Search results for "Karin Gottshall"
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R 502.37
Crocus
WhetherAligned with the mechanismwhereby the spirit is borne aloftthrough song comes againthe question: whether. And not soothedso much as opened by the boysoprano’s Sanctus, what movesin the mind as the throat constrictsin sympathy, one note peeledfrom the last, fine as paper slippedfrom a garlic bulb, veined,translucent, is whether—as ifwound through the spiralingamplitude, purpled, fretted,one voice suspendedin concentration of prayer or terrorwills itself above faltering,more perfect since time mustsoon break it. And made it.Whether and by whatever impossiblearrangement of stars, harmonies,correspondences through whichthe music finds the spirit and likea blade slits and releases,circulates the questionthrough the phrase, the delicateengine—as if it matters: the songrises, everything goes with it.The poems in Crocus take as their starting points the interior universes created by myth, art, andmemory, and through the exploration of these terrains create new ways of understanding the ordinary.
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Soziale Ungleichheit und Geschlecht
Gesellschaftliche Veränderungen in Struktur, Dynamik und Definition sozialer Ungleichheit haben seit Mitte der achtziger Jahre Herausforderung für das traditionell erwerbszentrierte, an die Kategorien "Klasse" und "Schicht" gebundene Verständnis sozialer Ungleichheit gewirkt. Aber auch die Frauenforschung kann angesichts einer zunehmenden sozialen Differenzierung unter Frauen nicht bei der Behauptung einer durchgängigen sozialen Platzanweiserfunktion von "Geschlecht" stehen bleiben.Die Arbeit untersucht einschlägige Neuorientierungen in der Ungleichheitssoziologie und der Frauenforschung unter dem Gesichtspunkt, inwieweit sie zu einem erweiterten Verständnis sozialer Ungleichheit beitragen, das verschiedene Formen sozialer Hierarchisierung berücksichtigt, das gesellschaftsdiagnostisch aussagefähig ist und das last but not least auch die Definitionsmacht sozialwissenschaftlicher Aussagen kritisch reflektiert.
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Waiting in Fear
April Bailey's fear for her military husband's safety is compounded during World War Two when her sister, May, is stalked by a serial rapist and killer. May, hitch hikes from Penn Yan, New York to Henrietta, New York to spend Thanksgiving 1944, with April and her children. She is picked up by a fugitive rapist and killer who attacks her. May escapes and hides in a snow bank. She flags down a snowplow truck driver who carries her to April's house. The killer knows that May can identify him and follows them. April convinces May to stay with them. April shields her three children from what's happening the best she can.
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We Are All Guilty Here
An instant #1 New York Times bestseller!The first thrilling mystery in the new North Falls series from Karin Slaughter, #1 New York Times bestselling author of Pretty Girls and the Will Trent Series. Welcome to North Falls--a small town where everyone knows everyone. Or so they think.Until the night of the fireworks. When two teenage girls vanish, and the town ignites.For Officer Emmy Clifton, it's personal. She turned away when her best friend's daughter needed help--and now she must bring her home.But as Emmy combs through the puzzle the girls left behind, she realizes she never really knew them. Nobody did.Every teenage girl has secrets. But who would kill for them? And what else is the town hiding?"Karin Slaughter's new series starts with a book that is a knock-out punch... My God. Sign me up for more." -- Dervla McTiernan, #1 internationally bestselling author of What Happened to Nina?
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We Are All Guilty Here
An instant #1 New York Times bestseller!The first thrilling mystery in the new North Falls series from Karin Slaughter, New York Times bestselling author of Pretty Girls and the Will Trent Series. Welcome to North Falls--a small town where everyone knows everyone. Or so they think.Until the night of the fireworks. When two teenage girls vanish, and the town ignites.For Officer Emmy Clifton, it's personal. She turned away when her best friend's daughter needed help--and now she must bring her home.But as Emmy combs through the puzzle the girls left behind, she realizes she never really knew them. Nobody did.Every teenage girl has secrets. But who would kill for them? And what else is the town hiding?"Karin Slaughter's new series starts with a book that is a knock-out punch... My God. Sign me up for more." -- Dervla McTiernan, #1 internationally bestselling author of What Happened to Nina?
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We Are All Guilty Here
An instant #1 New York Times bestseller!The first thrilling mystery in the new North Falls series from Karin Slaughter, New York Times bestselling author of Pretty Girls and the Will Trent Series. Welcome to North Falls--a small town where everyone knows everyone. Or so they think.Until the night of the fireworks. When two teenage girls vanish, and the town ignites.For Officer Emmy Clifton, it's personal. She turned away when her best friend's daughter needed help--and now she must bring her home.But as Emmy combs through the puzzle the girls left behind, she realizes she never really knew them. Nobody did.Every teenage girl has secrets. But who would kill for them? And what else is the town hiding?"Karin Slaughter's new series starts with a book that is a knock-out punch... My God. Sign me up for more." -- Dervla McTiernan, #1 internationally bestselling author of What Happened to Nina?
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Karin Brandts Traum (Historischer Roman)
"Du stille, starke, wundervolle Welt, in der meine Kindheit verrann! Im Lichte dessen, was ich damals sah, steigen Erinnerungen empor, Erinnerungen, nicht an Dinge, die ich selbst gesehen, sondern an Dinge, die ich erz�hlen h�rte, einst, zur Zeit, da meine Schritte die schwarze Erde des Eisenwerkes, die Rasenh�gel des Birkenhags oder die glatten, nadelbestreuten Pfade des Waldes traten. Und wenn ich daran denke, so deucht mich, als w�re meine eigene Kinderzeit n�her den Menschen, von denen ich hier erz�hlen will, als sie mir selber ist." Gustaf af Geijerstam (1858-1909) war ein schwedischer Schriftsteller und Vertreter des schwedischen Naturalismus. Zusammen mit dem sp�teren Literaturkritiker Oscar Levertin, den er bereits w�hrend des Studiums kennenlernte, war Geijerstam ein wichtiges Mitglied der literarischen Vereinigung Det unga Sverige (dt. Das junge Schweden). Als solches wandte sich Geijerstam, beeinflusst von August Strindberg, gegen die konservativen Str�mungen gerade in der Literatur. In seinem literarischen Schaffen thematisierte Geijerstam oft Probleme zwischen einfachem Landleben und beginnender Industrialisierung.
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