Search results for "Joyce Hum"
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Hum
Winner of the Backwaters Prize in PoetryThe word "hum" in Urdu can mean both "we" and "I." In English, it's a gesture of sound--a vibration. Sanam Sheriff's HUM is a trans call to the beauty of attempt rather than the clarity of arrival. This book seeks as the pilgrim seeks, wandering from a plural sense of self with a lyric attunement to the wound's power.Following a queer, trans, Muslim speaker who grew up in southern India and migrated to the United States, Sheriff's debut collection invites us to listen: to how yearning for a country blurs with yearning for a beloved; to how exile, for queer and trans people, is where the body itself becomes a place of dignity and prayer.Enriched by Urdu lyric traditions of love, and love mourned, HUM raises the queer erotic to the heavens, even as the grief of separation lingers as paradise lost. Here, Sheriff weaves together the two most potent threads of human life: pain and love, strummed until they sing.
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Hum
I'm scared of seeming paranoid. Idiotic. They know I'm paranoid... How does one make an accurate of somewhere they've never been? The psychiatric model holds no more water than the flat-earth theory: don't wander beyond the well-travelled routes, for there be monsters. Don't sail too close to the edge or you'll fall off. A wry take on the eighties counterculture and noughties support groups, HUM charts Skye's journey into insanity and back. A young Sydney art student, she falls for Zane, a healer, and joins his underground pagan cult. He promises Skye and he girlfriend shamanic initiation. Instead, sex, drugs, rivalries, betrayals and lies initiate Skye into psychosis. Two decades later, still recovering, Skye consults a qualified therapist. At first, Josh seems helpful, but he runs his own cult. When his unorthodox brand of group therapy steers her towards madness again, Skye must trust her own navigation.
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Humming
Humming is a ubiquitous and mundane act many of us perform. The fact that we often hum to ourselves, to family members, or to close friends suggests that humming is a personal, intimate act. It can also be a powerful way in which people open up to others and share collective memories. In religious settings such as Tibetan chanting, humming offers a mesmerising sonic experience. Then there are hums that resound regardless of human activity, such as the hums of impersonal objects and man-made or natural phenomena.The first sound studies book to explores the topic of humming, Humming offers a unique examination of the polarising categories of hums, from hums that are performed only to oneself, that are exercised in religious practice, that claim healing, and that resonate with our bodies, to hums that can drive people to madness, that emanate from cities and towns, and that resound in the universe. By acknowledging the quirkiness of hums within the established discourse in sound studies, Humming takes a truly interdisciplinary view on this familiar yet less-trodden sonic concept in sound studies.
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Joyce
James Joyce (1882- 1941) is hailed as one of the greatest writers of the twentieth century. Rejecting his homeland and its religion as a young man, Joyce went on to reinvent the Dublin of his youth in fiction. His masterpiece, Ulysses - once banned in Britain and the United States - redefined the modern novel and has become a canonical classic, while Finnegans Wake, written as his eyesight deteriorated, cemented Joyce's legacy as one of the founding figures of modernist literature.In this lucid and compelling biography, Ian Pindar vividly explores crucial events in Joyce's life, from his self-imposed exile to his creative triumphs. Revealing how Joyce's work carefully blends the abstract and the mundane, Joyce is a timeless study of a man who revolutionised the literary landscape and captured the great human comedy of which we are all part.
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Joyce
Did James Joyce, that icon of modernity, spearhead the dismantling of the Cartesian subject? Or was he a supreme example of a modern man forever divided and never fully known to himself? This volume reads the dialogue of contradictory cultural voices in Joyce's works—revolutionary and reactionary, critical and subject to critique, marginal and central. It includes ten essays that identify repressed elements in Joyce's writings and examine how psychic and cultural repressions persistently surface in his texts. Contributors include Joseph A. Boone, Marilyn L. Brownstein, Jay Clayton, Laura Doyle, Susan Stanford Friedman, Christine Froula, Ellen Carol Jones, Alberto Moreirias, Richard Pearce, and Robert Spoo.
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Joyce
Did James Joyce, that icon of modernity, spearhead the dismantling of the Cartesian subject? Or was he a supreme example of a modern man forever divided and never fully known to himself? This volume reads the dialogue of contradictory cultural voices in Joyce’s works—revolutionary and reactionary, critical and subject to critique, marginal and central. It includes ten essays that identify repressed elements in Joyce’s writings and examine how psychic and cultural repressions persistently surface in his texts. Contributors include Joseph A. Boone, Marilyn L. Brownstein, Jay Clayton, Laura Doyle, Susan Stanford Friedman, Christine Froula, Ellen Carol Jones, Alberto Moreirias, Richard Pearce, and Robert Spoo.
