Search results for "Holbert"
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Winter Stranger
Winner of the Max Ritvo Poetry Prize, Jackson Holbert’s Winter Stranger is a solemn record of addiction and the divided affections we hold for the landscapes that shape us.In the cold, seminal countryside of eastern Washington, a boy puts a bullet through his skull in a high school parking lot. An uncle crushes oxycodone into “a thousand red granules.” Hawks wheel above a dark, indifferent river. “I left that town / forever,” Holbert writes, but its bruises appear everywhere, in dreams of violent men and small stars, the ghosts of friends and pills. These poems incite a complex emotional discourse on what it means to leave—if it’s ever actually possible, or if our roots only grow longer to accommodate the distance.Punctuated by recollections of loved ones consumed by their addictions, Winter Stranger also questions the capricious nature of memory, and poetry’s power to tame it. “I can make it all sound so beautiful. / You’ll barely notice that underneath / this poem there is a body / decaying into the American ground.” Meanwhile, the precious realities vanish—“your hair, your ears, your hands.”—leaving behind “the fucked up / trees,” the “long, cold river.” In verse both bleak and wishful, Holbert strikes a fine balance between his poetic sensibilities and the endemic cynicism of modern life.“It is clear now that there are no ends,” Holbert writes, “Just winters.” Though his poems bloom from hills heavy with springtime snow, his voice cuts through the cold, rich with dearly familiar longings: to not be alone, to honor our origins, to survive them.
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Hour Of Lead
Lonesome Animals was named as a Best Book of 2012 by both The Seattle Times and Slate, a literary debut sparking with beautiful language set against the rugged landscape of 1920's Washington State.Holbert returns with The Hour of Lead, an epic family novel and coming of age story that is once again imbibed with the mythology of the west.After losing both his twin and his father in a brutal, unexpected snowstorm, Matt Lawson must take over the family ranch. As his mother disappears into grief, Matt learns the hardest lesson the west has to teach: he is on his own. The necessity of work stabilizes young Matt against the pitfalls of first love with Wendy, the daughter of a local grocer, and their ragged end will sent Matt on a journey across the county, leaving Wendy to tend the ranch with local schoolteacher Linda Jefferson and her unwieldy son Lucky. It will take decades for Matt to learn his way back home, and that long journey will have great impact on all of those around him.Invoking the same beautiful landscape and language of his critically-acclaimed debut, The Hour of Lead is a wider, more expansive novel, less violent but just as affecting, another important contribution to the literature of the west.
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Designing Constructionist Futures
A diverse group of scholars redefine constructionism--introduced by Seymour Papert in 1980--in light of new technologies and theories.Constructionism, first introduced by Seymour Papert in 1980, is a framework for learning to understand something by making an artifact for and with other people. A core goal of constructionists is to respect learners as creators, to enable them to engage in making meaning for themselves through construction, and to do this by democratizing access to the world's most creative and powerful tools. In this volume, an international and diverse group of scholars examine, reconstruct, and evolve the constructionist paradigm in light of new technologies and theories. Taken together, their contributions show that constructionism has advanced in educational research and practice--and also that, in turn, researchers and practitioners can learn from constructionism how to foster learning in ways that respect learners' creativity and communities. The contributors examine how constructionist design can function within contexts ranging from school and home to virtual spaces; explore ways to support learners who have been under-resourced, overlooked, or oppressed; discuss learning by collaboration; and consider the implications of learning as a creative process of construction, exploring ways to support creative enterprises within the constraints of formal classrooms. Finally, leading visionaries imagine where constructionism, design, and research will go next Contributors Konstantin Aal, Dor Abrahamson, Edith K. Ackermann, Michael Ahmadi, Emma Anderson, Edward Baafi, Stephanie Benson, Laura Benton, Matthew Berland, Marina Umaschi Bers, Paulo Blikstein, Bryan McKinley Jones Brayboy, Karen Brennan, Leah Buechley, Angela Calabrese Barton, Teresa Casort, David Cavallo, Kiera Chase, Alison Clark-Wilson, Sequoia L. Dance, Joshua A. Danish, Sayamindu Dasgupta, Michael Eisenberg, Noel Enyedy, Deborah A. Fields, Andrea Forte, Gayithri Jayathirtha, Brian Gravel, Sara M. Grimes, Idit Harel, Erica R. Halverson, Nathan Holbert, Celia Hoyles, Raquel Jimenez, Yasmin B. Kafai, Ivan Kalas, Anna Keune, Susan Klimczak, Eric Klopfer, Maximilian Kruger, Chronis Kynigos, Tim Kubik, Breanne K. Litts, Benjamin Mako Hill, Amon Millner, Andres Monroy-Hernandez, Richard Noss, Seymour Papert, Kylie Peppler, Judy Perry, Mitchel Resnick, Rebecca Reynolds, Ricarose Roque, Piers Saunders, Kristin A. Searle, Kimberly M. Sheridan, Arnan Sipitakiat, R. Benjamin Shapiro, Gary S. Stager, Gunnar Stevens, Vanessa Svihla, Edna Tan, Orkan Telhan, Naomi Thompson, Nalin Tutiyaphuengprasert, Anne Weibert, Michelle Hoda Wilkerson, Volker Wulf, Uri Wilensky, Jianwei Zhang
