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Surprised by Love
Shy and unattractive as a child, Megan McClare has always been teased by her classmates. But when she returns home from her senior year in Paris, the wallflower has suddenly blossomed into a beauty. With ambitions to become a lawyer or doctor, Megan accepts an internship at the district attorney's office only to discover that she will be working with Devin Caldwell, a boy who mercilessly mocked her at school--and with whom she was hopelessly enamored. She turns to her dear friend Bram Hughes for support and advice. But Bram's vision is clouded by his sudden unwelcome attraction to a girl he had always thought of as a kid sister. He advises forgiveness, but can he forgive himself for pushing the woman he loves into the arms of another man?Fan favorite Julie Lessman draws a romantic triangle that will have readers in a tizzy in this glittering Gilded Age tale of transforming love.
R 619.00
Love At Any Cost
Jilted by a fortune hunter, cowgirl Cassidy McClare is a spunky Texas oil heiress without a fortune who would just as soon hogtie a man as look at him. Hoping a summer visit with her wealthy cousins in San Francisco will help her forget her heartache, Cassidy travels west. But no sooner is she settled in beautiful California than Jamie McKenna, a handsome pauper looking to marry well, captures her heart. When Jamie discovers the woman he loves is poorer than he is, Cassidy finds herself bucked by love a second time. Will Jamie discover that money can't buy love after all? And can Cassidy ever learn to fully trust her heart to a man?With delectable descriptions and a romantic sensibility, bestselling author Julie Lessman brings the Gilded Age to life in this sumptuous new series. Readers will faithfully follow Lessman to the West Coast for more romance, passion, and surprising revelations found in Love at Any Cost.
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Passion Redeemed
Graced with physical beauty, though shallow of heart, Charity O'Connor is a woman who knows what she wants. She sets her sights on the cantankerous Mitch Dennehy, editor at the Irish Times, who has unwittingly stolen her heart. And although the sparks are there, Mitch refuses to fan the coals of a potential relationship with his ex-fiancée's sister. But Charity has a plan to turn up the heat and she always gets what she wants--one way or another. Is revenge so sweet after all? Or will Charity get burned?Full of intense passion, betrayal, and forgiveness, A Passion Redeemed will delight Lessman's fans and draw new ones.
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Passion Denied
Young Elizabeth O'Connor is the little sister John Brady always longed for. But she wants much more than that from her spiritual mentor. As she blossoms into a beautiful young woman intent on loving John, he must push back the very real attraction he feels for her. His past just won't let him go there. Unfortunately, Lizzie won't let him go anywhere else--until she discovers he is not all that he seems. Can true love survive such revelations?Full of the romance and relationships Lessman readers have come to love, A Passion Denied is the final book in the popular Daughters of Boston series.
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Dare To Love Again
Spunky Allison McClare is determined to be a fearless, independent woman, resorting to a mammoth hat pin for protection on her way to and from the school where she teaches. But when she takes a notion to explore the wild Barbary Coast she quickly discovers she is no match for rum-soaked brute strength. Detective Nick Barone would rather do almost anything than teach this petite socialite jiu-jitsu, but it seems he has little choice in the matter. Sparks fly every time the two meet until a grudging friendship develops into something deeper. But when Nick suddenly leaves town, Allison realizes he's a fraud just like all the rest of the men she's cared for. Does she dare love again?The lushness of the glorious Gilded Age beautifully showcases Lessman's passion as a writer in this engaging love story written with humor and heart. From the glamour of San Francisco's Nob Hill to the seedy gambling dens of the Barbary Coast, Dare to Love Again is a journey to find a love that never fails. Fans will love revisiting the world of the cousins McClare, and new readers will seek more of Julie's passion-filled novels.
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Tessitura
Tessitura, Italian 'texture', borrows a musical conceptual term, denoting the textural sweep of melodic contour-kind of safe-space-for a singer or instrumentalist. This collection is intended as a corresponding writerly-space in which I bring together various drifts of work, assemble them into poetry's visual equivalence of music's soundscape. The poems are grounded-and sometimes take flight from-my comfort-zone roots in the South-West of England-its continuity of personal ancestors and especially its successive memory chain of often forgotten women writers, several of whom make their presence known in the central sequence 'Devon women; Lost W/rites'.