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Impressions of Hume
Impressions of Hume presents new essays from leading scholars in different philosophical, historiographical, and literary traditions to which Hume made defining contributions. Hume has made a variety of impressions on these different areas; his writings, philosophical and otherwise, may indeed be read in a number of different ways. For example, they can be taken as transparent vehicles for philosophical intuitions, problems, and arguments that are still atthe centre of philosophical reflection today. On the other hand, there are readings which are interested in locating Hume's views against the background of concerns, debates and discussions of Hume's own time. And this is not all. Hume's texts may be read as highly sophisticated literary-cum-philosophical creations: in such cases, the reader's attention tends to be directed at issues of genre and persuasive strategies rather than on argument. Or they may be regarded as moments in the construction of the ideology of modernity, and as contributions to the legitimation of a given social order. As the true classics that they are, Hume's works are typical 'open texts', which present their readers of allprovenances with a bounty of materials and inspirations. It is the editors' conviction that the borders between these approaches are far from neat; and that as much cross-fertilization as possible is to be promoted. Impressions of Hume amply demonstrates the rewards of such an approach.
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Hume
This is the first book to provide a comprehensive overview of the entire career of one of Britain's greatest men of letters. It sets in biographical and historical context all of Hume's works, from A Treatise of Human Nature to The History of England, bringing to light the major influences on the course of Hume's intellectual development, and paying careful attention to the differences between the wide variety of literary genres with which Hume experimented. The major events in Hume's life are fully described, but the main focus is on Hume's intentions as a philosophical analyst of human nature, politics, commerce, English history, and religion. Careful attention is paid to Hume's intellectual relations with his contemporaries. The goal is to reveal Hume as a man intensely concerned with the realization of an ideal of open-minded, objective, rigorous, dispassionate dialogue about all the principal questions faced by his age.
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Joyce's Benefictions
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1964.
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Reading James Joyce and Orhan Pamuk
Reading James Joyce and Orhan Pamuk reveals how by embracing the idea that an individual subject and history (of a nation and the city) mutually shape identities as formative processes, James Joyce and Orhan Pamuk create “portraits” adapting bildung to chart the becoming of the protagonist alongside the development of a nation of people emerging from and redefining themselves in the waning years of the empire (as for Joyce) or some decades after the end of the empire (as for Pamuk). Their life narratives encompassing artistic formation act as metaphors for the emergence of an independent (in Joyce) or new (in Pamuk) nation from imperial rule, but in asserting a modernist standing, both Joyce and Pamuk, the latter from a metamodernist perspective with his emphasis on the hüzün, “beauty”, and “hidden symmetry” of the text, remind us of something else, too. To understand the literary work, one needs the frameworks of ideas contemporary and not only to it, but the reader of the present book will re/discover that modernism teaches us that the value and use of art are to do with appropriating individual inward in order to inform what is profoundly human, or art is dulce rather than utile advancing formalism rather than moralizing, or formalist artfulness diffusing pleasure of visceral, delightful artistic comprehension rather than monumentality. Ultimately, art sparks off beauty and is about perpetuating recognizable experiences, but modernism favours the use of the literary work to be also in its having always something new and different to say. Modernism advocates the value that the literary work has in the end to reside in its identity as a literary work (product of art), and this identity prevails over its task of offering as an informative or pedagogical tool, via verisimilitude of reconstructed historical documents and recordings, a mere surrogate of some reasserted meanings and essences for various personal and communal experiences.
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Reading James Joyce and Orhan Pamuk
Reading James Joyce and Orhan Pamuk reveals how by embracing the idea that an individual subject and history (of a nation and the city) mutually shape identities as formative processes, James Joyce and Orhan Pamuk create “portraits” adapting bildung to chart the becoming of the protagonist alongside the development of a nation of people emerging from and redefining themselves in the waning years of the empire (as for Joyce) or some decades after the end of the empire (as for Pamuk). Their life narratives encompassing artistic formation act as metaphors for the emergence of an independent (in Joyce) or new (in Pamuk) nation from imperial rule, but in asserting a modernist standing, both Joyce and Pamuk, the latter from a metamodernist perspective with his emphasis on the hüzün, “beauty”, and “hidden symmetry” of the text, remind us of something else, too. To understand the literary work, one needs the frameworks of ideas contemporary and not only to it, but the reader of the present book will re/discover that modernism teaches us that the value and use of art are to do with appropriating individual inward in order to inform what is profoundly human, or art is dulce rather than utile advancing formalism rather than moralizing, or formalist artfulness diffusing pleasure of visceral, delightful artistic comprehension rather than monumentality. Ultimately, art sparks off beauty and is about perpetuating recognizable experiences, but modernism favours the use of the literary work to be also in its having always something new and different to say. Modernism advocates the value that the literary work has in the end to reside in its identity as a literary work (product of art), and this identity prevails over its task of offering as an informative or pedagogical tool, via verisimilitude of reconstructed historical documents and recordings, a mere surrogate of some reasserted meanings and essences for various personal and communal experiences.
