Search results for "Edward Fallon"
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Contesting Earth's History in Transatlantic Literary Culture, 1860-1935
By the mid-nineteenth century, geologists and palaeontologists had reconstructed an authoritative narrative of Earth's deep history, from the planet's molten origins to the rise of humanity. Many figures in transatlantic science across subsequent decades, however, had problems with this narrative: it was too secular, inhuman, and evolutionary, or controlled too exclusively by elite scientists. Speaking from palaeoscience's unevenly professionalized and controversy-racked borders, Christian fundamentalists, charismatic psychics, and respected scholars alike voiced their objections. Until now, no study has brought their work together for detailed comparative analysis.Spanning from the 1860s to the interwar decades, Contesting Earth's History examines the fascinating stories of five significant examples of fringe or 'borderline' palaeoscience: old- and young-earth creationism, hollow-earth theory, clairvoyant time-travel, and sunken-continent catastrophism. Innovatively combining methods from literary studies with the history of science, this book attends not just to the conceptual content of these strange sciences, but also to their proponents' communication of truth claims through diverse genres ranging from the scientific textbook and the technical monograph to the lost-world romance and the epic poem. By paying close attention to the hitherto overlooked textual forms and literary strategies of these works of 'pseudoscience', this volume throws into relief the variant conceptions of audience, evidence, and method that jostled and competed in wider scientific culture during this period. It also demonstrates that, for all their diversity, authors of borderline palaeoscience shared the desire to shift the balance of power, creating textual spaces where exclusive hierarchies of scientific expertise could be levelled away.These conjurors of lost worlds often captivated wide audiences and many of their bizarre, astonishing, and iconoclastic ideas remain with us to this day. Some even inspired early science fiction by the likes of H. P. Lovecraft and Edgar Rice Burroughs. Hijacking geologists' and palaeontologists' longstanding effort at making the prehistoric past visible, authors on the borderlines of palaeoscience asserted their right to scientific authority and encouraged readers to gaze into time's abyss with bold new eyes.
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Blake, Myth, and Enlightenment
This book provides compelling new readings of William Blake’s poetry and art, including the first sustained account of his visionary paintings of Pitt and Nelson. It focuses on the recurrent motif of apotheosis, both as a figure of political authority to be demystified but also as an image of utopian possibility. It reevaluates Blake’s relationship to Enlightenment thought, myth, religion, and politics, from The French Revolution to Jerusalem and The Laocoön. The book combines careful attention to cultural and historical contexts with close readings of the texts and designs, providing an innovative account of Blake’s creative transformations of Enlightenment, classical, and Christian thought.
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Milton and Newton
John Milton, England's greatest narrative poet, and Isaac Newton, England's greatest natural philosopher, are rarely thought of together. While one is regarded as the last great figure of the English Renaissance and the other as the first great figure of the English Enlightenment, their lives overlapped for three decades, and their intellectual and social networks intersected. This book not only reveals surprising and arresting parallels between their vitalist speculations on the life of matter, their unorthodox views on the Christian godhead, and their self-understanding as prophets, but also demonstrates that their natural philosophical views are connected to their unusual and, from orthodox perspectives, heretical antitrinitarian Christian views. While Milton's and Newton's systems of thought parallel each other in sometimes uncanny ways, those systems diverge in ways dictated by their deepest commitments, Milton's to freedom of the will and Newton's to divine omnipotence. In a revision of Stephen M. Fallon's argument in Milton among the Philosophers that Milton's animist materialism was idiosyncratic, Milton emerges in this book as both a participant in a vigorous vitalist movement in experimental natural philosophy and an early adopter of key ideas that would characterize the Newton circle in the decades after the poet's death. This study casts light on the significance of Milton's thought and on his place in intellectual history, while at the same time situating less familiar aspects of Newton's work in that history. Readers will find that apparently fanciful elements of Milton's epic stage have solid contemporary natural philosophical foundations.
