Search results for "Gavin Watterson"
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Revenge Of The Baby-Sat
Calvin, cheeky, hyperactive and mischievous, and Hobbes, his cuddly toy tiger who, as far as Calvin is concerned is very much alive and kicking, are two of the most loveable and hilarious characters to grace the comic strip in years.
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Weirdos From Another Planet
A collection of Calvin and Hobbes cartoons. The author won the 1986 Reuben Award as Outstanding Cartoonist of the Year and has also illustrated Something Under the Bed is Drooling , Calvin and Hobbes' Yukon Ho! and Scientific Progress Goes Boink .
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Britain Is Better Than This
An urgent and timely exploration of a British political system in peril – and what we must do to save it.For centuries, British identity has been shaped by ideas of exceptionalism, grandeur and competence. Yet British democracy is failing. Governments supported by a minority of voters are elected with enormous majorities under a deeply unrepresentative first-past-the-post system. The result has been failed leaders delivering wounding blows to the country's economy, prosperity and international image.Britain Is Better Than This explores what lies beneath this sense of malaise, revealing the structural and constitutional failures at the heart of a sclerotic political system. It sheds light on a culture of lies, distrust and corruption. It reveals fundamental flaws in core institutions, including the media, the House of Lords and the House of Commons. It draws on events such as the MP expenses scandal, Brexit, 'Partygate' and the farcical premiership of Liz Truss, as symptoms of a great nation at a turning point yet unsure of which way to turn. And it looks ahead, offering practical solutions to answer the key question of our time: What do we need to do to build a better future?'The most compelling, lacerating description of the Muppet Show that is British public life I have yet read.' Will Hutton'There can be no book more urgently needed than this one.' Steve Richards
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No Machos or Pop Stars
After punk’s arrival in 1976, many art students in the northern English city of Leeds traded their paintbrushes for guitars and synthesizers. In bands ranging from Gang of Four, Soft Cell, and Delta 5 to the Mekons, Scritti Politti, and Fad Gadget, these artists-turned-musicians challenged the limits of what was deemed possible in rock and pop music. Taking avant-garde ideas to the record-buying public, they created Situationist antirock and art punk, penned deconstructed pop ditties about Jacques Derrida, and took the aesthetics of collage and shock to dark, brooding electro-dance music. In No Machos or Pop Stars Gavin Butt tells the fascinating story of the post-punk scene in Leeds, showing how England’s state-funded education policy brought together art students from different social classes to create a fertile ground for musical experimentation. Drawing on extensive interviews with band members, their associates, and teachers, Butt details the groups who wanted to dismantle both art world and music industry hierarchies by making it possible to dance to their art. Their stories reveal the subversive influence of art school in a regional music scene of lasting international significance.
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Beyond Phenomenology
This book argues that the understanding and explanation of religion is always historically contingent. Grounded in the work of Bakhtin and Ricoeur, Flood positions the academic study of religion within contemporary debates in the social sciences and humanities concerning modernity and postmodernity, particularly contested issues regarding truth and knowledge. It challenges the view that religions are privileged, epistemic objects, argues for the importance of metatheory, and presents an argument for the dialogical nature of inquiry. The study of religion should begin with language and culture, and this shift in emphasis to the philosophy of the sign in hermeneutics and away from the philosophy of consciousness in phenomenology has far-reaching implications. It means a new ethic of practice which is sensitive to the power relationship in any epistemology; it opens the door to feminist and postcolonial critique, and it provides a methodology which allows for the interface between religious studies, theology, and the social sciences.
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Revenge of the Baby-Sat
"Calvin and Hobbes provided an exhilarating blend of fantasy, sophistication, pungent humor and superb drawing that was dazzling." --The Plain Dealer, Cleveland, Ohio With keen insight, Bill Watterson depicted life through the eyes of a child in Calvin and Hobbes--with all the inherent fun and frustrations. Through the adventures of this engaging pair, the limits of our imaginations were challenged as we enjoyed accompanying Calvin and Hobbes as they traveled through time, transmogrified themselves, and stirred up trouble. Watterson's vibrant characterization of event and personality, deft artistic presentation, and whimsical perspective have cultivated an unwavering affection for his characters. In The Revenge of the Baby-Sat, readers can relish the opportunity to dwell once more in the enduring reminder of life as a child today.
