Search results for "Isabel Cervera"
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Love Poetry in the Spanish Golden Age
Love poetry in the Spanish Golden Age redefines the lyric poetry that is located at the centre of Imperial Spanish culture's own self-image and self-definition.This work engages with a broader evaluation of early modern poetics that foregrounds the processes rather than the products of thinking. The locus of the study is the Imperial 'home' space, where love poetry meets early modern empire at the inception of a very conflicted national consciousness, and where the vernacular language, Castilian, emerges in the encounter as a strategic site of national and imperial identity. The political is, therefore, a pervasive presence, teased out where relevant in recognition of the poet's sensitivity to the ideologies within which writing comes into being. But the primary commitment of the book is to lyric poetry, and to poets, individually and intheir dynamic interconnectedness. Moving beyond a re-evaluation of critical responses to four major poets of the period (Garcilaso de la Vega, Herrera, Góngora and Quevedo), this study disengages respectfully with the substantialbody of biographical research that continues to impact upon our understanding of the genre, and renegotiates the Foucauldian concept of the 'epistemic break', often associated with the anti-mimetic impulses of the Baroque. This more flexible model accommodates the multiperspectivism that interrogated Imperial ideology even in the earliest sixteenth-century poetry, and allows for the exploration of new horizons in interpretation. Isabel Torres isProfessor of Spanish Golden Age Literature and Head of Spanish and Portuguese Studies at Queen's University, Belfast.
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Cervantes and the Early Modern Mind
This book explores the work of Cervantes in relation to the ideas about the mind that circulated in early modern Europe and were propelled by thinkers such as Juan Luis Vives, Juan Huarte de San Juan, Oliva Sabuco, Andrés Laguna, Andrés Velásquez, Marsilio Ficino, and Gómez Pereira.The editors bring together humanists and scientists: literary scholars and doctors whose interdisciplinary research integrates diverse types of sources (philosophical and medical treatises, natural histories, rhetoric manuals, pharmacopoeias, etc.) alongside Cervantes’s works to examine themes and areas including emotion, human development, animal vs. human consciousness, pathologies of the mind, and mind-altering substances. Their chapters trace the cognitive themes and points of inquiry that Cervantes shares with other early modern thinkers, showing how he both echoes and contributes to early modern views of the mind.
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Cervantes the Poet
Cervantes the Poet travels from the court of Isabel de Valois to Rome, Naples, Palermo, Algiers, and Madrid's barrio de las letras. Recovering Cervantes' nearly forty-year literary career before the publication of Don Quijote, Gabrielle Ponce-Hegenauer demonstrates the cultural, literary, and theoretical significance of Cervantes' status as a late-sixteenth-century itinerant poet. This study recovers the generative literary milieus and cultural practices of Spain's most famous novelist in order to posit a new theory of the modern novel as an organic transformation of lyric practices native to the late-sixteenth century and Cervantes' own literary outlook.
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Cervantes, the Novel, and the New World
Two sets of related issues prompt this study: the birth of the New World in European consciousness and the rise of the Cervantine novel in Spain. The conquest, exploration and colonization of the Indies resonate through Cervantes's two novels, "Don Quixote" (1605, 1615) and the "Persiles" (1617), both fortified by imperialism. Cervantes begins publishing in the 1580s, just as the might of imperial Spain turned from Europe towards the Atlantic. Twice refused emigration papers to America - which he depicts as the "refuge and haven of all the desperate men of Spain" - Cervantes turns to fiction. His novels internalize many colonial discourses and at least four genres implicated in Spain's New World enterprise: the Books of Chivalry; the utopias; the colonial war epic; and American ethnohistory. Moving beyond an inventory of Cervantes's references to the Indies - to Mexico and Peru, cannibals and tobacco, parrots and alligators - this study interprets his novels as a transatlantic, cross-cultural, and multi-linguistic achievement.
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Aesthetic Turn in Cervantes
The Aesthetic Turn in Cervantes broadens our understanding of this transformative period. Susan Byrne examines a little-known legal treatise published in 1600 that defended artists’ rights and served as a rallying cry for writers in Madrid. The book investigates early efforts to define creative writing as "good," "human," or "polished" letters, foreshadowing the mid-seventeenth-century French concept of belles lettres. Byrne closely analyses Cervantes’s exploration of key aesthetic themes, including sensory experience, the interplay between sentiment and reason, the role of imagination in art, and the complex nature of truth and beauty.Ultimately, the book illuminates how Cervantes gradually reconceptualized art and its truths as fully human expressions throughout his lifetime, both formally and substantively.
