribute to an extraordinary researcher and personality, Manuel Cardona. He had significant influence in the development of science and inside the scientific community. The book consists of contributions by former collaborators and students of Prof. Manuel Cardona. The short contributions deal with personal encounters with Manuel Cardona describing his extraordinary personality. This includes descriptions of scientific discussions, Manuel Cardona's involvement in social justice and his enormous knowledge about human culture, languages and history.
R 1,985.00
Manuel Cardona
This book pays tribute to an extraordinary researcher and personality, Manuel Cardona. He had significant influence in the development of science and inside the scientific community. The book consists of contributions by former collaborators and students of Prof. Manuel Cardona. The short contributions deal with personal encounters with Manuel Cardona describing his extraordinary personality. This includes descriptions of scientific discussions, Manuel Cardona's involvement in social justice and his enormous knowledge about human culture, languages and history.
R 1,985.00
past is a jean jacket
why am i nostalgic for the shitty times in my life?Reminiscent of being in a heavily postered room with rock music blasting, Cloud Delfina Cardona’s debut collection the past is a jean jacket is a time capsule of a 90s queer, Latinx teenhood. Cardona’s speaker explores their gender through sex and relationships, searches for belonging in their family lineage, and copes with depression using movies, indie bands, cigarettes, and Tumblr.Featuring compelling visual collages and inventive imagery throughout, these poems are firmly rooted in Southern Texas. Cardona brings readers to a jukebox on S. LBJ Drive, underneath a Catholic girls high school, and to “San Marcos sunsets above the H-E-B parking lot” with weighted and poignant reflection. Each careful line produces a soundtrack to a passionate coming-of-age and implores us all to be gentle, yet honest, with our younger selves.Evocative and blunt, the past is a jean jacket asks the essential existential questions: “where did all the wishes of my ancestors go? / what memory of me will play in someone’s head before i die for the final time?”the past is a jean jacket was selected by Ashley M. Jones for the 2024 Hub City Press BIPOC Poetry Series.
R 360.00
Search for the Codex Cardona
In The Search for the Codex Cardona, Arnold J. Bauer tells the story of his experiences on the trail of a cultural treasure, a Mexican “painted book” that first came into public view at Sotheby’s auction house in London in 1982, nearly four hundred years after it was presumably made by Mexican artists and scribes. On folios of amate paper, the Codex includes two oversized maps and 300 painted illustrations accompanied by text in sixteenth-century paleography. The Codex relates the trajectory of the Nahua people to the founding of the capital of Tenochtitlán and then focuses on the consequences of the Spanish conquest up to the 1550s. If authentic, the Codex Cardona is an invaluable record of early Mexico. Yet there is no clear evidence of its origin, what happened to it after 1560, or even where it is today, after its last known appearance at Christie’s auction house in New York in 1998. Bauer first saw the Codex Cardona in 1985 in the Crocker Nuclear Laboratory at the University of California, Davis, where scholars from Stanford and the University of California were attempting to establish its authenticity. Allowed to gently lift a few pages of this ancient treasure, Bauer was hooked. By 1986, the Codex had again disappeared from public view. Bauer’s curiosity about the Codex and its whereabouts led him down many forking paths—from California to Seville and Mexico City, to the Firestone Library in Princeton, to the Getty Museum in Los Angeles and Christie’s in New York—and it brought him in contact with an international cast of curators, agents, charlatans, and erudite book dealers. The Search for the Codex Cardona is a mystery that touches on issues of cultural patrimony, the workings of the rare books and manuscripts trade, the uncertainty of archives and evidence, and the ephemerality of the past and its remains.