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Yukon Ho!
Of course homework can wait--the Yukon is calling! Join Calvin and Hobbes for cosmic battles, camping blunders, razor-sharp laughs, and more wild adventures depicting the unforgettable charm of childhood rebellion in Yukon Ho! There's only one reasonable response to chores, baths, and homework: escape to the Yukon with your tiger best friend. In Yukon Ho!, the series' core characters are now familiar faces: Spaceman Spiff, Miss Wormwood, neighbor Susie, Rosalyn the babysitter, and Calvin's endlessly patient, frequently exasperated parents. Here, Bill Watterson also sharpens the strip's signature themes--nature vs. technology, imagination vs. reality, childhood vs. adulthood--while delivering backyard battles, camping mishaps, and late-night philosophizing on everything from pollution to human folly. Including comics originally published in newspapers between May 1987 and February 1988, this volume captures some of the strip's most iconic moments: the invention of the transmogrifier, Calvin's power struggles with Rosalyn, his awkward almost-friendship with Susie, and his tireless resistance to grown-up rules. Highlights from this collection include: Snowball battles, sledding wipeouts, and mutant snowmenShowdowns with Susie Derkins and Miss Wormwood's homework assignmentsEarly appearances of Calvinball and the cardboard transmogrifierThoughtful musings with Hobbes on free will, nature, and humanityBlack-and-white dailies showcasing Watterson's expressive cartooningA perfect mix of laughter, imagination, and philosophical insight for readers of all agesWith expressive art, sharp humor, and boundless imagination, Yukon Ho! captures the rebellion, wonder, and wit of childhood--reminding us why Calvin and Hobbes remains one of the most beloved comics of all time.
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No Machos or Pop Stars
After punk’s arrival in 1976, many art students in the northern English city of Leeds traded their paintbrushes for guitars and synthesizers. In bands ranging from Gang of Four, Soft Cell, and Delta 5 to the Mekons, Scritti Politti, and Fad Gadget, these artists-turned-musicians challenged the limits of what was deemed possible in rock and pop music. Taking avant-garde ideas to the record-buying public, they created Situationist antirock and art punk, penned deconstructed pop ditties about Jacques Derrida, and took the aesthetics of collage and shock to dark, brooding electro-dance music. In No Machos or Pop Stars Gavin Butt tells the fascinating story of the post-punk scene in Leeds, showing how England’s state-funded education policy brought together art students from different social classes to create a fertile ground for musical experimentation. Drawing on extensive interviews with band members, their associates, and teachers, Butt details the groups who wanted to dismantle both art world and music industry hierarchies by making it possible to dance to their art. Their stories reveal the subversive influence of art school in a regional music scene of lasting international significance.
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Mary Magdalene Revealed
--WALL STREET JOURNAL BESTSELLER-- The Gospel of Mary Magdalene reveals a very different love story from the one we've come to refer to as Christianity. Harvard-trained theologian Meggan Watterson leads us verse by verse through Mary's gospel to illuminate the powerful teachings it contains.A gospel, as ancient and authentic as any of the gospels that the Christian bible contains, was buried deep in the Egyptian desert after an edict was sent out in the 4th century to have all copies of it destroyed. Fortunately, some rebel monks were wise enough to refuse-and thanks to their disobedience and spiritual bravery, we have several manuscripts of the only gospel that was written in the name of a woman: The Gospel of Mary Magdalene.Mary's gospel reveals a radical love that sits at the heart of the Christian story. Her gospel says that we are not sinful; we are not to feel ashamed or unworthy for being human. In fact, our purpose is to be fully human, to be a "true human being"- that is, a person who has remembered that, yes, we are a messy, limited ego, and we are also a limitless soul.And all we need to do is to turn inward (again and again); to meditate, like Mary Magdalene, in the way her gospel directs us, so that we can see past the ego of our own little lives to what's more real, and lasting, and infinite, and already here, within.With searing clarity, Watterson explains how and why Mary Magdalene came to be portrayed as the penitent prostitute and relates a more historically and theologically accurate depiction of who Mary was within the early Christ movement. And she shares how this discovery of Mary's gospel has allowed her to practice, and to experience, a love that never ends, a love that transforms everything.
