Search results for "Kim Strub"
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Moving Pictures: Karl Struss and the Rise of Hollywood
Moving Pictures examines the Hollywood career of Karl Struss (1886–1981), a pioneering artist of both still and moving images who reached the highest levels of success in both fields. It tells a multimedia story through photographs, films, and archival objects of how he transitioned from an acclaimed fine art photographer to a leading Hollywood cinematographer. The publication focuses on the thirty years between 1919, when Struss first started working in Hollywood, and the late 1940s, when the breakup of the studio system remade Hollywood. Finally, Moving Pictures will explore Struss’s cinematography in the two decades after Sunrise, an era of seismic changes in the film industry that witnessed the introduction of sound and colour film, the solidification and then breakup of the studio system, and the postwar rise of television. In these years, he earned an additional three Oscar nominations and established collaborative relationships with some of Hollywood’s biggest directors and stars like Charlie Chaplin and Mary Pickford. The publication ends in 1951, when Struss starred as “the cinematographer” in the Academy of Motion Picture Arts and Science’s eponymous short film, a sign that he had become Hollywood’s archetypal cameraman.
R 555.00
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R 397.00
Films That Explode Like Grenades
The definitive portrait of independent filmmaker Robert Kramer that traces the revolutionary dreams of the Left from the 1960s through the end of the twentieth century. Robert Kramer (1939–99) was the emblematic filmmaker of the late-1960s New Left in the United States. Yet because most of his three dozen films have been out of circulation for decades, he has long been neglected by film historians and the Left. Kramer was the cofounder of the leftist documentary collective Newsreel and the director of underground films such as Ice (1970), Milestones (1975), and Route One/USA (1989). His films provide distinctive insights into how America’s political terrain has changed over time, capturing each era’s revolutionary ethos and its contradictions. Whitney Strub’s Films That Explode Like Grenades tracks the histories of leftist film and global revolutionary movements via Kramer’s life and travels. Moving among New York City, Chicago, North Vietnam, Paris, Portugal, Angola, and other crucial flashpoints, Kramer left a major and influential body of work in his wake that has fundamentally shaped the work of radical filmmakers across the globe. For Strub, Kramer’s career is a key thread in an intimate history of the 1960s New Left, one that emphasizes the complexities of the movement’s internal tensions and its legacies. Drawing on visual analysis, extensive archival research across the United States and France, and myriad interviews with Kramer contemporaries, including Bernardine Dohrn, Tom Hayden, Jonas Mekas, and Kramer’s relatives, Strub transforms Kramer’s life story into a dynamic and engaging social history of 1960s radicalism and its generational legacies. With detailed mapping of Robert Kramer’s many social and artistic contexts, Films That Explode Like Grenades restores him to a place of global importance in leftist cinema.
R 3,384.00
R 804.40
R 679.09
Films That Explode Like Grenades
The definitive portrait of independent filmmaker Robert Kramer that traces the revolutionary dreams of the Left from the 1960s through the end of the twentieth century. Robert Kramer (1939–99) was the emblematic filmmaker of the late-1960s New Left in the United States. Yet because most of his three dozen films have been out of circulation for decades, he has long been neglected by film historians and the Left. Kramer was the cofounder of the leftist documentary collective Newsreel and the director of underground films such as Ice (1970), Milestones (1975), and Route One/USA (1989). His films provide distinctive insights into how America’s political terrain has changed over time, capturing each era’s revolutionary ethos and its contradictions. Whitney Strub’s Films That Explode Like Grenades tracks the histories of leftist film and global revolutionary movements via Kramer’s life and travels. Moving among New York City, Chicago, North Vietnam, Paris, Portugal, Angola, and other crucial flashpoints, Kramer left a major and influential body of work in his wake that has fundamentally shaped the work of radical filmmakers across the globe. For Strub, Kramer’s career is a key thread in an intimate history of the 1960s New Left, one that emphasizes the complexities of the movement’s internal tensions and its legacies. Drawing on visual analysis, extensive archival research across the United States and France, and myriad interviews with Kramer contemporaries, including Bernardine Dohrn, Tom Hayden, Jonas Mekas, and Kramer’s relatives, Strub transforms Kramer’s life story into a dynamic and engaging social history of 1960s radicalism and its generational legacies. With detailed mapping of Robert Kramer’s many social and artistic contexts, Films That Explode Like Grenades restores him to a place of global importance in leftist cinema.
