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Dramatic Works in the Beaumont and Fletcher Canon: Volume 7, Henry VIII, The Two Noble Kinsmen, Wit at Several Weapons, The Nice Valour, The Night Walker, A Very Woman
This is the seventh volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of six plays by Fletcher but two, Henry VIII and The Two Noble Kinsmen, include the collaborative efforts of Shakespeare. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.
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Glances Back Through Seventy Years
This autobiography recalls the eventful career of the nineteenth-century publisher and journalist, Henry Vizetelly (1820–1894). Born in London, Vizetelly was apprenticed to a wood engraver as a young child. He entered the printing business and helped found two successful but short-lived newspapers, the Pictorial Times and the Illustrated Times. From 1865 Vizetelly worked in Paris and Berlin as a foreign correspondent for the Illustrated London News, and also wrote and published several books. He later became a publisher of foreign novels and gained notoriety for his translations of Emile Zola which challenged strict Victorian laws on obscenity and led to his prosecution and imprisonment. His book is a fascinating blend of public and personal history, providing an insight into the turbulent literary world of nineteenth-century Europe. Volume 2 begins in 1858 with the marriage of Princess Vicky and concludes with Vizetelly's return to England in 1878.
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Princess Casamassima
The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. Published in three volumes in 1886, The Princess Casamassima follows Hyacinth Robinson, a young London craftsman who carries the stigma of his illegitimate birth, and his French mother's murder of his patrician English father. Deeply impressed by the poverty around him, he is driven to association with political dissidents and anarchists including the charismatic Princess Casamassima - who embodies the problems of personal and political loyalty by which Hyacinth is progressively torn apart. This edition is the first to provide a full account of the context in which the book was composed and received. Extensive explanatory notes enable modern readers to understand its nuanced historical, cultural and literary references, and its complex textual history.
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Glances Back Through Seventy Years
This autobiography recalls the eventful career of the nineteenth-century publisher and journalist, Henry Vizetelly (1820–1894). Born in London, Vizetelly was apprenticed to a wood engraver as a young child. He entered the printing business and helped found two successful but short-lived newspapers, the Pictorial Times and the Illustrated Times. From 1865 Vizetelly worked in Paris and later Berlin as a foreign correspondent for the Illustrated London News, and also wrote and published several books. On his return to England, he became a publisher of foreign novels and gained notoriety for his translations of Emile Zola which challenged strict Victorian laws on obscenity and led to his prosecution and imprisonment. His book is a fascinating blend of public and personal history, providing an insight into the turbulent literary world of nineteenth-century Europe. Volume 1 covers his life up to the infamous Palmer Trial in 1856.
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Big Sur and the Oranges of Hieronymus Bosch
In his great triptych “The Millennium,” Bosch used oranges and other fruits to symbolize the delights of Paradise. Whence Henry Miller’s title for this, one of his most appealing books; first published in 1957, it tells the story of Miller’s life on the Big Sur, a section of the California coast where he lived for fifteen years. Big Sur is the portrait of a place—one of the most colorful in the United States—and of the extraordinary people Miller knew there: writers (and writers who did not write), mystics seeking truth in meditation (and the not-so-saintly looking for sex-cults or celebrity), sophisticated children and adult innocents; geniuses, cranks and the unclassifiable, like Conrad Moricand, the “Devil in Paradise” who is one of Miller’s greatest character studies. Henry Miller writes with a buoyancy and brimming energy that are infectious. He has a fine touch for comedy. But this is also a serious book—the testament of a free spirit who has broken through the restraints and clichés of modern life to find within himself his own kind of paradise.
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Ascent of Man
The Lowell Institute in Boston, Massachusetts, founded in 1836, supports an annual series of distinguished lectures. Henry Drummond, the influential Scottish scientist, Free Church minister, explorer and evangelist published his Lowell Lectures as The Ascent of Man in 1894. This provocative book examines Darwinism in a Christian context. It describes the rise of man, who is considered the highest purpose of the universe, and his relations with the lower animals. In particular, it addresses the question of altruism and its role in promoting the survival of the fittest, which Drummond argues had been overlooked. Drummond claims, unlike traditional evolutionary theory, that the force of evolution is not only the struggle for life, but also the struggle for the life of others. His book, which aroused great interest in its time, remains of importance for historians and philosophers of science today.
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