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All Can Achieve
In 1986, Sylvan High School in Crystal Palacewas a broken school, with a pass rate of 9 per cent, truancy of 60 per cent andteachers who seldom lasted longer than six months. Today, the Harris CityAcademy Crystal Palace, Sylvan’s successor, is hailed as one of the bestschools in the country.This transformation was the blueprint for anational education revolution. Philip Harris’s achievements paved the way forthe academies movement, and academies now account for nearly half of England’sschools. The same remarkable effect can be seen throughout the HarrisFederation, the most successful multi-academy trust in England, which runsfifty-nine state academies with around 50,000 students and 5,000 members ofstaff. Every single one is rated ‘Good’ or better by Ofsted, and seven wererecently listed in an international report as ‘World Class’.The Harris revolution has driven theextraordinary improvements in our education system over the past twenty years.In 2009, England lagged at twenty-seventh in the world for maths andtwenty-fifth for reading. Today, reports show it is among the best-performingcountries in Europe.All Can Achieveis both the inspiring account of how Philip Harris took on the near-impossiblechallenge of turning around failing state schools and the inside story of aseismic change in English education.
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Milton's Peculiar Grace
Despite writing about himself extensively and repeatedly, John Milton, the archetypal Puritan author, resolutely avoids the obligatory Augustinian narrative of sinfulness, conviction of sin, reception of the Word, regeneration of the spirit, and sanctification. The doctrine of fall, grace, and regeneration, so well illustrated in Paradise Lost, has no discernible effect on Milton's overt self-representations. Exploring this anomaly in his new book, Stephen M. Fallon contends that Milton, despite his deep engagement with theology, is not a religious writer. Why, Fallon asks, does Milton write about himself so compulsively? Why does he substitute, for the otherwise universal theological script, a story of precocious and continued virtue, even, it seems, a narrative of sinlessness? What pressures does this decision to reject the standard narrative exert on his work? In Milton's Peculiar Grace, Fallon argues that Milton writes about himself to gain immortality, secure authority for his arguments, and exert control over his readers' interpretations. He traces the return of the repressed narrative of fallenness in the author's unacknowledged and displaced self-representations, which in turn account for much of the power of the late poems. Fallon's book, based on close readings of Milton's "self-constructions" in prose and poetry throughout his career, provides a new view of Milton's life and his importance for contemporary literary theory-in particular for continued questions about authorial intention. To listen to a radio interview with Stephen Fallon discussing Milton's enduring significance, on the Australian Broadcasting Company's "Late Night Live," click here.
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Divided Empire
In Divided Empire, Robert T. Fallon examines the influence of John Milton's political experience on his great poems: Paradise Lost, Paradise Regained, and Samson Agonistes. This study is a natural sequel to Fallon's previous book, Milton in Government, which examined Milton's decade of service as Secretary for Foreign Languages to the English Republic.Milton's works are crowded with political figures—kings, counselors, senators, soldiers, and envoys—all engaged in a comparable variety of public acts—debate, decree, diplomacy, and warfare—in a manner similar to those who exercised power on the world stage during his time in public office. Traditionally, scholars have cited this imagery for two purposes: first, to support studies of the poet's political allegiances as reflected in his prose and his life; and, second, to demonstrate that his works are sympathetic to certain ideological positions popular in present times.Fallon argues that Paradise Lost is not a political testament, however, and to read its lines as a critique of allegiances and ideologies outside the work is limit the range and scope of critical inquiry and to miss the larger purpose of the political imagery within the poem. That imagery, the author proposes, like that of all Milton's later works, serves to illuminate the spiritual message, a vision of the human soul caught up in the struggle between vast metaphysical forces of good and evil. Fallon seeks to enlarge the range of critical inquiry by assessing the influence of personal and historical events upon art, asking, as he puts it, "not what the poetry says about the events, but what the events say about the poetry." Divided Empire probes, not Milton's judgment on his sources, but the use he made of them.
