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History Keeps Me Awake at Night
Margit is at the point in life when things should have cohered. She's married, she's got a degree, she's got friends who throw good parties, and yet she's still adrift, moving from one precarious job to the next. One day, a picture of some Mexican students catches her eye in a newspaper. The group of 43 had been ambushed by police in 2014 while travelling on a bus and disappeared without a trace. And so begins Margit's obsession with the 'desaparecidos'. As she heads off down the rabbit holes and cul-de-sacs of Google Maps, her idiosyncratic quest to uncover the truth of what happened begins to eclipse pretty much everything else. From a sharp and singular new literary voice, this is a novel that captures the texture of life in a frictionless city with drop-pin accuracy, while asking: is it possible to recover what is lost without losing oneself?
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Evocations of Place: The Photography of Edwin Smith
Hailed by the poet and architectural historian Sir John Betjeman as "a genius at photography", Edwin Smith (1912 - 1971) was one of Britain's foremost photographers. At the time of his death he was widely regarded as without peer in his sensitive renditions of historic architecture and his empathetic evocations of place. The recurrent themes of Smith's work - a concern for the fragility of the environment; an acute appreciation of the need to combat cultural homogenization by safeguarding regional diversity; and a conviction that architecture should be rooted in time and place - are as pressing today as when Smith first framed them in his elegant compositions. By providing the first in-depth survey of his work, this book introduces Smith's poignant imagery to a new generation. This paperback edition accompanies the RibA exhibition at 66 Portland Place, London, entitled A Vanishing Past: The Photography of Edwin Smith, 11 September 2014 to 13 December 2014. The exhibition will then travel to the Mann Island Gallery in Liverpool in 2016.
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Redwall
***SOON TO BE A NETFLIX SERIES*** Welcome to Redwall Abbey. Inside its enormous doors, mice live in peace, helping those in need and throwing epic feasts for the great and the good of Mossflower Woods.But outside a grave threat is gathering. An army of evil rats led by a vicious, one-eyed warlord, is on its way.Matthias is just one little mouse but he knows it'll take more than stones and mouse-sized arrows to keep the rats at bay. Enlisting the help of a military hare, wild sparrows and argumentative stoats, Matthias sets out to defend his freedom, his friends, and the abbey he calls home.Includes exclusive material: In the Backstory you can learn to make a Redwall Abbey pudding!Vintage Children's Classics is a twenty-first century classics list aimed at 8-12 year olds and the adults in their lives. Discover timeless favourites from Peter Pan and Alice's Adventures in Wonderland to modern classics such as The Boy in the Striped Pyjamas and The Curious Incident of the Dog in the Night-Time.
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Redwall
The first book in the beloved, bestselling Redwall saga - soon to be a major Netflix movie!Redwall Abbey, tranquil home to a community of peace-loving mice, is threatened by the evil, one-eyed rat warlord Cluny the Scourge and his battle-hardened horde of predators. Cluny is certain that Redwall will fall easily to his fearsome army but he hasn't bargained for the courage and strength of the Redwall mice and their loyal woodland friends . . .One of TIME magazine's 100 Best Fantasy Books of All Time'Not since Roald Dahl have children filled their shelves so compulsively' - The Times
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Edward Everett Hale
Edward Everett Hale was a leading member of the institutionalist group at the University of Texas. More radical than his better known colleague, Clarence E. Ayres, Hale influenced many students - originally through his lectures rather than his publications, which were few in number. This collection assembles materials on Hale, unpublished writings by him, and sets of lecture notes from his courses.
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Edward Carpenter 1844–1929
This is the first full-scale biography of Edward Carpenter, an 'eminent Victorian' who played an intriguing role in the revival of Socialism in Britain in the late nineteenth century. 'A worthy heir of Carlyle and Ruskin', as Tolstoy called him, Carpenter tackled boldly the problems of alienation under the pressures of commercial civilisation, and developed a strongly personalised brand of Socialism which inspired both the Labour Party and its enemies, Syndicalism and Anarchism. A homosexual, he grappled with the problems of sexual alienation above all, and emerged as the foremost advocate of the homosexual cause at a time when it was a social 'taboo'. This study, based upon letters and many other personal documents, reveals much of Carpenter's personal life which has hitherto remained obscure, including his 'comradeship' with some of his working-men friends and his influence upon such notable literary figures as Siegfried Sassoon, E. M. Forster and D. H. Lawrence.
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Devil’s Wall
Legend has it that twenty miles of volcanic rock rising through the landscape of northern Bohemia was the work of the devil, who separated the warring Czechs and Germans by building a wall. The nineteenth-century invention of the Devil’s Wall was evidence of rising ethnic tensions. In interwar Czechoslovakia, Sudeten German nationalists conceived a radical mission to try to restore German influence across the region. Mark Cornwall tells the story of Heinz Rutha, an internationally recognized figure in his day, who was the pioneer of a youth movement that emphasized male bonding in its quest to reassert German dominance over Czech space.Through a narrative that unravels the threads of Rutha’s own repressed sexuality, Cornwall shows how Czech authorities misinterpreted Rutha’s mission as sexual deviance and in 1937 charged him with corrupting adolescents. The resulting scandal led to Rutha’s imprisonment, suicide, and excommunication from the nationalist cause he had devoted his life to furthering. Cornwall is the first historian to tackle the long-taboo subject of how youth, homosexuality, and nationalism intersected in a fascist environment. The Devil’s Wall also challenges the notion that all Sudeten German nationalists were Nazis, and supplies a fresh explanation for Britain’s appeasement of Hitler, showing why the British might justifiably have supported the 1930s Sudeten German cause. In this readable biography of an ardent German Bohemian who participated as perpetrator, witness, and victim, Cornwall radically reassesses the Czech-German struggle of early twentieth-century Europe.
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