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Samuel Hartlib and Universal Reformation
Samuel Hartlib was a key figure in the intellectual revolution of the seventeenth century. Originally from Elbing, in Prussig, Hartlib settled permanently in England from the late 1620s until his death in 1662. His aspirations formed a distinctive and influential strand in English intellectual life during those revolutionary decades. This volume reflects the variety of the theoretical and practical interests of Hartlib's circle and presents them in their continental context. The editors of the volume are all attached to the Hartlib Papers Project at the University of Sheffield, a major collaborative research effort to exploit the largely untapped resources of the surviving Hartlib manuscripts. In an introduction to the volume they explore the background to the Hartlib circle and provide the context in which the essays should be read.
R 5,680.00
Samuel Hartlib and Universal Reformation
Samuel Hartlib was a key figure in the intellectual revolution of the seventeenth century. Originally from Elbing, in Prussig, Hartlib settled permanently in England from the late 1620s until his death in 1662. His aspirations formed a distinctive and influential strand in English intellectual life during those revolutionary decades. This volume reflects the variety of the theoretical and practical interests of Hartlib's circle and presents them in their continental context. The editors of the volume are all attached to the Hartlib Papers Project at the University of Sheffield, a major collaborative research effort to exploit the largely untapped resources of the surviving Hartlib manuscripts. In an introduction to the volume they explore the background to the Hartlib circle and provide the context in which the essays should be read.
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R 585.00
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R 784.92
R 6,300.41
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R 884.23
Cinema of Hal Hartley
Over the course of nearly thirty years, Hal Hartley has cultivated a reputation as one of America's most steadfastly independent film directors. From his breakthrough films - The Unbelievable Truth (1989), Trust (1990), and Simple Men (1992) - to his recently completed 'Henry Fool' trilogy, Hartley has honed a rigorous, deadpan, and instantly recognizable film style informed by both European modernism and playful revisions of Classical Hollywood genres. Featuring new essays on this important director and his films, this collection explores Hartley's work from a variety of aesthetic, cultural, and economic contexts, while also looking closely at his collaborations with actors, the contexts of his authorial reputation, his reworking of the romantic comedy and other genres, and the shifting economics of his filmmaking. This book, up-to-date through Hartley's latest film, Ned Rifle (2014), includes new scholarship on the director's early work as well as reflections on his cinema in connection with new theories and approaches to independent filmmaking.Covering the entire trajectory of his career, including both his features and short films, the book also includes new readings of several of Hartley's seminal films, including Amateur (1994), Flirt (1995), and Henry Fool (1997).
R 2,501.00
R 914.20
R 536.94
Cinema of Hal Hartley
Over the course of nearly thirty years, Hal Hartley has cultivated a reputation as one of America's most steadfastly independent film directors. From his breakthrough films - The Unbelievable Truth (1989), Trust (1990), and Simple Men (1992) - to his recently completed 'Henry Fool' trilogy, Hartley has honed a rigorous, deadpan, and instantly recognizable film style informed by both European modernism and playful revisions of Classical Hollywood genres. Featuring new essays on this important director and his films, this collection explores Hartley's work from a variety of aesthetic, cultural, and economic contexts, while also looking closely at his collaborations with actors, the contexts of his authorial reputation, his reworking of the romantic comedy and other genres, and the shifting economics of his filmmaking. This book, up-to-date through Hartley's latest film, Ned Rifle (2014), includes new scholarship on the director's early work as well as reflections on his cinema in connection with new theories and approaches to independent filmmaking.Covering the entire trajectory of his career, including both his features and short films, the book also includes new readings of several of Hartley's seminal films, including Amateur (1994), Flirt (1995), and Henry Fool (1997).
R 765.00
R 1,254.71
R 373.67
Hart Crane and the Modernist Epic
This study examines Hart Crane's canonical ambitions in The Bridge and argues for a new species of epic, 'the modernist epic,' which also includes Pound's The Cantos, Eliot's The Waste Land, and Williams's Paterson. It offers a close reading of The Bridge as a hybrid of lyric and epic modes. Crane's sublime and history converge in a complex synthesis of form and ideas. The study reconceives Crane's achievement by locating him in an intertextual system of production while also recognizing his poetic making of self. Yet in this work Crane assumes a greater political presence than much commentary has entertained.
R 1,603.75
Cinema of Hal Hartley
One of the most significant contributors to the American independent cinema that developed over the late 1980s and 1990s, Hal Hartley has throughout his career created films that defy convention and capture the stranger realities of modern American life. The Cinema of Hal Hartley looks at all of Hartley's film releases - from cult classics such as The Unbelievable Truth and Trust to oddball genre experiments such as No Such Thing and Fay Grim to short films such as Opera No. 1 and Accomplice - and makes a case for seeing Hartley as an important and successful American auteur, despite the director's decline in status in the later stages of his career. Employing both industrial and close textual analysis, the book considers aspects of Hartley's work such as genre, gender and form, as well as dimensions far less frequently discussed in studies of indie directors, such as place and cultural identity, offering a broad and innovative study of a productive filmmaker who continues to show a singular disregard for the expectations of both the mainstream and the indie cinema industries.
R 5,591.00
Hartley: The Go-Between
Part of the "Brodie's Notes" series, this book aids English literature GCSE and A-Level students in their coursework projects and study of set texts by increasing understanding and enjoyment of the books. It is designed to provide imaginative responses, and should help to stimulate independent critical appraisal of Hartley's "Go-Between".;Other features include: background to the work; summaries of the text; critical commentaries; analysis of characterization, style, structure, setting and themes; and sample questions for guidelines.