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R 397.00
R 916.00
Obscenity Rules
For some, he was “America’s leading smut king,” hauled into court repeatedly over thirty years for peddling obscene publications through the mail. But when Samuel Roth appealed a 1956 conviction, he forced the Supreme Court to finally come to grips with a problem that had plagued both American society and constitutional law for longer than he had been in business. For while the facts of Roth v. United States were unexceptional, its constitutional issues would define the relationship of obscenity to the First Amendment. The Supreme Court’s 6–3 decision in Roth for the first time tried to definitively rule on the issue of obscenity in American life and law—and failed. In this first book-length examination of the case, Whitney Strub lays out the history of obscenity’s meaning as a legal concept, highlights the influence of antivice crusaders like Anthony Comstock and John Sumner, and chronicles the shadowy career that led Roth to spend nearly a decade of his life imprisoned for the allegedly obscene materials that he sent through the mails. Strub then unwraps the events that produced Roth v. United States, placing the trial in the context of its times—the Kinsey Reports, the Kefauver hearings, free speech debates—by using Roth’s own private papers along with the records of the various prosecutions and the memos of the justices. The significance of Roth, as Strub reveals, lay in the two faces of Justice William Brennan’s majority opinion—which on the one hand reflected the liberalising attitude toward sexual matters in mid-century America, but on the other kept “obscene” expressions beyond First Amendment protection. Because that ruling points up the contradictions of a society where the prurient and repressive commingle uncomfortably, Strub shows how Roth says much more about American sexual values than Brennan’s written words necessarily acknowledged. In our era of internet pornography and Fifty Shades of Grey, it may be difficult to imagine a time when obscenity was a matter for the courts. As Strub tracks the legacy of Roth and obscenity law through the ongoing policing of acceptable sexuality into the twenty-first century, his riveting narrative brings those times to life and helps readers navigate the fine line between what is socially acceptable and what is criminally obscene.
R 1,024.22
R 519.00
Shelf Life
Supermarkets, in all their everyday mundanity, embody something of the enormous complexity of living and consuming in late twentieth century western societies. Shelf Life, first published in 1998, explores the supermarket as a retail space and as an arena of everyday consumption in Australia. It historically situates and critically discusses the everyday food products we buy, the retail environments in which we do so, the attitudes of the retailers who construct such environments, and the diverse ways in which all of us undertake and think about supermarket shopping. Yet this book is more than narrative history. It engages with broader issues of the nature of Australian modernity, the globalisation of retail forms, the connection between consumption and self-autonomy, and the highly gendered nature of retailing and shopping. It interrogates also the work of cultural critics, and questions recent attempts to grasp what it means to consume and to be a 'consumer'.
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R 498.63
Strip Club
In Strip Club, Kim Price‒Glynn takes us behind the scenes at a rundown club where women strip out of economic need, a place where strippers’ stories are not glamorous or liberating, but emotionally demanding and physically exhausting. Strip Club reveals the intimate working lives of not just the women up on stage, but also the patrons and other workers who make the place run: the owner‒manager, bartenders, dejays, doormen, bouncers, housemoms, and cocktail waitresses.Price‒Glynn spent fourteen months at The Lion’s Den working as a cocktail waitress, and her uncommonly deep access reveals a conflict‒ridden workplace, similar to any other workplace, one where gender inequalities are reproduced through the everyday interactions of customers and workers. Taking a novel approach to this controversial and often misunderstood industry, Price‒Glynn draws a fascinating portrait of life and work inside the strip club.
