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Aesthetics of Emulation in the Visual Arts of Ancient Rome
Originally published in 2005, this book examines Roman strategies for the appropriation of the Greek visual culture and argues that the scholarship on this topic, dominated by copy criticism (Kopienkritik), has not appreciated Roman values in the visual arts. Ellen Perry analyzes the Roman aesthetics that lie at the core of the visual conservatism - and innovation - in the art of that civilization. These attitudes help to explain the preponderance of copies, exact or free, after the sculpture of great Greek masters in Roman art. A knowledge of Roman values, Perry demonstrates, explains the entire range of visual appropriation in Roman art, which includes not only the phenomenon of copying, but also such manifestations as allusion, parody, and most importantly aemulatio, successful rivalry with one's models.
R 2,002.60

Aesthetics of Emulation in the Visual Arts of Ancient Rome
Originally published in 2005, this book examines Roman strategies for the appropriation of the Greek visual culture and argues that the scholarship on this topic, dominated by copy criticism (Kopienkritik), has not appreciated Roman values in the visual arts. Ellen Perry analyzes the Roman aesthetics that lie at the core of the visual conservatism - and innovation - in the art of that civilization. These attitudes help to explain the preponderance of copies, exact or free, after the sculpture of great Greek masters in Roman art. A knowledge of Roman values, Perry demonstrates, explains the entire range of visual appropriation in Roman art, which includes not only the phenomenon of copying, but also such manifestations as allusion, parody, and most importantly aemulatio, successful rivalry with one's models.
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Prairie Girl's Life
From Edna's childhood wearing a flour sack dress while living in a leaky barn to breaking ground in a small mid-west city, outdoor education and the ministry, this story chronicles a determined Canadian prairie pioneer through defining 20th century world events. The following excerpt is from the dedication of her street, Edna Perry Way: "If you grew up in Transcona between the 1950s and 1980s you likely will know the name Edna Perry."
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Life and Work of Jane Ellen Harrison
A rebel against Victorian mores, Jane Ellen Harrison (1850-1928) became one of the first women to hold a research fellowship at Cambridge. A friend of such distinguished figures as Gilbert Murray and Francis Cornford, she was renowned for her public lectures on Greek art, for her books on Greek religion and mythology, and for her unconventional and outspoken views. In her application of anthropology to classical studies, Harrison stirred up controversy amongst her academic colleagues while at the same time influencing many writers, including Yeats, D.H. Lawrence, and Virginia Woolf. Driven by the conviction that the study of primitive Greek culture was an intensely practical enterprise, addressing the fundamental emotional needs of all people, she set her academic research in the broader context of human life. Her work on Greek religion is really a critique of all religion. Although she was a powerful role model for academic women and addressed issues which were central to the women's movement, when it came to women's rights, her own views were not always in keeping with those of her suffragist contemporaries.
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Ellen Terry, Player in Her Time
Nina Auerbach brilliantly reveals the Ellen Terry whose roles, on stage and off, embodied everything that a rapidly changing world exhorted women to be.
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Essays in Radical Empiricism
Essays in Radical Empiricism shows William James concerned with ultimate reality and moving toward a metaphysical system. The twelve essays originally appeared in journals between 1904 and 1906. James himself collected them to illustrate what he called “radical empiricism,” but this volume was not published until 1912, two years after his death. Included are such seminal essays as “Does Consciousness Exist?” and “A World of Pure Experience.” The distinguished scholar and biographer Ralph Barton Perry, who edited this volume, called the essays essential to an understanding of James’s writings. Radical empiricism takes us into a “world of pure experience.” In the essays, as introducer Ellen Kappy Suckiel notes, “James inquires into the metaphysically basic reality underlying the common-sense objects of our world. It is here that he defends his view that ‘experience’ is the sole and ultimate reality.” The essays deal with the applications of this “pure” or “neutral” experience: the general problem of relations, the role of feeling in experience, the nature of truth. Horace M. Kallen observed: “The fundamental point of these essays is that the relations between things, holding them together or separating them, are at least as real as the things themselves . . . and that no hidden substrata are necessary to account for the clashes and coherences of the world.”
