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Memoirs of Laetitia Pilkington
This is the first scholarly edition of the Memoirs of Laetitia Pilkington (1709?-1750), a poet, ghostwriter, and protégée of Jonathan Swift and the playwright/stage manager Colley Cibber. Swift’s first biographer by virtue of her lively portrayals of him, Pilkington remains the best chronicler of the great satirist’s private life while he was at the height of his influence and creativity. Offering as well an account of Pilkington’s own tumultuous and unconventional life, the Memoirs caused a scandal when they first appeared, owing to their details about her divorce and the many would-be Lotharios (most of them married) who subsequently pestered her with their attentions.Originally appearing in three volumes between 1748 and 1754, the Memoirs have been periodically reprinted and are often quoted by scholars in different disciplines. Until now, however, the work has not received serious editorial attention. In this edition, A. C. Elias Jr. has established for the first time a critical text based on the earliest and most definitive printings, which Pilkington and her son oversaw. For the first time there are explanatory notes that identify the many veiled or anonymous figures in the text and establish the reliability of each anecdote about them. Other new features include an index, a census of early editions, a full bibliography, and a chronology. This edition is produced in a two-volume format, the first comprising the actual Memoirs, and the second the commentary.Readers are at last in a position to understand exactly what Pilkington is saying in her Memoirs—and what she may be suppressing in the process. They can now approach Pilkington’s Swift with confidence at each step and appreciate her rendering of the many other real-life personages who populate her disarmingly breezy narrative: bishops, scientists, and statesmen; authors, artists, and printers; and assorted rogues, wits, bawds, and eccentrics.More than any other early eighteenth-century woman writing in English, says Elias, Pilkington remains accessible to readers today. As a portrayal of Swift, as the recollections of a woman making her way in the male-dominated world of letters, as a source of Irish and English cultural and historical minutiae, and as a delightfully gossipy poke at social pretense, Pilkington’s Memoirs are a classic of her era.
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Love and Justice
Artist, activist, and influencer Laetitia Ky, known for sculpting her own hair to create powerful and joyful artwork that embraces the beauty of Black hair and style, the fight for social justice, and the journey toward self-love, tells her personal story that fans have been waiting for, through words and photos.Laetitia Ky is a self-described polyvalent artist and a one-of-a-kind creative voice-an up-and-coming model, activist, fashion designer, and visual artist, as well as a hugely popular Instagram and TikTok influencer. Ky uses her own hair (with the help of some extensions, wool, wire, and thread) to make unique and compelling sculptures that celebrate her African heritage, the beauty of Black natural hair, and the power of activism.Love and Justice is Ky's first book, showcasing 125 remarkable photographs interwoven with stories about her Ivory Coast childhood, her strong family ties, her embrace of her African roots, her own journey toward self-love, and her desire to lift up other women-especially Black women. As a passionate advocate for social justice, Ky shines a light on the pressing issues of our time: gender and racial oppression, harmful beauty standards, shame and its corrosive effect on mental health, and more. Part memoir,part art book, part feminist manifesto, Love and Justice is joyful and life-affirming: Ky's striking words and images honestly celebrate women's sexuality and the female body, and call for women's empowerment-extending a generous invitation for us all to love ourselves and to work toward a more just world.
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Chanel: The Making of a Collection
A gorgeously illustrated exploration of the history, culture, and design process of the famed fashion house Chanel Chanel: The Making of a Collection traces the design process of the world-renowned fashion house, revealing how a collection is created. Moving from the studio to the fashion show, fashion writer Laetitia Cénac has unprecedented access to explore a world that is usually carefully guarded from the public eye. With hundreds of beautifully rendered fashion illustrations from acclaimed artist Jean-Philippe Delhomme, Karl Lagerfeld’s approach to design is brought to life, as are the talents of the masterfully skilled artisans—the embroiderers, flower makers, shoemakers, hat makers, and more—who specialize in everything from buttons and leather to lace, silk, and cashmere. Delving into the history and culture of the brand, while also detailing contemporary collections, Chanel: The Making of a Collection is a richly visual insider’s look at the enduring creative legacy of this haute couture icon.
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L'Horizon Des Sciences En Afrique
Cet ouvrage explore une question: comment les sociétés africaines auxquelles le projet des sciences modernes était étranger, s'approprient-elles celui-ci comme composante de leur destin contemporain ? Utilisant les outils de l'histoire des sciences et de la sociologie des sciences, l'auteur étudie des expériences de développement dans lesquelles s'engagent les sociétés africaines: technopole, transfert de technologie, libertés académiques, statut du travail intellectuel et des savoirs traditionnels, recherche universitaire. A travers l'analyse de ces expériences, le livre montre qu'en Afrique les obstacles au développement technoscientifique et la possibilité pour les sciences et technologies de s'enraciner sont les faces d'une même monnaie. C'est dans le sens des mutations multidimensionnelles qui les habitent de plus en plus que les sociétés africaines peuvent négocier leur ouverture à la rationalité technoscientifique. La position épistémologique ainsi dégagée est une invitation des sociétés en développement à des politiques scientifiques plus rationnelles, autonomes et cohérentes. C'est en harmonie avec des ambitions volontaristes et manifestes de développement que les nations africaines peuvent s'offrir des agendas rationnels du progrès des sciences et technologies.
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Requiem De Sentiments
des mots doux,des rimes sur l'amour, des sentiments d'emotions, une relation en poesie
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R 449.00


New Challenges in Immigration Theory
As far as immigration theory is concerned, the attempt to reconcile concern for all persons with the reality of state boundaries and exclusionary policies has proved difficult within the limits of normative liberal political philosophy. However, the realpolitik of migration in today’s environment forces a major paradigm shift. We must move beyond standard debates between those who argue for more open borders and those who argue for more closed borders. This book aims to show that a realistic utopia of political theory of immigration is possible, but argues that to do so we must focus on expanding the boundaries of what are familiar normative positions in political theory. Theorists must better inform themselves of the concrete challenges facing migration policies: statelessness, brain drain, migrant rights, asylum policies, migrant detention practices, climate refugees, etc. We must ask: what is the best we can and ought to wish for in the face of these difficult migration challenges.Blake, Carens, and Cole offer pieces that outline the major normative questions in the political theory of immigration. The positions these scholars outline are challenged by the pieces contributed by Lister, Ottonelli, Torresi, Sager, and Silverman. These latter pieces force the reformulation of the central positions in normative political theory of immigration.This book was originally published as a special issue of Critical Review of International Social and Political Philosophy.
R 2,106.37

New Challenges in Immigration Theory
As far as immigration theory is concerned, the attempt to reconcile concern for all persons with the reality of state boundaries and exclusionary policies has proved difficult within the limits of normative liberal political philosophy. However, the realpolitik of migration in today’s environment forces a major paradigm shift. We must move beyond standard debates between those who argue for more open borders and those who argue for more closed borders. This book aims to show that a realistic utopia of political theory of immigration is possible, but argues that to do so we must focus on expanding the boundaries of what are familiar normative positions in political theory. Theorists must better inform themselves of the concrete challenges facing migration policies: statelessness, brain drain, migrant rights, asylum policies, migrant detention practices, climate refugees, etc. We must ask: what is the best we can and ought to wish for in the face of these difficult migration challenges.Blake, Carens, and Cole offer pieces that outline the major normative questions in the political theory of immigration. The positions these scholars outline are challenged by the pieces contributed by Lister, Ottonelli, Torresi, Sager, and Silverman. These latter pieces force the reformulation of the central positions in normative political theory of immigration.This book was originally published as a special issue of Critical Review of International Social and Political Philosophy.
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