R 3,149.00
Hydrogen as an Energy Vector
(see English translation on page 13) L'HYDROGENE, GAZ DE GRANDE DIFFUSION ? par Monsieur Maurice LEGRAND *President des Houilleres de Bassin du Centre et du Midi, Paris Voici rnaintenant dix ans que Les concepts d'Hydrogene energetique ou d'Econornie, voire de Civilisation, de L'Hydrogene sont debattus et donnent Lieu a des prograrnrnes de recherche significatifs. Au rnornent d'ouvrir cette presentation des travaux du prernier prograrnrne de recherche sur L'Hydrogene ausein de La Cornrnunaute, je voudrais revenir rapidernent sur Le chernin parcouru et en degager quelques reflexions pour L'avenir. Et d'abord pourquoi est ne cet interet pour L'Hydrogene? Rappelons-nous Les analyses qui prevalaient il y a dix ans. A L'epoque Les hydrocarbures sont ornnipresents a des couts defiant taute concurrence. On prevoit Leur rarefactionprogressive s'accornpagnant de La rnontee concornitante des prix. C'est a cette releve ineluctable rnais Lente qu'il faut faire face et L'issue est attendue du nucleaire, un nucleaire au derneurant sans problerne d'acceptabilite, et dont Les couts bien rnaitrises Lui perrnettront de s'irnposer des que Les hydrocarbures arnorce- ront La rernontee de Leurs prix.Le problerne est des Lors de preparer cette penetration du nucleaire. -7- Par l'electricite d'abord puisque plusieurs filieres sont disponibles pour cela. Mais la substitution aux produits petroliers de l'electricite, qui est produit avec des rendements modestes, qui ne se stocke pas et qui ob- lige a des modifications dans les usages, apparait vite limitee.
R 3,105.06
R 794.00
Perversion for Profit
While America is not alone in its ambivalence toward sex and its depictions, the preferences of the nation swing sharply between toleration and censure. This pattern has grown even more pronounced since the 1960s, with the emergence of the New Right and its attack on the "floodtide of filth" that was supposedly sweeping the nation. Antipornography campaigns became the New Right's political capital in the 1960s, laying the groundwork for the "family values" agenda that shifted the country to the right. Perversion for Profit traces the anatomy of this trend and the crucial function of pornography in constructing the New Right agenda, which has emphasized social issues over racial and economic inequality. Conducting his own extensive research, Whitney Strub vividly recreates the debates over obscenity that consumed members of the ACLU in the 1950s and revisits the deployment of obscenity charges against purveyors of gay erotica during the cold war, revealing the differing standards applied to heterosexual and homosexual pornography.He follows the rise of the influential Citizens for Decent Literature during the 1960s and the pivotal events that followed: the sexual revolution, feminist activism, the rise of the gay rights movement, the "porno chic" moment of the early 1970s, and resurgent Christian conservatism, which now shapes public policy far beyond the issue of sexual decency. Strub also examines the ways in which the left failed to mount a serious or sustained counterattack to the New Right's use of pornography as a political tool. As he demonstrates, this failure put the Democratic Party at the mercy of Republican rhetoric. In placing debates about pornography at the forefront of American postwar history, Strub revolutionizes our understanding of sex and American politics.
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Guide to Data Structures
This accessible and engaging textbook/guide provides a concise introduction to data structures and associated algorithms. Emphasis is placed on the fundamentals of data structures, enabling the reader to quickly learn the key concepts, and providing a strong foundation for later studies of more complex topics. The coverage includes discussions on stacks, queues, lists, (using both arrays and links), sorting, and elementary binary trees, heaps, and hashing. This content is also a natural continuation from the material provided in the separate Springer title Guide to Java by the same authors.Topics and features: reviews the preliminary concepts, and introduces stacks and queues using arrays, along with a discussion of array-based lists; examines linked lists, the implementation of stacks and queues using references, binary trees, a range of varied sorting techniques, heaps, and hashing; presents both primitive and generic data types in each chapter, and makes use of contour diagrams to illustrate object-oriented concepts; includes chapter summaries, and asks the reader questions to help them interact with the material; contains numerous examples and illustrations, and one or more complete program in every chapter; provides exercises at the end of each chapter, as well as solutions to selected exercises, and a glossary of important terms.This clearly-written work is an ideal classroom text for a second semester course in programming using the Java programming language, in preparation for a subsequent advanced course in data structures and algorithms. The book is also eminently suitable as a self-study guide in either academe or industry.