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Milton among the Philosophers
While Johnson charged that Milton "unhappily perplexed his poetry with his philosophy," Stephen M. Fallon argues that the relationship between Milton's philosophy and the poetry of Paradise Lost is a happy one. The author examines Milton's thought in light of the competing philosophical systems that filled the vacuum left by the repudiation of Aristotle in the seventeenth century. In what has become the classic account of Milton's animist materialism, Fallon revises our understanding of Milton's philosophical sophistication. The book offers a new interpretation of the War in Heaven in Paradise Lost as a clash of metaphysical systems, with free will hanging in the balance.
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Madness: A Biography
This exciting new book explores the history of major mental disorders by looking at a wide range of historical and contemporary figures that have experienced mental illness. It discusses changing perceptions of mental illness and the treatments used at different historical periods from antiquity to the present day via the biographical sketches.
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Reimagining Dinosaurs in Late Victorian and Edwardian Literature
When the term 'dinosaur' was coined in 1842, it referred to fragmentary British fossils. In subsequent decades, American discoveries—including Brontosaurus and Triceratops—proved that these so-called 'terrible lizards' were in fact hardly lizards at all. By the 1910s 'dinosaur' was a household word. Reimagining Dinosaurs in Late Victorian and Edwardian Literature approaches the hitherto unexplored fiction and popular journalism that made this scientific term a meaningful one to huge transatlantic readerships. Unlike previous scholars, who have focused on displays in American museums, Richard Fallon argues that literature was critical in turning these extinct creatures into cultural icons. Popular authors skilfully related dinosaurs to wider concerns about empire, progress, and faith; some of the most prominent, like Arthur Conan Doyle and Henry Neville Hutchinson, also disparaged elite scientists, undermining distinctions between scientific and imaginative writing. The rise of the dinosaurs thus accompanied fascinating transatlantic controversies about scientific authority.
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Dynamic Constitution
In this revised and updated second edition of The Dynamic Constitution, Richard H. Fallon, Jr provides an engaging, sophisticated introduction to American constitutional law. Suitable for lawyers and non-lawyers alike, this book discusses contemporary constitutional doctrine involving such issues as freedom of speech, freedom of religion, rights to privacy and sexual autonomy, the death penalty, and the powers of Congress. Through examples of Supreme Court cases and portraits of past and present Justices, this book dramatizes the historical and cultural factors that have shaped constitutional law. The Dynamic Constitution, 2nd edition, combines detailed explication of current doctrine with insightful analysis of the political culture and theoretical debates in which constitutional practice is situated. Professor Fallon uses insights from political science to explain some aspects of constitutional evolution and emphasizes features of the judicial process that distinguish constitutional law from ordinary politics.
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Who Do We Think We Are?
This empirical study explores how the sampled priests understand their priesthood. Chris A. Fallon reviews Liverpool's history of expansion and decline, which has left fewer and older priests serving fewer active Catholics and an undiminished number who still require baptisms, first communions, marriages and funerals. It contrasts the models of priesthood found in Liverpool with American studies of the cultic and servant leader models of priesthood, taking into account the theological viewpoints and personality profiles of the individuals who took part.