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Maggie Humm – Snapshots
This book principally coheres around a sense of women’s writing as inseparable from its cultural production. The multi-faceted essays here reveal how feminist criticism changed in one academic’s career from 1986 from the publication of her stellar work, Feminist Criticism. Snapshots discusses theories including ‘the anxiety of influence’, écriture feminine, postmodernism, life-writing all informed by a belief that subjectivity and creativity are integral to non-fiction writing. At the centre of these discussions is the work of Virginia Woolf, whose reputation and scholarly status are unique. The book maps Humm's writing on feminism, visual culture and twentieth-century women’s writing across forty transformative years of criticism.Readers and scholars will benefit from the book’s historical and theoretical range, as well as its autobiographical fragments. It demonstrates how feminists try always to be critically innovative, and the ways in which Maggie Humm's work has opened up new avenues into twentieth-century women’s writing, film and feminist criticism.
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Hume's Radical Scepticism
In Hume's Radical Scepticism, Janet Broughton parts ways with current scholars who see Hume primarily as a naturalist philosopher pursuing the "science of man." Instead, she argues, Hume is a radical sceptic. Attending to Hume's literary strategies in A Treatise of Human Nature, she uncovers the philosophical significance of narration, irony, and what she calls "subjectivizing." Broughton begins by tracking two broad features of Hume's investigations. One is the status of the commonsense assumption that we have a large body of justified and true beliefs about the world around us. The other is the status of the cognitive norms of clarity, consistency, and evidence. She argues that Hume cedes great authority to the commonsense assumption and does not challenge it in the first three parts of the Treatise's first book. The negative arguments of those parts, she contends, are deflationary in character, not sceptical. But Broughton also argues that in Part 4, where Hume examines our beliefs in the world of physical objects, his unwavering adherence to the cognitive norms forces him to reject the commonsense assumption. Still, how could Hume maintain that we have no good reason for making the commonsense assumption that we all make about the world? The view seems untenable for any sane person, and it seems especially untenable for Hume, who goes on to make many claims about the world as he investigates the passions and morals in Books Two and Three of the Treatise. Here is where Broughton's attention to the literary features of Hume's work comes to the fore. It enables her to describe an attitude of ironic detachment that, she argues, permeates his commitment to the truth of scepticism. In this exciting new book, Broughton offers a brand new way to interpret one of the most important figures in the history of philosophy.
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Hume: A Very Short Introduction
David Hume, philosopher, historian, economist, librarian, and essayist, was one of the great figures of the European Enlightenment. Unlike some of his famous contemporaries, however, he was not dogmatically committed to idealised conceptions of reason, liberty, and progress. Instead, Hume was a sceptic whose arguments questioned the reach and authority of human rationality, and who put the rivalrous passions of commercial life at the centre of his theory of humannature. He believed that the modern world was in many ways superior to the ancient world, but was acutely conscious of the threats to peace and progress posed by bigotry, factionalism, and imperialism. Today Hume's works continue to speak to us powerfully in an age of instability and uncertainty. This Very Short Introduction presents a balanced account of Hume's thought, giving equal attention to his work on human nature, morality, politics, and religion. Weaving together biography, the historical context, and a thoughtful exposition of Hume's arguments, James A. Harris offers a compelling picture of a thinker who had no disciples and formed no school, but whom no one in his own time was able to ignore, and who has since become central to modern philosophy's understanding ofitself.Very Short Introductions: Brilliant, Sharp, Inspiring ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
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Oxford Handbook of Hume
The Scottish philosopher David Hume (1711-1776) is widely regarded as the greatest and most significant English-speaking philosopher and often seen as having had the most influence on the way philosophy is practiced today in the West. His reputation is based not only on the quality of his philosophical thought but also on the breadth and scope of his writings, which ranged over metaphysics, epistemology, morals, politics, religion, and aesthetics. The Handbook's 38 newly commissioned chapters are divided into six parts: Central Themes; Metaphysics and Epistemology; Passion, Morality and Politics; Aesthetics, History, and Economics; Religion; Hume and the Enlightenment; and After Hume. The volume also features an introduction from editor Paul Russell and a chapter on Hume's biography.
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Dark Humor: Joyce J. Scott & Peter Williams
Exhibition catalog for "Dark Humor: Joyce J. Scott and Peter Williams," which took place at the Center for the Arts Gallery at Towson University February 10-April 1, 2017. The artists featured work in a variety of media to examine issues of racism, sexism, identity, difficult historical realities, and contemporary politics through a lens of humor, satire, and irony. The catalog includes essays by J. Susan Isaacs, curator, Nikki A. Greene, and Tiffany Barber.