R 1,029.00
Regularized Fast Hartley Transform
This book describes how a key signal/image processing algorithm – that of the fast Hartley transform (FHT) or, via a simple conversion routine between their outputs, of the real‑data version of the ubiquitous fast Fourier transform (FFT) – might best be formulated to facilitate computationally-efficient solutions. The author discusses this for both 1-D (such as required, for example, for the spectrum analysis of audio signals) and m‑D (such as required, for example, for the compression of noisy 2-D images or the watermarking of 3-D video signals) cases, but requiring few computing resources (i.e. low arithmetic/memory/power requirements, etc.). This is particularly relevant for those application areas, such as mobile communications, where the available silicon resources (as well as the battery-life) are expected to be limited. The aim of this monograph, where silicon‑based computing technology and a resource‑constrained environment is assumed and the data is real-valued in nature, has thus been to seek solutions that best match the actual problem needing to be solved.
R 3,582.41
Aedes Hartwellianae: Volume 1
The astronomer John Lee (1783–66) inherited Hartwell House in Buckinghamshire in 1827. During its colourful history, the mansion had notably been occupied between 1809 and 1814 by the exiled court of Louis XVIII. Lee turned the house into something of a museum for his antiquarian and scientific interests, constructing an observatory to the design of the his close friend William Henry Smyth (1788–1865), after whom Lee named a lunar sea. A naval officer, Smyth had helped to found the Royal Geographical Society in 1830. His Sidereal Chromatics (1864) and The Sailor's Word-Book (1867) are also reissued in this series. This charming history and description of Hartwell, its grounds, buildings and contents, appeared in two volumes between 1851 and 1864, illuminating especially the practice of contemporary astronomy. Illustrated throughout, the first volume (1851) includes coverage relating to the locality, the lords of the manor, the collected antiquities and the observatory.
R 2,901.57
Regularized Fast Hartley Transform
This book describes how a key signal/image processing algorithm – that of the fast Hartley transform (FHT) or, via a simple conversion routine between their outputs, of the real‑data version of the ubiquitous fast Fourier transform (FFT) – might best be formulated to facilitate computationally-efficient solutions. The author discusses this for both 1-D (such as required, for example, for the spectrum analysis of audio signals) and m‑D (such as required, for example, for the compression of noisy 2-D images or the watermarking of 3-D video signals) cases, but requiring few computing resources (i.e. low arithmetic/memory/power requirements, etc.). This is particularly relevant for those application areas, such as mobile communications, where the available silicon resources (as well as the battery-life) are expected to be limited. The aim of this monograph, where silicon‑based computing technology and a resource‑constrained environment is assumed and the data is real-valued in nature, has thus been to seek solutions that best match the actual problem needing to be solved.
R 3,583.31
Poetry of Hart Crane
One of the leading critics of our time, R.W.B. Lewis, charts the career of Hart Crane's imagination-of his vision, his rhetoric, and his craft. Crane, who has heretofore been assigned a relatively minor place in American letters, emerges from this rich, dense book as one of the finest poets in our language. Mr. Lewis traces the development of the theme which runs through all of Crane's poetry-the need for the visionary and loving transfiguration of the actual world-and claims that it is this theme which gives Crane's poetry its extraordinary consistency. Mr. Lewis also relates Crane's development as poet to the Anglo-American Romantic tradition and argues that Blake, Wordsworth, Keats, and Emerson are vital to an understanding of Crane's work. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
R 7,280.81
Hart Crane
When Hart Crane's epic poem The Bridge was published in 1930, it was generally judged a failure. Critics said the poet had unwisely attempted to create a mystical synthesis of modern America out of inadequate materials. Crane himself, who committed suicide in 1932, did little to correct this impression; and although the poet's reputation has fluctuated over the past fifty years, many people still find The Bridge unsatisfactory. In this analysis of Crane's long poem, Paul Giles demonstrates that the author was consciously constructing his Bridge out of a huge number of puns and paradoxes, most of which have never been noticed by Crane's readers. Dr Giles shows how Crane was directly influenced by the early work of James Joyce; how the composition of The Bridge ran parallel to the first serialisation of Finnegans Wake in Paris; and how The Bridge is the first great work of the 'Revolution of the Word' movement, predating the final published version of Finnegans Wake by nine years.
R 1,869.22
R 279.00
Hartley Coleridge
The first modern study of Hartley Coleridge, showing that he deserves our attention not as the son of Samuel Taylor Coleridge, but as a literary presence in his own right.
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R 520.00
R 757.87
Hart Crane
Hart Crane was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.More than half a century after his death, the work of Hart Crane (1899–1932) remains central to our understanding of twentieth-century American poetry. During his short life, Crane's contemporaries had difficulty seeing past the "roaring boy" who drank too much and hurled typewriters from windows; in recent years, he has come to be seen as a kind of "last poet" whose only theme is self-destruction, and who himself exemplifies the breakdown of poetry in the modern age. Taking as a point of departure Robert Lowell's 1961 valuation of Crane and his power to speak from "the center of things," Warner Berthoff in this book reappraises the essential character and force of Crane's still problematic achievement. Though he takes into account the substantial body of commentary on Crane's work, his primary intent is to look afresh at the poems themselves, and at the poet's clear-eyed (and brilliant) letters. This approach enables Berthoff, first, to track the emergence and development of Crane's lyric style—an art that recreates, in compact form, the turbulence of the modern city. He then explores the background and historical community that nourished Crane's creative imagination, and he evaluates Crane's conception of the ideal modern poetic: a poetry of ecstasy created with architectural craft. His final chapter is devoted to The Bridge, the ambitious lyric suite that proved to be the climax and terminus of Crane's work. Berthoff's emphasis throughout is on the beauty and power of individual poems, and on the sanity, shrewdness, and sense of purpose that informed Crane's working intelligence.
R 1,177.00