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Interviews with an Ape
'I will remember the story of Einstein for the rest of my life ... This book should be read by everyone.' VIRGINIA MCKENNA'An unusually powerful book - and a timely one too.' MICHAEL PALIN'Revealing, perceptive and chilling in turns, the book is unlike any other I have read. Felice Fallon's ability to write with so many voices makes Interviews with an Ape compelling and thought-provoking. It will break your heart and change your mind.' JOANNA LUMLEYA young woman, Dr Graciela Saddiq, arrives to work at a zoo in a city soon to be at war.Of all the animals, she is particularly interested in a silverback mountain gorilla named Einstein.Quickly she finds what makes this gorilla unique: he can communicate with humans using sign language.Each evening as darkness falls and the zoo empties of people, Einstein tells her his story as well as those of other animals he has known.But war is looming, and as the bombing of the city begins, Dr Saddiq realises that that both their lives are in terrible danger ...'A thoughtful, audaciously panoramic novel' MAIL ON SUNDAY'A rare and sparkling jewel - actually, a veritable treasure chest. I found myself falling in love with Einstein ... So smart, yet he breaks your heart.' CELIA IMRIE'Stunningly original, moving and engrossing.' DEREK JACOBI'In this powerful book, Felice Fallon opens us to the infinite possibilities of the consciousness of other species. In a story told with compassion and candour, Fallon succeeds in bringing a new and vital challenge to our the long-held belief of "us" and "them".' ESTHER WOOLFSON, author of Between Light and Storm: How We Live with Other Species'A life-changing book which shines a light on humanity in a way that I have seldom read. I would urge you to read it and let it cast its spell on you!' JENNY SEAGROVE'Fallon's intent is to explore the way in which apparently dumb animals are not only far more intelligent than has been previously perceived, but also have valuable, even vital, things to teach humanity. She succeeds, admirably and affectingly.' OBSERVER, NEW REVIEW'Affecting and delivered without mawkishness.' NEW STATESMAN'Moving as well as shocking. The ending does what books often have to try harder than movies to achieve: it makes you cry.' THE HERALD SCOTLAND
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Paper Monsters
In Paper Monsters, Samuel Fallon charts the striking rise, at the turn to the seventeenth century, of a new species of textual being: the serial, semifictional persona. When Thomas Nashe introduced his charismatic alter ego Pierce Penilesse in a 1592 text, he described the figure as a "paper monster," not fashioned but "begotten" into something curiously like life. The next decade bore this description out, as Pierce took on a life of his own, inspiring other writers to insert him into their own works. And Pierce was hardly alone: such figures as the polemicist Martin Marprelate, the lovers Philisides and Astrophil, the shepherd-laureate Colin Clout, the prodigal wit Euphues, and, in an odd twist, the historical author Robert Greene all outgrew their fictional origins, moving from text to text and author to author, purporting to speak their own words, even surviving their creators' deaths, and installing themselves in the process as agents at large in the real world of writing, publication, and reception.In seeking to understand these "paper monsters" as a historically specific and rather short-lived phenomenon, Fallon looks to the rapid expansion of the London book trade in the years of their ascendancy. Personae were products of print, the medium that rendered them portable, free-floating figures. But they were also the central fictions of a burgeoning literary field: they embodied that field's negotiations between manuscript and print, and they forged a new form of public, textual selfhood. Sustained by the appropriative rewritings they inspired, personae came to seem like autonomous citizens of the literary public. Fallon argues that their status as collective fictions, passed among writers, publishers, and readers, positioned personae as the animating figures of what we have come to call "print culture."
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Milton's Peculiar Grace
Despite writing about himself extensively and repeatedly, John Milton, the archetypal Puritan author, resolutely avoids the obligatory Augustinian narrative of sinfulness, conviction of sin, reception of the Word, regeneration of the spirit, and sanctification. The doctrine of fall, grace, and regeneration, so well illustrated in Paradise Lost, has no discernible effect on Milton's overt self-representations. Exploring this anomaly in his new book, Stephen M. Fallon contends that Milton, despite his deep engagement with theology, is not a religious writer.Why, Fallon asks, does Milton write about himself so compulsively? Why does he substitute, for the otherwise universal theological script, a story of precocious and continued virtue, even, it seems, a narrative of sinlessness? What pressures does this decision to reject the standard narrative exert on his work?In Milton's Peculiar Grace, Fallon argues that Milton writes about himself to gain immortality, secure authority for his arguments, and exert control over his readers' interpretations. He traces the return of the repressed narrative of fallenness in the author's unacknowledged and displaced self-representations, which in turn account for much of the power of the late poems. Fallon's book, based on close readings of Milton's "self-constructions" in prose and poetry throughout his career, provides a new view of Milton's life and his importance for contemporary literary theory-in particular for continued questions about authorial intention.