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Judging Bertha Wilson
Madame Justice Bertha Wilson, the first woman appointed to the Supreme Court of Canada, is an enormously influential and controversial figure in Canadian legal and political history. This engaging, authorized, intellectual biography draws on interviews conducted under the auspices of the Osgoode Society for Legal History, held in Scotland and Canada with Madame Justice Wilson, as well as with her friends, relatives, and colleagues. The biography traces Wilson's story from her birth in Scotland in 1923 to the present. Wilson's contributions to the areas of human rights law and equality jurisprudence are many and well-known. Lesser known are her early days in Scotland and her work as a minister's wife or her post-judicial work on gender equality for the Canadian Bar Association and her contributions to the Royal Commission on Aboriginal Peoples. Through a scrupulous survey of Wilson's judgements, memos, and academic writings (many as yet unpublished), Ellen Anderson shows how Wilson's life and the law were seamlessly integrated in her persistent commitment to a stance of principled contextuality.This stance has had an enduring effect on the evolution of Canadian law and cultural history. Supported with the warmth and generosity of Wilson's numerous personal anecdotes, this work illuminates the life and throught of a woman who has left an extraordinary mark on Canada's legal landscape.
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Radical Elegies
Scholarship has traditionally characterized elegy as a Eurocentric tradition – a genealogy spanning from ancient Greek pastoral poems via the “English elegy” to English and Anglo-American Modernist contemporary poets.Perry examines how these genealogical constructions operate as a means of framing which guides interpretation. This book argues that they reflect a necropoetics – a system of principles, precepts and techniques which serve to establish and maintain ideas about whose lives are worthy of being mourned publicly and whose losses matter.Examining elegies that challenge questions of whose deaths may be grieved; elegies which articulate the various ways in which certain lives are made precarious and disposable; and elegies which interrogate colonial violence, structures of white power, militarized forms of policing, prison-industrial and military-industrial complexes, Perry explores possibilities for radical new ways of understanding elegy beyond established genealogical frames.This study retheorizes some basic terms of analysis of contemporary US poetry and poetics, critical race and ethnic studies, racial capitalism and contemporary theories of comparative and relational racialization.
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Collected Letters of Ellen Terry, Volume 3
Ellen Terry's correspondence was both exuberant and extensive. Her remaining letters provide a fascinating insight into the dynamics of the Victorian theatre, and the difficulties of life for a woman maintaining a successful public persona whilst raising two illegitimate children.
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Collected Letters of Ellen Terry, Volume 6
Ellen Terry's correspondence was both exuberant and extensive. Her remaining letters provide a fascinating insight into the dynamics of the Victorian theatre, and the difficulties of life for a woman maintaining a successful public persona whilst raising two illegitimate children.
R 9,311.45

Frances Ellen Watkins Harper
A prominent early feminist, abolitionist, and civil rights advocate, Frances Ellen Watkins Harper wrote and spoke across genres and reform platforms during the turbulent second half of the nineteenth century. Her invention of a new commonplace language of moral character drew on the persuasive and didactic motifs of the previous decades of African-American reform politics, but far exceeded her predecessors in crafting lessons of rhetoric for women. Focusing on the way in which Harper brought her readers a critical training for the rhetorical action of a life commitment to social reform, this book reconsiders her practice as explicitly and primarily a project of teaching. This study also places Harper's work firmly in black-nationalist lineages from which she is routinely excluded, establishes Harper as an architect of a collective African-American identity that constitutes a political and theoretical bridge between early abolitionism and 20th-century civil rights activism, and contributes to the contemporary portrayal of Harper as an important theorist of African-American feminism whose radical egalitarian ethic has lasting relevance for civil rights and human rights workers.
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Ellen Terry, Spheres of Influence
In this essay collection, established experts and new researchers, reassess the performances and cultural significance of Ellen Terry, her daughter Edith Craig (1869–1947) and her son Edward Gordon Craig (1872–1966), as well as Bram Stoker, Lewis Carroll and some less familiar figures.