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Calvin and Hobbes Tenth Annive
Celebrating ten years of their crazy antics, author of the Calvin and Hobbes comic, Bill Watterson, invites readers to look back at the first ten years--featuring Watterson's insights and classic comics. "Watterson re-created the thoughts and feelings of a six-year-old with uncanny accuracy ... Calvin and Hobbes was, simply, the best comic strip." --Charles Solomon, Los Angeles Times Many moons ago, the magic of Calvin and Hobbes first appeared on the funny pages and the world was introduced to a wondrous pair of friends--a boy and his tiger, who brought new life to the comics page. To celebrate the tenth anniversary of this distinguished partnership, Bill Watterson prepared this special book, sharing his thoughts on cartooning and creating Calvin and Hobbes, illustrated throughout with favorite black-and-white and color cartoons.
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It's a Magical World: a Calvin & Hobbes Collection
When cartoonist Bill Watterson announced that his phenomenally popular cartoon strip would be discontinued, Calvin and Hobbes fans throughout the world went into mourning. Fans have learned to survive -- despite the absence of the boy and his tiger in the daily newspaper. It's a Magical World delivers all the satisfaction of visiting its characters once more. Calvin fans will be able to see their favorite mischief maker stir it up with his furry friend, long-suffering parents, classmate Susie Derkins, school teacher Miss Wormwood, and Rosalyn the baby-sitter. It's a Magical World includes full-color Sundays and has it all: Calvin-turned-firefly waking Hobbes with his flashlight glow; courageous Spaceman Spiff rocketing through alien galaxies as he battles Dad-turned-Bug-Being; and Calvin's always inspired snowman art. There's no better way for Watterson fans to savor again the special qualities of their favorite strip.
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Indispensable Calvin And Hobbes
This omnibus edition includes Revenge of the Baby-Sat and Scientific Progress Goes Boink as well as other cartoons, integrated throughout. Bill Watterson won the 1986 Reuben Award as Outstanding Cartoonist of the Year, nominated by the National Cartoonists' Society.
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Lazy Sunday
Calvin, cheeky, hyperactive and mischievous, and Hobbes, his cuddly toy tiger who, as far as Calvin is concerned is very much alive and kicking, are two of the most loveable and hilarious characters to grace the comic strip in years.
R 402.00
Homicidal Psycho Jungle Cat
Calvin and Hobbes are at it again, and this time, our irrepressible friends are taking a walk on the wild side.Homicidal Psycho Jungle Cat chronicles another segment of the multifarious adventures of this wild child and his faithful, but skeptical, friend. If the best cartoons compel readers to identify themselves within the funny frames, then all who enjoy Calvin and Hobbes are creative, imaginative, and ... bad, bad, bad! Calvin, the irascible little boy with the stuffed tiger who comes to life are a pair bound for trouble. Boring school lessons become occasions for death-defying alien air battles, speeding snow sled descents elicit philosophical discussions on the meaning of life, and Hobbe's natural inclination to pounce on his little friend wreaks havoc on Calvin's sense of security. Calvin's the kid we all wish we'd been. Sassy, imaginative, far more verbal than his parents can manage, Calvin is the quintessential bad boy -- and the boy we love to see. He terrorizes little Susie, offers "Candid Opinions" from a neighborhood stand, and questions his parents' authority. "What assurance do I have that your parenting isn't screwing me up?" he demands. Calvin and Hobbes manages to say what needs to be said about childhood and life: "Eww, mud," says Calvin. "Look at this gooshy, dirty, slimy, thick, wet mud ... Bleecch ... Talk about a kid magnet!"
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Authoritative Calvin And Hobbes
Calvin, cheeky, hyperactive and mischievous, and Hobbes, his cuddly toy tiger who, as far as Calvin is concerned is very much alive and kicking, are two of the most loveable and hilarious characters to grace the comic strip in years.This collection contains Yukon Ho! and Weirdos from Another Planet as an omnibus edition, but also a story that has not been in print before.