R 2,381.00
Lost in the Grooves
Do you remember these great pop stars and their hits? Deerhoof's The Man, The King, The Girl Butch Hancock's West Texas Waltzes and Dust Blown Tractor Tunes, Swamp Dogg's Cuffed, Collared and Tagged, Michael Head's TheMagical World Of The Strands, John Trubee's TheCommunists Are Coming to Kill Us, John Phillips's WolfKing of L.A., and Michel Magne's Moshe MouseCrucifiction?You will when you read Lost in theGrooves, a fascinating guide to the back alleys off the pop music superhighway.Pop music history is full of little-known musicians, whose work stands defiantly alone, too quirky, distinctive, or demented to appeal to a mass audience. This book explores the nooks and crannies of the pop music world, unearthing lost gems from should-have-been major artists (Sugarpie DeSanto, Judee Sill), revisiting lesser known works by established icons (Marvin Gaye's post-divorce kissoff album, Here MyDear; The Ramones' Subterranean Jungle), and spotlighting musicians who simply don't fit into neat categories (k. mccarty, Exuma). The book's encyclopedic alphabetical structure throws off strange sparks as disparate genres and eras rub against each other: folk-psych iconoclasts face louche pop crooners; outsider artists set their odd masterpieces down next to obscurities from the stars; lo-fi garage rock cuddles up with the French avant-garde; and roots rock weirdoes trip over bubblegum. This book will delight any jukebox junkie or pop culture fan.
R 9,319.22
Lost in the Grooves
Do you remember these great pop stars and their hits? Deerhoof's The Man, The King, The Girl Butch Hancock's West Texas Waltzes and Dust Blown Tractor Tunes, Swamp Dogg's Cuffed, Collared and Tagged, Michael Head's TheMagical World Of The Strands, John Trubee's TheCommunists Are Coming to Kill Us, John Phillips's WolfKing of L.A., and Michel Magne's Moshe MouseCrucifiction?You will when you read Lost in theGrooves, a fascinating guide to the back alleys off the pop music superhighway.Pop music history is full of little-known musicians, whose work stands defiantly alone, too quirky, distinctive, or demented to appeal to a mass audience. This book explores the nooks and crannies of the pop music world, unearthing lost gems from should-have-been major artists (Sugarpie DeSanto, Judee Sill), revisiting lesser known works by established icons (Marvin Gaye's post-divorce kissoff album, Here MyDear; The Ramones' Subterranean Jungle), and spotlighting musicians who simply don't fit into neat categories (k. mccarty, Exuma). The book's encyclopedic alphabetical structure throws off strange sparks as disparate genres and eras rub against each other: folk-psych iconoclasts face louche pop crooners; outsider artists set their odd masterpieces down next to obscurities from the stars; lo-fi garage rock cuddles up with the French avant-garde; and roots rock weirdoes trip over bubblegum. This book will delight any jukebox junkie or pop culture fan.
R 2,287.04
Discourses on Strauss
Leo Strauss has perhaps been more cited—and alternately vilified or revered—in the last ten years than during the productive years of his scholarly life. He has been blamed (or credited) for providing the intellectual underpinnings of a generation of neoconservatives in political philosophy and foreign policy. But though he may be cast as a conservative thinker who critiques modernity, to interpret him exclusively in this light is to reduce him in ways that his self-definition, as a political theorist open to both religion and philosophy, does not justify.Kim A. Sorensen clearly lays out the debate surrounding Strauss by reviewing his published work and legacy since his death in 1973. He then turns to a key distinction in Strauss's thought—between revelation and reason, or religion and philosophy—and maintains that Strauss used their mutual opposition to modernity as a central theme in his oeuvre. For Sorensen, Strauss considered revelation and reason both as fundamentally different worldviews and as alternate ways of understanding the good life. Sorensen explores Strauss's views on the revelation/reason distinction through a close examination of the final chapter in Strauss's Thoughts on Machiavelli. Here Strauss weighs Machiavelli's critique of religion in general and Christianity in particular, and Machiavelli's departure from the classical tradition of political philosophy dating from Socrates, Plato, and Aristotle. For Strauss, the "crisis of our time" has its point of origin in Machiavelli's rejection of both biblical and classical morality as guides to the efficacy of political virtue. For Strauss, Sorensen claims, a recovery of the ancient virtues of classical political philosophy is essential. Sorensen also shows that while Strauss is accepting of reason, he is also open to revelation. In the end, he is a philosopher both of Athens and of Jerusalem.
R 1,419.00
Kim Salmon and the Formula for Grunge
This book follows Australian musician Kim Salmon, from bands The Scientists, Surrealists and Beasts of Bourbon, from childhood in Perth through his many bands, albums, tours, family upheavals, triumphs and disappointments and examines the characters of the music business he collaborates with along the way.