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R 533.91

Ellen Glasgow
For many years Pulitzer Prize winner Ellen Glasgow has been regarded as a classic American regional novelist. But Glasgow is far more than a Southern writer, as Linda Wagner demonstrates in this fascinating reassessment of her work. A Virginia lady, Glasgow began to write at a time when the highest praise for a literary woman was to be mistaken for a male writer. In her early fiction, published at the turn of the century, all attention is focused on male protagonists; the strong female characters who do appear early in these novels gradually fade into the background. But Ellen Glasgow grew to become a woman who, born to be protected from the very life she wanted to chronicle, moved “beyond convention” to live her life on her own terms. And as her own self-image changed, the perspective of her novels became more feminine, the female characters moved to center stage, and their philosophies became central to her themes. Glasgow’s best novels, then—Barren Ground, Vein of Iron, and the romantic trilogy that includes The Sheltered Life—came late in her life, when she was no longer content to imitate fashionable male novelists. Glasgow’s increased self-assurance as writer and woman led to a far greater awareness of craft. Her style became more highly imaged, more suggestive, as though she wished to widen the range of resources available to move her readers. She became a writer both popular and respected. Her novels appeared as selections of the Literary Guild and the Book-of-the-Month Club, and one became a best seller. At the same time she was chosen as one of the few female members of the Academy of Arts and Letters, and in 1942 she was awarded the Pulitzer Prize for her novel In This Our Life.
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Frances Ellen Watkins Harper
A prominent early feminist, abolitionist, and civil rights advocate, Frances Ellen Watkins Harper wrote and spoke across genres and reform platforms during the turbulent second half of the nineteenth century. Her invention of a new commonplace language of moral character drew on the persuasive and didactic motifs of the previous decades of African-American reform politics, but far exceeded her predecessors in crafting lessons of rhetoric for women. Focusing on the way in which Harper brought her readers a critical training for the rhetorical action of a life commitment to social reform, this book reconsiders her practice as explicitly and primarily a project of teaching. This study also places Harper's work firmly in black-nationalist lineages from which she is routinely excluded, establishes Harper as an architect of a collective African-American identity that constitutes a political and theoretical bridge between early abolitionism and 20th-century civil rights activism, and contributes to the contemporary portrayal of Harper as an important theorist of African-American feminism whose radical egalitarian ethic has lasting relevance for civil rights and human rights workers.
R 3,420.24

Ellen DeGeneres
In 1997 Ellen DeGeneres made television history when she came out to the American public on her nationally syndicated sitcom. In spite of the controversy stirred by this personal revelation, Ellen DeGeneres has gone on to become on one the most popular personalities in Hollywood. With her own highly rated daily talk show, a lucrative ad campaign with American Express, and a successful turn as Oscar host to her credit, she has become one of America's leading female comedians and won her has place a household name. High profile romances with actresses Anne Heche and fiance Portia de Rossi, have also made a her an unassuming champion for gay and lesbian rights. Ellen Degeneres' monumental success, however, belies a painful childhood and uncertain career beginnings. This comprehensive and intriguing biography explores the life events that shaped the hilarious public figure we know today.Complete with a chronology of significant events, illustrations, and a bibliography of print and electronic resources, this detailed biography is ideal for general readers looking to learn more about their favorite star or for those seeking information on groundbreaking members of the gay and lesbian community.
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Uneasy Guest in the Schoolhouse
An Uneasy Guest in the Schoolhouse recounts how art education has been conceptualized, taught, and advocated for in the United States in the face of its persistent marginalization in the education system. Tracing various rationales offered from the 19th century onward, Winner argues that art education has failed to be justified as a good in and of itself—and this failure has affected both the status of visual art education in our schools and the quality ofits teaching.Winner's comprehensive book maps recurrent pendulum swings between "traditional" and "progressive" approaches to art education in the United States, supplemented by her firsthand experiences observing art teaching in schools in China and Italy. Despite this problematic and uncertain past, 21st century art education in the United States and abroad has exploded with a wealth of new ideas aligned with the progressivism of the early 20th century and informed by the practices of contemporary art.As Winner details, an understanding of the history of art education, along with a focus on current challenges and opportunities, is essential for arts researchers, educators, and advocates, as well as anyone in the general public who cares about quality education in the 21st century.
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Neues Licht auf Ellen Key
Am Anfang des 20. Jahrhundert rief Ellen Key dazu auf, das «Jahrhundert des Kindes» zu gestalten. Es endete jedoch mit Warnungen vor den «Grenzen des Wachstums» und der Umweltzerstörung. Key sah nicht nur Tiere und Pflanzen, sondern auch den Menschen als verletzlichen Teil eines dynamischen ökologischen Beziehungsgefüges an.
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