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Scientific Progress Goes Boink
Calvin and Hobbes touched the hearts (and funny bones) of the millions who read the award-winning strip. One look at this Calvin and Hobbes collection and it is immediately evident that Bill Watterson's imagination, wit, and sense of adventure are unmatched. In this collection, Calvin and his tiger-striped sidekick Hobbes are hilarious whether the two are simply lounging around philosophizing about the future of mankind or plotting their latest money-making scheme. Chock-full of the familiar adventures of Spaceman Spiff, findings of Dad's popularity poll, and time travel to the Jurassic Age, Scientific Progress Goes "Boink" is guaranteed to set scientific inquiry back an eon--and advance the reading pleasure of all Calvin and Hobbes fans.
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Calvin and Hobbes Sunday Pages
Celebrating an exhibit of ten years of Sunday comics featuring the beloved boy and his tiger, Calvin and Hobbes: Sunday Pages 1985-1995 is sure to bring back memories. New York Times best-seller! Everyone misses Calvin and Hobbes. It reinvented the newspaper comic strip at a time when many had all but buried the funnies as a vehicle for fresh, creative work. Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun--just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that. This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content. When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist. Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears. On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson. --Lucy Shelton Caswell, Professor and Curator The Ohio St
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Authoritative Calvin and Hobbes: A Calvin and Hobbes Treasury
The Authoritative Calvin and Hobbes, is a large-format treasury of the cartoons from Yukon Ho! and Weirdos from Another Planet! (including full-color Sunday cartoons) plus a full-color original story unique to this collection. Millions of readers have enjoyed the tremendous talent of Bill Watterson. His skill as both artist and writer brings to life a boy, his tiger, and the imagination and memories of his ardent readers. The Authoritative Calvin and Hobbes picks up where The Essential Calvin and Hobbes left off. Bill Watterson"s Calvin and Hobbes remains the authority on humor.
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Hood Rat
BBC RADIO 4 BOOK OF THE WEEK SHORTLISTED FOR THE ORWELL PRIZE 2012 SHORTLISTED FOR THE CRIME WRITERS ASSOCIATION NON-FICTION DAGGER AWARD ‘THE MOST IMPORTANT CRIME STORY OF THE DECADE’ Scottish Mail Manchester. London. Glasgow. In the summer of 2011 violence erupted in our inner cities and many blamed gang culture. But is the truth so simple? Hood Rat tells the human stories that the media miss: of young men who have fallen through the system, and of one young woman with a vision for change. ‘Unflinching. It penetrates environments that most of us only ever glimpse’ Observer ‘Impressive. Knight uncovers the sort of stories that never make the news’ Scotsman ‘This British sensation is a must. Disturbingly compelling’ Marie Claire ‘A gripping novelistic immersion in the lives of young criminals’ Louis Theroux ‘The British Wire’ BBC Radio 5 Live
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Homicidal Psycho Jungle Cat
Calvin and Hobbes are at it again, and this time, our irrepressible friends are taking a walk on the wild side. Homicidal Psycho Jungle Cat chronicles another segment of the multifarious adventures of this wild child and his faithful, but skeptical, friend. If the best cartoons compel readers to identify themselves within the funny frames, then all who enjoy Calvin and Hobbes are creative, imaginative, and ... bad, bad, bad! Calvin, the irascible little boy with the stuffed tiger who comes to life are a pair bound for trouble. Boring school lessons become occasions for death-defying alien air battles, speeding snow sled descents elicit philosophical discussions on the meaning of life, and Hobbes's natural inclination to pounce on his little friend wreaks havoc on Calvin's sense of security. Calvin's the kid we all wish we'd been. Sassy, imaginative, far more verbal than his parents can manage, Calvin is the quintessential bad boy--and the boy we love to see. He terrorizes little Susie, offers "Candid Opinions" from a neighborhood stand, and questions his parents' authority. "What assurance do I have that your parenting isn't screwing me up?" he demands. Calvin and Hobbes manages to say what needs to be said about childhood and life: "Eww, mud," says Calvin. "Look at this gooshy, dirty, slimy, thick, wet mud ... Bleecch ... Talk about a kid magnet!"
R 456.00