R 1,049.15
Conversations with Diego Rivera
A year of weekly interviews (1949-1950) with artist Diego Rivera by poet Alfredo Cardona-Peña disclose Rivera’s iconoclastic views of life and the art world of that time. These intimate Sunday dialogues with what is surely the most influential Mexican artist of the twentieth century show us the free-flowing mind of a man who was a legend in his own time; an artist who escaped being lynched on more than one occasion, a painter so controversial that his public murals inspired movements, or, like the work commissioned by John D. Rockefeller, were ordered torn down. Here in his San Angelín studio, we hear Rivera’s feelings about the elitist aspect of paintings in museums, his motivations to create public art for the people, and his memorable, unedited expositions on the art, culture, and politics of Mexico. The book has seven chapters that loosely follow the range of the author’s questions and Rivera’s answers. They begin with childlike, yet vast questions on the nature of art, run through Rivera’s early memories and aesthetics, his views on popular art, his profound understanding of Mexican art and artists, the economics of art, random expositions on history or dreaming, and elegant analysis of art criticisms and critics. The work is all the more remarkable to have been captured between Rivera’s inhumanly long working stints of six hours or even days without stop. In his rich introduction, author Cardona-Peña describes the difficulty of gaining entrance to Rivera’s inner sanctum, how government funtionaries and academics often waited hours to be seen, and his delicious victory. At eight p. m. the night of August 12, a slow, heavy-set, parsimonious Diego came in to where I was, speaking his Guanajuato version of English and kissing women’s hands. I was able to explain my idea to him and he was immediately interested. He invited me into his studio, and while taking off his jacket, said, “Ask me...” And I asked one, two, twenty... I don't know how many questions ‘til the small hours of the night, with him answering from memory, with an incredible accuracy, without pausing, without worrying much about what he might be saying, all of it spilling out in an unconscious and magical manner. A series of Alfredo Cardona-Peña’s weekly interviews with Rivera were published in 1949 and 1950 in the Mexican newspaper, El Nacional, for which Alfredo was a journalist. His book of compiled interviews with introduction and preface, El Monstruo en su Laberinto, was published in Spanish in 1965. Finally, this extraordinary and rare exchange has been translated for the first time into English by Alfredo’s half-brother Alvaro Cardona Hine, also a poet. According to the translator’s wife, Barbara Cardona-Hine, bringing the work into English was a labor of love for Alvaro, the fulfillment of a promise made to his brother in 1971 that he did not get to until the year before his own death in 2016.
R 448.00
R 737.00
Alonso de Cardona, el autor de la Question de amor
Ya han pasado cuatro anos desde la publicacion de mis libros, en el cual anunciaba que la obra Question de amor podria haber sido escrita por Juan del Encina. Entre tanto parece ser que los metodos estilisticos confirman lo contrario. Las investigaciones de Gregory Peter Andrachuk, un profesor de la Universidad de Victoria en Canada rompieron completamente mis ilusiones y esquemas. Gregory Peter Andrachuk observo importantes semejanzas tematicas entre la poesia de Cardona y la del poeta de la Question de amor, teniendo en cuenta la voz de Vasquiran. Este profesor escribio muchos articulos sobre Alonso de Cardona como posible autor de la obra Question de amor. Todos sus estudios son de un nivel excepcional. Despues de muchos analisis estilisticos hemos llegado a la conclusion de que efectivamente Alonso de Cardona es el autor de Question de amor.
R 1,000.09
Biografia de Alonso de Cardona
Escribir biografias de escritores y poetas es una tarea, que en muchos casos, suele ser olvidada. No es precisamente un trabajo facil, puesto que los investigadores invierten mucho tiempo y tendran elevados gastos para localizar los datos pertenecientes a dichas personas. Seguimos observando en la literatura el nombre de Luis de Lucena, mientras el autor se llama unicamente Lucena en el libro de ajedrez de 1497. Todo esto como consecuencia de la falta de una biografia de Lucena. Lo mismo observamos en el caso de Antonio de Torquemada. Falta una buena biografia de este escritor, porque entonces ya no se cae en el error de nombrarle como el primer autor de un libro de juego de damas, del ano 1547. Sin embargo, la biografia es una tarea principal para evitar errores y malentendidos.