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Hume
This is the first book to provide a comprehensive overview of the entire career of one of Britain's greatest men of letters. It sets in biographical and historical context all of Hume's works, from A Treatise of Human Nature to The History of England, bringing to light the major influences on the course of Hume's intellectual development, and paying careful attention to the differences between the wide variety of literary genres with which Hume experimented. The major events in Hume's life are fully described, but the main focus is on Hume's intentions as a philosophical analyst of human nature, politics, commerce, English history, and religion. Careful attention is paid to Hume's intellectual relations with his contemporaries. The goal is to reveal Hume as a man intensely concerned with the realization of an ideal of open-minded, objective, rigorous, dispassionate dialogue about all the principal questions faced by his age.
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Projection and Realism in Hume's Philosophy
In his writings, Hume talks of our 'gilding and staining' natural objects, and of the mind's propensity to 'spread itself' on the world. This has led commentators to use the metaphor of 'projection' in connection with his philosophy: Hume is held to have taught that causal power and self are projections, that God is a projection of our fear, and that value is a projection of sentiment. By considering what it is about Hume's writing that occasions this metaphor, P.J. E. Kail spells out its meaning, the role it plays in Hume's work, and examines how, if at all, what sounds 'projective' in Hume can be reconciled with what sounds 'realist'. In addition to offering some highly original readings of Hume's central ideas, Projection and Realism in Hume's Philosophyoffers a detailed examination of the notion of projection and the problems it faces.
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Hume
What is philosophy about? According to the author of this work (published in the first series of 'English Men of Letters' in 1879) it is fundamentally the answer to the question: 'What can I know?' T. H. Huxley (1825–95), the distinguished English scientist and disciple of Darwin, succeeds in giving a clear and succinct account of the way in which Scottish philosopher David Hume (1711–56) answered this question. The book is divided into two parts: in the first, Huxley provides the reader with a sketch of Hume's life, but the main emphasis of the book is in Part 2, where by expounding Hume's views on the object of philosophy, consciousness, theology, language and free will, Huxley guides the reader towards an understanding of how Hume's philosophical principles can be regarded as a search for the ultimate element out of which all valid knowledge may be shown to emerge.
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Hume on God
This book presents a thorough and innovative study of Hume's philosophy of religion, a topic central to his whole philosophical project. David Hume, one of the most influential philosophers to have written in the English language, is widely known as a skeptic and an empiricist. He is famous for raising questions about the existence of things for which there is insufficient empirical evidence, such as souls, the self, miracles, and, perhaps most importantly, God.Despite this reputation, however, Hume's works contain frequent references to a deity, and one searches in vain to find a positive assertion of atheism. This book proposes a different reading of Hume on God, in which Hume is seen as proposing a 'genuine theism'. Yoder investigates Hume's use of irony and his relationship with the Deists of his era and offers a thorough re-examination of Hume's writings on religion. Yoder concludes that, despite Hume's criticisms of the church, religiously-based ethics and the belief in miracles, he stops well short of a rejection of the existence of God. Always a creative thinker, Hume carves out a unique conception of the divine being.
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James Joyce’s Legacies in Contemporary Irish Women’s Writing
James Joyce’s Legacies in Contemporary Irish Women’s Writing is a ground-breaking study that, for the first time, explores in depth the influence of James Joyce on Irish women writers, from his contemporaries to more recent voices. With a particular focus on Anne Enright’s The Gathering, Eimear McBride’s A Girl Is a Half-formed Thing and Emilie Pine’s Ruth & Pen, this book examines how Irish women writers have engaged with Joyce’s legacy.Unlike their male counterparts, who have often felt overshadowed by Joyce’s influence, Irish women writers have embraced and expanded upon his work, viewing it not as a constraint but as an opening to new creative possibilities. This book will be of particular value to Joyce scholars working in feminist and reception studies, as well as to students of Irish literature and women’s writing. It offers fresh insights into the evolving landscape of Irish literature and complicates Harold Bloom’s theory of the anxiety of influence, demonstrating how women writers perceive canonical figures like Joyce not as rivals, but as trailblazers.
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Cambridge Companion to Hume
Although best known for his contributions to the theory of knowledge, metaphysics, and philosophy of religion, Hume also influenced developments in the philosophy of mind, psychology, ethics, political and economic theory, political and social history, and aesthetic theory. The fifteen essays in this volume address all aspects of Hume's thought. The picture of him that emerges is that of a thinker who, though often critical to the point of scepticism, was nonetheless able to build on that scepticism a constructive, viable, and profoundly important view of the world. Also included in this volume are Hume's two brief autobiographies and a bibliography suited to those beginning their study of Hume. This second edition of one our most popular Companions includes six new essays and a new introduction, and the remaining essays have all been updated or revised.
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