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Chronic Youth
The teenager has often appeared in culture as an anxious figure,the repository for American dreams and worst nightmares, at once on the brinkof success and imminent failure. Spotlighting the “troubled teen” as a site ofpop cultural, medical, and governmental intervention, Chronic Youthtraces the teenager as a figure through which broad threats to the normativeorder have been negotiated and contained. Examining television, popular novels, science journalism, newmedia, and public policy, Julie Passanante Elman shows how the teenager becamea cultural touchstone for shifting notions of able-bodiedness,heteronormativity, and neoliberalism in the late twentieth century. By the late1970s, media industries as well as policymakers began developing new problem-driven‘edutainment’ prominently featuring narratives of disability—from theimmunocompromised The Boy in the Plastic Bubble to ABC’s After SchoolSpecials and teen sick-lit. Although this conjoining of disabilityand adolescence began as a storytelling convention, disability became much morethan a metaphor as the process of medicalizing adolescence intensified by the1990s, with parenting books containing neuro-scientific warnings about theincomplete and volatile “teen brain.” Undertaking a cultural history of youththat combines disability, queer, feminist, and comparative media studies, Elmanoffers a provocative new account of how American cultural producers,policymakers, and medical professionals have mobilized discourses of disabilityto cast adolescence as a treatable “condition.” By tracing the teen’s unevenpassage from postwar rebel to 21st century patient, Chronic Youth showshow teenagers became a lynchpin for a culture of perpetual rehabilitation andneoliberal governmentality.
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Julie Dash
This collection of interviews with Julie Dash (b. 1952) offers an in-depth exploration of the life, career, and creative processes of one of the most groundbreaking filmmakers in American cinema. Dash, whose landmark film Daughters of the Dust (1991) became the first feature by an African American woman to receive a wide theatrical release in the United States, has continuously pushed the boundaries of cinematic representation, exploring African American history, culture, and identity through a distinctly poetic and visionary lens. Dash’s use of Black feminist narrative and her ability to supplant the status quo of Black women’s representation in cinema aligned with the evolution of Black women’s writing and visual arts that exploded in the eighties and early nineties. Starting with her debut film Illusions (1982) and touching upon other works such as Praise House (1991), the eighteen interviews collected in this volume weave together the stylistic integrity and unconventional model of storytelling that Dash thoughtfully midwives into existence. Julie Dash: Interviews will put students, scholars, and admirers of Dash’s oeuvre in close proximity to her creative thought process and influences as well as make accessible an archive of conversations in which she discusses the longevity of her career, intergenerational shifts, and the reception of her work across the globe.
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Lesbians
'Bracing, nourishing and wonderfully pro-woman' Victoria Smith, author of Hags'A big-hearted, infuriating, clever and highly entertaining read, just like the woman who wrote it' Kathleen Stock, author of Material Girls'Personal, passionate memoir-cum-cultural commentary' New Statesman'Excellent ... Discursive and engaging' Susanna Rustin, author of Sexed: A History of British FeminismWhat does it mean to be a lesbian now? Has the quest for lesbian liberation stalled, and if so, why?Part-memoir, part frontline reportage and part cultural commentary, Julie Bindel examines what defines lesbian culture, love, friendship and happiness today. She distinguishes the particular challenges facing lesbians from the very different experiences of gay men, and asks: why do lesbians so often seem to face particular hostility? Comparing past attitudes to today, she argues that lesbians continue to suffer from bigotry and discrimination because sexism and enforced gendered roles are still left unchallenged. She explores why many of the biggest assaults on lesbian freedom and wellbeing around the world now come, not just from conservatives, but also from so-called progressives, who are often antagonistic to lesbians organising and socialising autonomously.Rooted in her own remarkable story, this personal and passionate book is both an investigation into the obstacles to lesbian flourishing, and a testament to the particular delights of being a lesbian.