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Esto También Es Una Casa (Novela) / This Is Also a Home (a Novel)
Javi vive en una casa de madera encima de la ferretería que atiende su madre. Pero dependiendo del clima, de su abuelo, de los tiroteos, o de la furia de su padre, la casa de Javi puede estar arriba o abajo. Arriba su madre se llama Pilar, abajo es una Chica Bombón; arriba su padre es una careta de soldar, abajo un fantasma; arriba Javi le cambia los pañales a su abuelo, abajo espanta pretendientes a su madre; arriba hace nieve frotando bloques de foam, abajo construye una playa con la arena que venden en sacos; arriba Javi es un niño cruel, abajo es un adolescente tierno; arriba es gringo y abajo puertorriqueño. Esto también es una casa es un tour de force entre un hijo y una madre, entre una casa y una ferretería, entre lo que tiene arreglo y lo que nunca lo tendrá, entre el dolor y la ternura, y entre la belleza y la violencia que implica vivir en el Caribe. Con una prosa limpia y exacta, profunda y sutil, esta novela pone en función aquel mandamiento de Nabokov: «acaricien los detalles, los divinos detalles». «Cezanne Cardona es un escritor que rebasó la categoría de promesa: un escritor rotundo que merece leerse, aplaudirse, respetarse», Luis Rafael Sánchez. ENGLISH DESCRIPTION Javi lives in a wooden house above the hardware store his mother runs. But depending on the weather, his grandfather, gunfire, or his father's fury, Javi's house might be up or down. Upstairs, his mother is called Pilar; downstairs, she's a Bonbon Girl. Upstairs, his father is a welding mask; downstairs, a ghost. Upstairs, Javi changes his grandfather's diapers; downstairs, he chases off his mother's suitors. Upstairs, he makes snow by rubbing foam blocks; downstairs, he builds a beach with sackfuls of sand. Upstairs, he's a cruel child; downstairs, a tender teenager. Upstairs, he's a gringo; downstairs, Puerto Rican. This Too Is a House is a tour de force between a son and a mother, between a house and a hardware store, between what can be fixed and what never will be, between pain and tenderness, and between the beauty and violence of life in the Caribbean. With clean, precise, and subtle prose, this novel lives up to Nabokov's commandment: "caress the details, the divine details." "Cezanne Cardona is a writer who has gone far beyond the category of promise: a powerful writer worthy of reading, applauding, and respecting," --Luis Rafael Sánchez.
R 336.00
R 301.00
Afraid of Success?
You are on the edge. You want to make that big decision but... you always fail to do so. For some reason you hit a wall, get frustrated. You can almost touch it with the tip of your fingers, yet don't manage to give that necessary step. You feel desperate and confused, you know what to do and even how to do but somehow to remain still, unmoved, paralysed... petrified. You are not alone, this happens to you and all entrepreneurs. That is why i have written, along with a colleague of mine, Gustavo Duque, Afraid of Success, a book about how what you want the most, actually prevents you from getting it in the first place. Get now, study it and rip the benefits. P.S. But there is a catch: If you don't any sort of action, you have wasted your time. Go to www.noelcardona.com/notafraid if you need more convincing.
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Levittown Mon Amour (Cuentos / Short Stories)
Una sobresaliente colección de cuentos de uno de los autores puertorriqueños contemporáneos más destacados.Un periodista freelance que busca el dinero para comprarle un ataúd a su difunto padre. Un desempleado cuya esperanza gira alrededor de un sofá abandonado frente a su casa. Un adolescente que encuentra el amor gracias a la adicción al NyQuil de su padre. Un hombre desesperado que roba una pistola de agua para su hijo y protagoniza un milagro equivocado: así es la vida en Levittown, uno de los proyectos suburbanos más grandes del Caribe. Vulnerables, patéticos y con el futuro enfangado, a los personajes de este libro les falta dinero para llegar a fin de mes, pero les sobra nostalgia, rabia, ternura y salitre.Levittown mon amour irrumpió en las letras puertorriqueñas poco después del paso del huracán María y pronto se convirtió en un retrato vivo de otro fenómeno que venía azotando la isla por décadas: el fracaso del sueño americano en el Caribe. Esta nueva edición incluye dos cuentos inéditos, «Meaíto» y «Gracias por el funeral».«Cezanne Cardona es un escritor que rebasó la categoría de promesa: un escritor rotundo que merece leerse, aplaudirse, respetarse». --Luis Rafael SánchezENGLISH DESCRIPTIONA resounding short story collection from one of the most remarkable contemporary Puerto Rican authors.A freelance journalist trying to scrape together enough money to buy a coffin for his late father. An unemployed man whose last shred of hope revolves around an abandoned couch outside his house. A teenager who discovers love thanks to his father's addiction to NyQuil. A desperate man who steals a water gun for his son and ends up performing the wrong kind of miracle--this is life in Levittown, one of the largest suburban projects in the Caribbean.Vulnerable, pathetic, and stuck in the mud of an uncertain future, the characters in this book lack the money to make ends meet, but they overflow with nostalgia, rage, tenderness, and the scent of the sea breeze.Levittown mon amour burst onto Puerto Rican literature shortly after Hurricane María, quickly becoming a vivid portrait of another phenomenon that had plagued the island for decades: the failure of the American dream in the Caribbean. This new edition includes two previously unpublished stories, Meaíto and Gracias por el funeral."Cezanne Cardona is a writer who has surpassed the category of promise: a forceful writer who deserves to be read, applauded, and respected." --Luis Rafael Sánchez
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