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Cervantes' Persiles and the Travails of Romance
This collection of original essays presents new ways of looking at Cervantes’ final novel. Persiles, a work that engages with geopolitical models of race, ethnicity, nation, and religion, takes its inspiration from the highly influential Ethiopian Story (the Aithiopika) of Heliodorus. With particular relevance to the period, the Persiles questions the issue of cultural pluralism in the Spanish empire and emphasizes the need to rethink the radically altered category of lo bárbaro/the barbarian (which included not only the Jew, the Muslim, and the Gypsy, but also the criollo, the mestizo, and the indiano), a new multiracial and multiethnic reality that posed a profound challenge to early modern Spain. The contributors offer a range of perspectives in spatial theory, psychology and subjectivity, visual culture, and literary theory.
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Cervantes, the Golden Age, and the Battle for Cultural Identity in 20th-Century Spain
Studies that connect the Spanish 17th and 20th centuries usually do so through a conservative lens, assuming that the blunt imperialism of the early modern age, endlessly glorified by Franco’s dictatorship, was a constant in the Spanish imaginary. This book, by contrast, recuperates the thriving, humanistic vision of the Golden Age celebrated by Spanish progressive thinkers, writers, and artists in the decades prior to 1939 and the Francoist Regime. The hybrid, modern stance of the country in the 1920s and early 1930s would uniquely incorporate the literary and political legacies of the Spanish Renaissance into the ambitious design of a forward, democratic future. In exploring the complex understanding of the multifaceted event that is modernity, the life story and literary opus of Miguel de Cervantes (1547-1616) acquires a new significance, given the weight of the author in the poetic and political endeavors of those Spanish left-wing reformists who believed they could shape a new Spanish society. By recovering their progressive dream, buried for almost a century, of incipient and full Spanish modernities, Ana María G. Laguna establishes a more balanced understanding of both the modern and early modern periods and casts doubt on the idea of a persistent conservatism in Golden Age literature and studies. This book ultimately serves as a vigorous defense of the canonical as well as the neglected critical traditions that promoted Cervantes’s humanism in the 20th century.
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Cervantes the Poet
Cervantes the Poet travels from the court of Isabel de Valois to Rome, Naples, Palermo, Algiers, and Madrid's barrio de las letras. Recovering Cervantes' nearly forty-year literary career before the publication of Don Quijote, Gabrielle Ponce-Hegenauer demonstrates the cultural, literary, and theoretical significance of Cervantes' status as a late-sixteenth-century itinerant poet. This study recovers the generative literary milieus and cultural practices of Spain's most famous novelist in order to posit a new theory of the modern novel as an organic transformation of lyric practices native to the late-sixteenth century and Cervantes' own literary outlook.
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Substance of Cervantes
There have been many interpretations of Cervantes' works over the centuries. In this 1986 book, John G. Weiger examines what he considers to be the 'substance' of Cervantes: the writer's attitude toward originality, his concern for the reader's visualization of the action and the setting, his understanding of optical illusion, his use of the commonplace, and his view of himself in relation to his contemporaries. Weiger explores Cervantes' use of these and related elements, such as imitation, parody, and the reading process, in Don Quixote, the Exemplary Tales, La Galatea, Persiles y Sigismunda, and some of his theatrical works. Of interest to students as well as scholars of Spanish and world literature, this book offers more than exegetical explication. Rather, it is an examination of the foundation upon which Cervantes constructed his works, from the early La Galatea (1585) to the posthumously published Persiles y Sigismunda (1617).
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Training of Isabella I of Castile as the Virgin Mary by Churchman Martin De Cordoba in 1468
Today most chess historians agree that the weak chess queen, named "dame" in France as from the XIV century, changed to a powerful chess queen in Spain in 1475. Around this year we also see a change of the weak bishop to a strong bishop, according to the chess poem Scachs d'amor. In order to strengthen our hypothesis of Isabella I of Castile (Isabel la Catolica) we have written a book about the new bishop and a book about Scachs d'amor in English. Concentrating now on Virgin Mary in relationship with Isabella I of Castile we observe that the Augustinian monastic Martin de Cordoba wrote in 1468 the work El Jardin de las donzellas. It was directed to Princess Isabel I of Castile with the intention to contribute to her education as future Queen. Cordoba was the first writer who draws equivalencies between Isabella I of Castile and Virgin Mary, which became one of her standard portrayals. Shorty thereafter we see the appearance of a new powerful chess queen.
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