R 890.97
Kim Hastreiter: STUFF
“STUFF is a totally new genre of book, carving out a radically new mode of storytelling. The 448 page tome serves as both testament and beacon, a record of collaboratively- engineered creative intelligence that can guide whoever is looking to continue in its lineage.” - WHITNEY MALLET Kim Hastreiter, the beloved troublemaker and champion of downtown New York, is best known as the co-founder of the iconic, indie, Paper Magazine. She calls herself a cultural anthropologist, but in today’s terms she might be better described as a multihyphenate artist who excavates big wild ideas from all corners of culture and brings them to life. Kim has spent the last 50 years amassing a deep and iconoclastic collection of stuff. STUFF is more than a memoir; it’s a loopy, joyous, chaotic ride through the last half century of cultural chaos in the greatest city on earth. STUFF is a storytelling project about an extraordinary slice of history and the people who defined it, using Kim’s singular edit of art, fashion, design, photography, books and ephemera as a lens. In these pages you’ll meet Kim’s amazing friends: at an all night party in the basement of an East Village church with Keith Haring, a private art sale with Jeffery Deitch in Phylis Diller’s kitchen, or impromptu cocktail at Trader Vic’s with Salvador Dali and Joey Arias. In Kim’s New York, a leopard print Fiorucci look catches the attention of legendary photographer Bill Cunningham and sparks a lifelong friendship. A chance run-in with Kim’s neighbor Steve McCurry has her witness the creation of the defining image of 9/11. And a trip with her mother to buy a dining table from Nakashima, sets off a devotion to patina as a form of personal history. Whether you are an OG or a kid, a culture vulture, artist, design buff, fashion nerd, skater, collector, chef, cinephile, New Yorker, uptowner, downtowner, out of towner, or something else entirely, STUFF will make you feel like you’re sitting with Kim in her garden high above Washington Square Park, her booming voice imploring you to follow your heart and listen when the voice inside your head screams YES. Kim is begging us to pursue our lives with compulsive enthusiasm, by generously walking us through her own. STUFF is more than the sum of its parts: it is a provocation and a roadmap for building a creative life. Co-published by Damiani and Amazing Unlimited.
R 1,710.00
Structuralism
John Sturrock’s classic explication of Structuralism represents the most succinct and balanced survey available of a major critical movement associated with the thought of such key figures as Lévi-Strauss, Foucault, Barthes, Lacan and Althusser theory. A classic work in literary and cultural theory. Reissued to coincide with calls for a return to structuralism. Includes a new introduction by Jean-Michel Rabaté, which explores developments in the reception of structuralist theory in the past five to ten years.
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R 1,829.00
Kim
Best known for The Jungle Book and the poem 'If-', Rudyard Kipling (1865–1936) became the first British recipient of the Nobel Prize for Literature. His considerable literary output, of both prose and poetry, reflects and interprets his experience of empire, and his great fame during his lifetime was matched by sales of his works. Widely regarded as Kipling's masterpiece, and described by him as 'a labour of great love', this picaresque, nostalgic novel was first published serially and then in the form of this book in 1901. Ten years in gestation, the novel reflects the vastness and diversity of India, combining Kipling's first-hand knowledge of the subcontinent and its people with his highly developed understanding of human interaction. At the heart of the work lies Kim's hybrid nature - a white boy, but Indian in identity - and his action-packed adventures are deftly juxtaposed with the spiritual journey of his travelling companion.
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R 1,315.00
Scorn, Shame, and the Simple Reader
An investigation into how the emotional language in texts intended for solitary women became the foundation for a medieval Christian reading public Scorn, Shame, and the Simple Reader reveals how a cluster of rarely studied guides to the religious life helped forge a new identity in late medieval England. Lifting passages wholesale from texts originally intended only for holy virgins walled up in cells, these treatises turned Christlike shame and scorn for the world into an emotional language of collective belonging. Their simple readers--people of all genders and from all walks of life, all addressed as a "dear sister" while they read--exemplified a new mode of public spirituality, formed through acts of reading and imagination. As Spencer Strub demonstrates, these acts of reshaping a life proved fertile ground for experiments in literary invention. Piers Plowman, The Book of Margery Kempe, and the N-Town cycle plays share the same vocabulary, make the same metaphors, and abhor the same sins. They share the simple reader's scorn and shame, in other words, but they put it to different ends. Dwelling in the impossible space between holiness and the world, these literary works found new ways to narrate the particularities of life as it was actually lived. In rewriting our understanding of gender, emotion, and piety in a period of religious upheaval, Strub provides a new perspective on the efflorescence of vernacular English fiction at the turn of the fifteenth century.
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