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Julie Andrews
Spindle's reference chronicles the professional career of one of the world's most loved performers, Julie Andrews. An all-in-one resource, the volume presents a comprehensive and accurate profile of the people, projects, artistic highs and lows, and general influences that propelled the actress into the public eye beginning in the late 1950s. Spindle examines each of her 16 films and provides a detailed commentary on factors influencing her short reign as a box office superstar in the mid-1960s and the fact that she has retained her fame and celebrity status long after ceasing to be a Hollywood superstar. a very thorough as well as attractive record of her career in films, television, stage, and records. . . . The book will be a `must' for every Andrews fan, and it is an excellent reference source for its subject. VideomaniaFor fans of Julie Andrews as well as students of the performing arts, Spindle's reference chronicles the professional career of one of the world's most loved performers. No other book provides such a wealth of detail on the career achievements of Julie Andrews or delineates all her professional activities so thoroughly. A complete, all-in-one resource, the volume presents a comprehensive and accurate profile of the people, projects, artistic highs and lows, and general influences that propelled the actress into the public eye beginning in the late 1950s. Starting with Andrews' first film, Mary Poppins, Spindle examines each of her 16 films including such classics as Sound of Music, Hawaii, Victor/Victoria, and ending with her latest film, Duet for One. He provides a detailed commentary on factors influencing her short reign as a box office superstar in the mid-1960s, for Andrews is an anomaly in that she has retained her fame and admired celebrity status long after ceasing to be a Hollywood superstar. Besides film work, all other aspects of Andrews' career (theatre, television, personal appearances, concerts, recordings, and even her fiction for children) are considered. An episode-by-episode summary in the Television Appearances chapter is the only published survey of the entire 1972-1973 ABC-TV variety series, The Julie Andrews Hour.In his preface, Spindle offers a lively discussion of the eclectic and highly individual career of a perennial trooper and star whose career he likens to a roller coaster. This is followed by a biography and chronology which summarizes events and landmarks in Andrews' life. The next four chapters scrutinize major professional achievements in-depth, including Filmography, Stage and Television Appearances, and Discography. All entries in the four sections correspond to a particular career achievement, and consecutive numbering facilitates both subject index use and cross referencing within chapters. Over 150 reference sources, including books, and magazine and news articles are listed in the comprehensive bibliography. The three appendices review awards and nominations, identify roles considered bu
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Self-Devouring Growth
Under capitalism, economic growth is seen as the key to collective well-being. In Self-Devouring Growth Julie Livingston upends this notion, showing that while consumption-driven growth may seem to benefit a particular locale, it produces a number of unacknowledged, negative consequences that ripple throughout the wider world. Structuring the book as a parable in which the example of Botswana has lessons for the rest of the globe, Livingston shows how fundamental needs for water, food, and transportation become harnessed to what she calls self-devouring growth: an unchecked and unsustainable global pursuit of economic growth that threatens catastrophic environmental destruction. As Livingston notes, improved technology alone cannot stave off such destruction; what is required is a greater accounting of the web of relationships between humans, nonhuman beings, plants, and minerals that growth entails. Livingston contends that by failing to understand these relationships and the consequences of self-devouring growth, we may be unknowingly consuming our future.
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Julie Dash
This collection of interviews with Julie Dash (b. 1952) offers an in-depth exploration of the life, career, and creative processes of one of the most groundbreaking filmmakers in American cinema. Dash, whose landmark film Daughters of the Dust (1991) became the first feature by an African American woman to receive a wide theatrical release in the United States, has continuously pushed the boundaries of cinematic representation, exploring African American history, culture, and identity through a distinctly poetic and visionary lens.Dash’s use of Black feminist narrative and her ability to supplant the status quo of Black women’s representation in cinema aligned with the evolution of Black women’s writing and visual arts that exploded in the eighties and early nineties. Starting with her debut film Illusions (1982) and touching upon other works such as Praise House (1991), the eighteen interviews collected in this volume weave together the stylistic integrity and unconventional model of storytelling that Dash thoughtfully midwives into existence. Julie Dash: Interviews will put students, scholars, and admirers of Dash’s oeuvre in close proximity to her creative thought process and influences as well as make accessible an archive of conversations in which she discusses the longevity of her career, intergenerational shifts, and the reception of her work across the globe.