R 1,235.00
Culinary Man and the Kitchen Brigade
Culinary Man and the Kitchen Brigade offers an exploration of the field of normative subjectivity circulated within western fine dining traditions, presenting a theoretical analysis of the governing relationship between the chef, who embodies the Culinary Man, and the fine dining brigade.The book offers a unique treatment of western haute cuisine’s interlocking regime of labor and aesthetics and theorizes the underexplored kitchen brigade as a model of disciplinary formation. It deploys a heterogeneous set of disciplinary discourses and practices which have the effect of consolidating monopolies on epistemic authority and governance. Each position within the brigade’s hierarchy is subject to distinct, though related, disciplinary practices. Thus, chapters identify the specific practices pertinent to each brigade subject, while also illuminating how they fit together as a coherent hegemonic project. The application of Wynterian and Foucauldian insight to the fine dining brigade offers a political theory of culinary work which departs from other food studies texts. Notably, this work offers an in-depth treatment of the brigade’s colonial dimensions which resonate with emerging critiques, scholarly and general, of the race and gender politics of restaurant labor. The concluding chapters seek to identify where extant modes of resistance or alternative forms of culinary organization may hold the potential to move beyond the hegemonic overrepresentation of Culinary Man.This book will be of great interest to students and scholars from across the social sciences and humanities interested in critical food studies, political and cultural theory, and popular culinary culture.
R 2,381.00
Dynamic Constitution
In this revised and updated second edition of The Dynamic Constitution, Richard H. Fallon, Jr provides an engaging, sophisticated introduction to American constitutional law. Suitable for lawyers and non-lawyers alike, this book discusses contemporary constitutional doctrine involving such issues as freedom of speech, freedom of religion, rights to privacy and sexual autonomy, the death penalty, and the powers of Congress. Through examples of Supreme Court cases and portraits of past and present Justices, this book dramatizes the historical and cultural factors that have shaped constitutional law. The Dynamic Constitution, 2nd edition, combines detailed explication of current doctrine with insightful analysis of the political culture and theoretical debates in which constitutional practice is situated. Professor Fallon uses insights from political science to explain some aspects of constitutional evolution and emphasizes features of the judicial process that distinguish constitutional law from ordinary politics.
R 1,676.62
Reimagining Dinosaurs in Late Victorian and Edwardian Literature
When the term 'dinosaur' was coined in 1842, it referred to fragmentary British fossils. In subsequent decades, American discoveries—including Brontosaurus and Triceratops—proved that these so-called 'terrible lizards' were in fact hardly lizards at all. By the 1910s 'dinosaur' was a household word. Reimagining Dinosaurs in Late Victorian and Edwardian Literature approaches the hitherto unexplored fiction and popular journalism that made this scientific term a meaningful one to huge transatlantic readerships. Unlike previous scholars, who have focused on displays in American museums, Richard Fallon argues that literature was critical in turning these extinct creatures into cultural icons. Popular authors skilfully related dinosaurs to wider concerns about empire, progress, and faith; some of the most prominent, like Arthur Conan Doyle and Henry Neville Hutchinson, also disparaged elite scientists, undermining distinctions between scientific and imaginative writing. The rise of the dinosaurs thus accompanied fascinating transatlantic controversies about scientific authority.
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R 228.00
Changing Constitution
In The Changing Constitution, Richard H. Fallon Jr. explores the constitutional law of the United States as reflected in decisions of the Supreme Court, including recent blockbusters. The author analyses controversial rulings addressing topics such as freedom of speech and religion, the Second Amendment right to bear arms, abortion, affirmative action, gay rights, and the powers and prerogatives of the President. Examining modern controversies from a historical perspective he argues that it's impossible to understand U.S. constitutional law without recognizing the political and institutional forces that always have brought, and will continue to bring, innovations and occasional reversals in constitutional doctrine. Fallon also highlights distinctive aspects of the current era, including the judicial philosophies of the sitting Justices. This intellectually sophisticated overview of constitutional law and Supreme Court practice additionally discusses anxieties about whether and how the Justices, who can overrule their own precedents, are meaningfully constrained by law.
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