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Seven One-Act Plays by Holberg
These short plays by the great Danish-Norwegian playwright Ludvig Holberg reveal, in brilliant and sparking miniature, his genius for comedy. The plays are here translated into English for the first time, with an introduction by Svend Kragh-Jacobsen, well-known Danish theater critic. In these social comedies Holberg pricks the vanity of snobbery and the worship of riches, deals with the world of the philosophers, and has fun with the theme of common sense. A talkative barber, a scientific charlatan, and an ignorant farmer boy come in for sharp characterization. Originally published in 1950. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Seven One-Act Plays by Holberg
These short plays by the great Danish-Norwegian playwright Ludvig Holberg reveal, in brilliant and sparking miniature, his genius for comedy. The plays are here translated into English for the first time, with an introduction by Svend Kragh-Jacobsen, well-known Danish theater critic. In these social comedies Holberg pricks the vanity of snobbery and the worship of riches, deals with the world of the philosophers, and has fun with the theme of common sense. A talkative barber, a scientific charlatan, and an ignorant farmer boy come in for sharp characterization. Originally published in 1950. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Ludvig Holberg (1684-1754)
Ludvig Holberg (1684–1754) was the foremost representative of the Danish-Norwegian Enlightenment and also a European figure of note. He published significant works in natural law and history, but also a very important body of moral essays and epistles. He authored several engaging autobiographies and European travelogues, a major utopian novel that was an immediate European succes, interesting satires that advocated women’s education and career, and a large number of comedies. These comedies secured Holberg’s status as the most significant playwright in Scandinavia before Ibsen and Strindberg. Through his extensive oeuvre, but especially through his plays, Holberg had a decisive influence on the formation of modern Danish as a literary language, something that was a self-conscious effort on the part of a man who saw himself as an educator of the public. Despite his contemporary impact at home and abroad and his ongoing popularity in Scandinavia, he remains little known in the wider world of enlightenment studies. It is the aim of this volume to revive Holberg as a major figure from a minor corner of the Enlightenment world by presenting the full variety of his work and giving it a European context.
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Lonesome Animals
Russell Strawl is called out of retirement to hunt a serial killer who has been leaving elaborately carved bodies of Native Americans across three counties. Strawl's own dark and violent history weaves itself into the hunt, shedding light on the remains of his broken family, which in turn leads him to the identity of the killer.In the vein of True Grit and Blood Meridian, Lonesome Animals is a western novel reinvented, a detective story inverted for the west. It is also about one man's urgent, elegiac search for justice amidst the craven acts committed on the edges of civilization.
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What Not to Say
In this humorous guide, John C. Holbert and Alyce M. McKenzie provide helpful and practical advice for avoiding the common mistakes that many preachers make in their sermons. Useful for preachers, students, and teachers alike, What Not to Say addresses how to use language about God, how to use stories in preaching, and what not to say (and what to say) in the beginning, middle, and end of sermons. A companion video with preaching illustrations is available online at wjkbooks.com.
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Ludvig Holberg (1684-1754)
Ludvig Holberg (1684–1754) was the foremost representative of the Danish-Norwegian Enlightenment and also a European figure of note. He published significant works in natural law and history, but also a very important body of moral essays and epistles. He authored several engaging autobiographies and European travelogues, a major utopian novel that was an immediate European succes, interesting satires that advocated women’s education and career, and a large number of comedies. These comedies secured Holberg’s status as the most significant playwright in Scandinavia before Ibsen and Strindberg. Through his extensive oeuvre, but especially through his plays, Holberg had a decisive influence on the formation of modern Danish as a literary language, something that was a self-conscious effort on the part of a man who saw himself as an educator of the public. Despite his contemporary impact at home and abroad and his ongoing popularity in Scandinavia, he remains little known in the wider world of enlightenment studies. It is the aim of this volume to revive Holberg as a major figure from a minor corner of the Enlightenment world by presenting the full variety of his work and giving it a European context.
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