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Memoirs of Laetitia Pilkington
This is the first scholarly edition of the Memoirs of Laetitia Pilkington (1709?-1750), a poet, ghostwriter, and protégée of Jonathan Swift and the playwright/stage manager Colley Cibber. Swift’s first biographer by virtue of her lively portrayals of him, Pilkington remains the best chronicler of the great satirist’s private life while he was at the height of his influence and creativity. Offering as well an account of Pilkington’s own tumultuous and unconventional life, the Memoirs caused a scandal when they first appeared, owing to their details about her divorce and the many would-be Lotharios (most of them married) who subsequently pestered her with their attentions.Originally appearing in three volumes between 1748 and 1754, the Memoirs have been periodically reprinted and are often quoted by scholars in different disciplines. Until now, however, the work has not received serious editorial attention. In this edition, A. C. Elias Jr. has established for the first time a critical text based on the earliest and most definitive printings, which Pilkington and her son oversaw. For the first time there are explanatory notes that identify the many veiled or anonymous figures in the text and establish the reliability of each anecdote about them. Other new features include an index, a census of early editions, a full bibliography, and a chronology. This edition is produced in a two-volume format, the first comprising the actual Memoirs, and the second the commentary.Readers are at last in a position to understand exactly what Pilkington is saying in her Memoirs—and what she may be suppressing in the process. They can now approach Pilkington’s Swift with confidence at each step and appreciate her rendering of the many other real-life personages who populate her disarmingly breezy narrative: bishops, scientists, and statesmen; authors, artists, and printers; and assorted rogues, wits, bawds, and eccentrics.More than any other early eighteenth-century woman writing in English, says Elias, Pilkington remains accessible to readers today. As a portrayal of Swift, as the recollections of a woman making her way in the male-dominated world of letters, as a source of Irish and English cultural and historical minutiae, and as a delightfully gossipy poke at social pretense, Pilkington’s Memoirs are a classic of her era.
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Slacking
Prestige no longer ensures substance at Ivy League schools; students must navigate a maze of shallow, politicized courses to uncover the rare gems of a classical education, exposing the need for academic renewal."This book is a banquet of the absurdities that Ivy League universities serve up to their students under the rubric of general education. Anyone who wonders how the graduates of America’s elite institutions come by their jaundiced view of our country should start here. The few who refuse to “slack” are limited to the hard sciences and the few remaining excellent courses in the humanities."—Peter Wood, President, National Association of ScholarsIvy League universities can no longer be trusted to produce well-educated students. Even a cursory review of the course titles at top schools shows that these $320,000-plus diplomas may confer legacy prestige to graduates, but not necessarily knowledge or wisdom. At Cornell, for example, students can take Queer Girlhood, Beyoncé Nation, and Intersectional Disability Studies. The course list at Yale includes Pop Sapphism and Comparative Settler Geographies. At Princeton: Shoes. Penn offers Reality TV and Gender and Decolonizing French Food. Even worse, these courses actually fulfill general education requirements. It is still possible to earn a great education at Princeton, Harvard, Yale, Penn, Columbia, Brown, Cornell, or Dartmouth, but doing so requires prudence and persistence. In Slacking, Adam Kissel, Rachel Alexander Cambre, and Madison Marino Doan dedicate one chapter to each Ivy League college, providing specific information about the coursework that serious students should pursue to extract a real education from these decaying institutions. Every chapter concludes with two course lists, both of which meet the school’s general education requirements. One displays the worst collection of courses that an inveterate “slacker” could take to skate through the requirements for entertainment, reinforcement of political biases, and narrow specialization. The other lists the best choice of courses a dedicated striver could take to acquire a well rounded, content-rich liberal education. The contrast between the two sounds a rousing alarm bell for curriculum reform at America’s best-known colleges.