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Pendulum
This gripping memoir traces Brazilian-born American Julie Lindahl’s journey to uncover her grandparents’ roles in the Third Reich as she is driven to understand how and why they became members of Hitler’s elite, the SS. Out of the unbearable heart of the story—the unclaimed guilt that devours a family through the generations—emerges an unflinching will to learn the truth. In a remarkable six-year journey through Germany, Poland, Paraguay, and Brazil, Julie uncovers, among many other discoveries, that her grandfather had been a fanatic member of the SS since 1934. During World War II, he was responsible for enslavement and torture and was complicit in the murder of the local population on the large estates he oversaw in occupied Poland. He eventually fled to South America to evade a new wave of war-crimes trials. The pendulum used by Julie’s grandmother to divine good from bad and true from false becomes a symbol for the elusiveness of truth and morality, but also for the false securities we cling to when we become unmoored. As Julie delves deeper into the abyss of her family’s secret, discovering history anew, one precarious step at a time, the compassion of strangers is a growing force that transforms her world and the way that she sees her family—and herself.
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Self-Devouring Growth
Under capitalism, economic growth is seen as the key to collective well-being. In Self-Devouring Growth Julie Livingston upends this notion, showing that while consumption-driven growth may seem to benefit a particular locale, it produces a number of unacknowledged, negative consequences that ripple throughout the wider world. Structuring the book as a parable in which the example of Botswana has lessons for the rest of the globe, Livingston shows how fundamental needs for water, food, and transportation become harnessed to what she calls self-devouring growth: an unchecked and unsustainable global pursuit of economic growth that threatens catastrophic environmental destruction. As Livingston notes, improved technology alone cannot stave off such destruction; what is required is a greater accounting of the web of relationships between humans, nonhuman beings, plants, and minerals that growth entails. Livingston contends that by failing to understand these relationships and the consequences of self-devouring growth, we may be unknowingly consuming our future.
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Home Work
In this New York Times bestselling follow-up to her critically acclaimed memoir, Home, Julie Andrews reflects on her astonishing career, including such classics as Mary Poppins, The Sound of Music, and Victor/Victoria.In Home, the number one New York Times international bestseller, Julie Andrews recounted her difficult childhood and her emergence as an acclaimed singer and performer on the stage.With this second memoir, Home Work: A Memoir of My Hollywood Years, Andrews picks up the story with her arrival in Hollywood and her phenomenal rise to fame in her earliest films -- Mary Poppins and The Sound of Music. Andrews describes her years in the film industry -- from the incredible highs to the challenging lows. Not only does she discuss her work in now-classic films and her collaborations with giants of cinema and television, she also unveils her personal story of adjusting to a new and often daunting world, dealing with the demands of unimaginable success, being a new mother, the end of her first marriage, embracing two stepchildren, adopting two more children, and falling in love with the brilliant and mercurial Blake Edwards. The pair worked together in numerous films, including Victor/Victoria, the gender-bending comedy that garnered multiple Oscar nominations. Cowritten with her daughter, Emma Walton Hamilton, and told with Andrews's trademark charm and candor, Home Work takes us on a rare and intimate journey into an extraordinary life that is funny, heartrending, and inspiring.
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Julie Reisserová (1888–1938)
Regarded as the 'first Czech woman composer of importance' by the Grove Dictionary in 1954, Julie Reisserová's name has since virtually disappeared from the musical and musicological landscape. Reisserová, one of Albert Roussel's most famous Czech students during the interwar period, was not only a successful composer in her time, but also an active feminist. Her music was generally well received and performed by prestigious musicians. The only comprehensive study of her life and work, published in 1948, was written by Jiřina Vacková. If Vacková was able to investigate the personal archives of the diplomat Jan Reisser – Reisserová's husband – before they were seized and/or destroyed by the communist regime, her book remains hagiographical. This Element draws up a new biographical sketch of the artist, reviews Reisserová's thoughts on the status of women composers between the wars, considers the reception of her six surviving scores, and examines her style.
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French Chateau Dream
*Preorder the brand new book in the globally bestselling series* You are invited to a summer of sparkling champagne, warm buttery croissants and a little bit of je ne sais quoi… With a broken heart and a broken spirit, Hattie is in need of a summer escape. So when an opportunity comes up to work at a beautiful, stately chateau in the Champagne region of France she books her flights quicker than the pop of a cork. Romance is the last thing Hattie is looking for but then she wasn’t expecting gorgeous Luc to stroll into her life. With picnics in the warm French sun and delicious foodie trips to the local market, Hattie starts to wonder if a holiday fling – or maybe even something more – might be just what she needs. Praise for Julie Caplin: ‘One unputdownable story’ Sunday Times Bestseller Katie Fforde ‘An irresistible slice of escapism’ Sunday Times Bestseller Phillipa Ashley
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