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Lacking Nothing
Discover God's gifts hidden in seasons of lackThere are so many ways we experience lack in this life: loneliness, loss, underemployment, empty-nesting, literal hunger, the void left by a habit overcome but not yet replaced. Each creates a hole in our souls that we may try everything to fill--but only one thing is needed. Natasha Kennedy knows this not as a theological abstraction but as the daily reality in a body that cannot swallow food.Through a debilitating chronic illness, Natasha lost her ability to eat solid food. Lacking Nothing tells the story of that first year--the grief, the temptation, and the slow, grace-filled discovery that Jesus was not merely sufficient for her suffering but present within it. "I will always experience the temptation to turn my head to the right or to the left, toward other pleasures or comforts to wash over my sadness or fill my emptiness. But this emptiness is my allotted suffering; it is my appointed opportunity to see Jesus fill the emptiness and be to me what he has always been."This is a book for anyone in a prolonged season of lack--chronic illness, grief, loneliness, spiritual dryness, or any form of hunger that platitudes have failed to touch. Through her remarkable story of choosing to trust Jesus's promise that he is indeed enough, Natasha will encourage you to cling to him in your own pain and not let go.Lacking Nothing is not a book about being healed. It is a book about being held--and discovering, in the depths of what you cannot fix or fill, that Jesus has been enough all along.If your lack has brought you to the end of yourself, this book will meet you there, and point you to the One who has been there all along.
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Memoirs of Laetitia Pilkington
his is the first scholarly edition of the Memoirs of Laetitia Van Lewen Pilkington (1709?-1750), a poet, ghostwriter, and protégée of Jonathan Swift and the playwright/stage manager Colley Cibber. Swift's first biographer by virtue of her lively portrayals of him, Pilkington remains the best chronicler of the great satirist's private life while he was at the height of his influence and creativity. Offering as well an account of Pilkington's own tumultuous and unconventional life, the Memoirs caused a scandal when they first appeared, owing to their details about her divorce and the many would-be Lotharios (most of them married) who subsequently pestered her with their attentions.Originally appearing in three volumes between 1748 and 1754, the Memoirs have been periodically reprinted and are often quoted by scholars in different disciplines. Until now, however, the work has not received serious editorial attention. In this edition, A. C. Elias Jr. has established for the first time a critical text based on the earliest and most definitive printings, which Pilkington and her son oversaw. For the first time there are explanatory notes that identify the many veiled or anonymous figures in the text and establish the reliability of each anecdote about them. Other new features include an index, a census of early editions, a full bibliography, and a chronology. This edition is produced in a two-volume format, the first comprising the actual Memoirs, and the second the commentary.Readers are at last in a position to understand exactly what Pilkington is saying in her Memoirs-and what she may be suppressing in the process. They can now approach Pilkington's Swift with confidence at each step, and appreciate her rendering of the many other real-life personages who populate her disarmingly breezy narrative: bishops, scientists, and statesmen; authors, artists, and printers; and assorted rogues, wits, bawds, and eccentrics.More than any other early-eighteenth-century woman writing in English, says Elias, Pilkington remains accessible to readers today. As a portrayal of Swift, as the recollections of a woman making her way in the male-dominated world of letters, as a source of Irish and English cultural and historical minutiae, and as a delightfully gossipy poke at social pretense, Pilkington's Memoirs are a classic of her era.
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Correspondence with Sarah Wescomb, Frances Grainger and Laetitia Pilkington
Samuel Richardson (1689–1761), renowned master printer and celebrated English novelist, wrote hundreds of letters during his lifetime. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of these letters. This volume contains his correspondences, many published for the first time, with three very different young women, all seeking to find their voice within family and society while corresponding with a celebrated author and moralist. Sarah Wescomb and Frances Grainger, two young, unmarried correspondents, sought paternal advice from the middle-aged author and in the process contested stances taken in his novels. Laetitia Pilkington, an accused adulteress, offers poignant glimpses into an impoverished woman's struggles to survive in Grub Street. The scholarly apparatus in this volume provides ample information about these three women's lives and their milieu, giving fascinating insights into eighteenth-century English social and literary history.
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Townscape of Darlington
Darlington from Anglo-Saxon settlement to thriving town, via the middle ages and the coming of the railway.It is exactly a thousand years since Darlington first appeared in written records. During the following millennium, the small Anglo-Saxon settlement grew into today's thriving town, its history now generally linked in the public mind with entrepreneurial Quakers and the birth of railways. But as this book shows, Darlington's history encompasses many more diverse aspects in the change from medieval village to modern town. Through a survey of its physical development, the book describes how the town flourished in the middle ages; was largely destroyed by fire in 1585; and grew again in the seventeenth and eighteenth centuries, before the coming of the railway in the mid-1800s reinforced its prosperity. Its story is taken up to the present day, showing how Darlington is characterised by residential suburbs, with a town centre where Victorian and eighteenth-century buildings populate the original medieval streets. Dr GILL COOKSON is the County Editor for the Victoria County History of Durham.
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