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Margaret McMillan
A pioneer of nursery education in inner-city areas, Margaret McMillan changed the course of British educational history. While many are aware of the various social reforms she initiated, few are familiar with the life of the woman herself. Originally published in 1989, working from her own fresh collection of Margaret McMillan’s letters and newspaper articles, Dr Bradburn tells in full the inspiring story of a cultured woman who found a new motivation.Born in America into a middle-class family in 1860, Margaret McMillan spent most of her life in Britain struggling to improve the lot of the poor and needy. Outraged by the living and working conditions of labourers in Victorian England, she turned her moral indignation into effective action by throwing herself into a campaign for a more just and compassionate society. She was a colleague of Keir Hardie, a founder member of the Independent Labour Party, and worked wholeheartedly from the 1890s for the betterment and advancement of the human race. J. B. Priestley, who knew Margaret McMillan when she was a member of the Bradford School Board, later described as ‘one of those terrible nuisances who get things done and do more good than a load of bishops’.In the light of discussions on the urgent need for urban renewal and improvements in nursery education at the time of original publication, a review of the innovative work of Margaret McMillan was timely. This well-documented biography gives fascinating glimpses of a remarkable pilgrimage whose results have not been effaced by time.
R 5,641.71

Margaret McMillan
A pioneer of nursery education in inner-city areas, Margaret McMillan changed the course of British educational history. While many are aware of the various social reforms she initiated, few are familiar with the life of the woman herself. Originally published in 1989, working from her own fresh collection of Margaret McMillan’s letters and newspaper articles, Dr Bradburn tells in full the inspiring story of a cultured woman who found a new motivation.Born in America into a middle-class family in 1860, Margaret McMillan spent most of her life in Britain struggling to improve the lot of the poor and needy. Outraged by the living and working conditions of labourers in Victorian England, she turned her moral indignation into effective action by throwing herself into a campaign for a more just and compassionate society. She was a colleague of Keir Hardie, a founder member of the Independent Labour Party, and worked wholeheartedly from the 1890s for the betterment and advancement of the human race. J. B. Priestley, who knew Margaret McMillan when she was a member of the Bradford School Board, later described as ‘one of those terrible nuisances who get things done and do more good than a load of bishops’.In the light of discussions on the urgent need for urban renewal and improvements in nursery education at the time of original publication, a review of the innovative work of Margaret McMillan was timely. This well-documented biography gives fascinating glimpses of a remarkable pilgrimage whose results have not been effaced by time.
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Labour and Childhood
Celebrated for her pioneering work to improve the education, health and welfare of slum children, Margaret McMillan (1860–1931) was an active socialist campaigner and member of the Independent Labour Party. Her involvement with Bradford school boards drew her attention to the poor state of health of the pupils - rickets, scurvy, anaemia and malnutrition were commonplace. Working with her sister Rachel (1859–1917), as well as lobbying for improved standards, Margaret opened the country's first school clinic in Bow in 1908. The sisters' most famous enterprise, the Deptford Camp School, soon followed, and the Rachel McMillan College for training nurses and teachers was founded in 1930. One of her many influential books on pre-school and primary education, this work of 1907 considers the vital role of the school doctor and argues that the practice of poor schoolchildren engaging in part-time labour is detrimental to their well-being.
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I'm Mighty!
From Kate and Jim McMullan, the popular creators of I Stink! and I'm Dirty!--now a streaming animated series--comes a raucous tribute to a tireless harbor hero. This time a tugboat proves that even the smallest of us can be MIGHTY!When big ships get to the harbor, they need me! 'Cause I'm MIGHTY! And I can nudge, bump, butt, shove, ram, push, and pull 'em in. You think this tug's too small to pull in ships twenty times his size? Think again! This guy is 100% MIGHTY!
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Spirit Woman
Margaret Coel returns to her best-selling mystery series featuring Arapaho lawyer Vicky Holden. A missing archaeologist echoes a similar disappearance from twenty years earlier -- and both are tied to the legend of Lewis and Clark's guide, Sacajawea.
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Shakespeare and the Idea of Late Writing
What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death.
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Margaret Macdonald and Analytic Philosophy in the 1930s
This volume examines the important but, until recently, forgotten work of the British analytic philosopher Margaret Macdonald. Macdonald's career spanned one of the most significant and fascinating periods in the history of analytic philosophy: the pre-war London of Susan Stebbing as she advanced philosophical analysis; the Cambridge of Ludwig Wittgenstein as he lectured on his new practice-centred philosophy; the Oxford of Gilbert Ryle and ordinary language philosophy; and the post-war London of A.J. Ayer as he defended a version of logical positivism. In this predominantly male, elite world, Macdonald was an anomaly: a woman, abandoned as a child, raised by foster parents and in an orphanage, poor for much of her life. Remarkably, she made a highly respected academic life for herself. A talented philosopher, she was a major influence on Ryle, and one of those few who really understood Wittgenstein during the 1930s. She also helped found, and later edited, the journal Analysis, and was a serious scholar of C. S. Peirce, introducing his complex work to her British colleagues. Cheryl Misak and Michael Kremer provide a biographical essay, a transcription of a no-longer accessible paper on Peirce, an essay on Macdonald as a scholar of pragmatism, and an essay on her as a scholar of Wittgenstein. The centrepiece is a set of letters from Macdonald to Max Black, written between 1932 and 1937--a crucial time for the development of the analytic school, embracing Cambridge analysis, Viennese logical positivism, Oxford linguistic philosophy, and American pragmatism and neo-realisms. The letters shed light on the cultural, social, and political situation in Britain in the 1930s and its impact on academic life, revealing that, against the mighty obstacles stacked against them, some women in English philosophy before World War II were able to carve out paths as professional philosophers.
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Margaret Fuller, Wandering Pilgrim
“How is it that I seem to be this Margaret Fuller,” the pioneering feminist, journalist, and political revolutionary asked herself as a child. “What does it mean?” Filled with new insights into the causes and consequences of Fuller’s lifelong psychic conflict, this biography chronicles the journey of an American Romantic pilgrim as she wanders from New England into the larger world--and then back home under circumstances that Fuller herself likened to those of both the prodigal child of the Bible and Oedipus of Greek mythology. Meg McGavran Murray discusses Fuller’s Puritan ancestry, her life as the precocious child of a preoccupied, grieving mother and of a tyrannical father who took over her upbringing, her escape from her loveless home into books, and the unorthodox--and influential--male and female role models to which her reading exposed her. Murray also covers Fuller’s authorship of Woman in the Nineteenth Century, her career as a New-York Tribune journalist first in New York and later in Rome, her pregnancy out of wedlock, her witness of the fall of Rome in 1849 during the Roman Revolution, and her return to the land of her birth, where she knew she would be received as an outcast. Other biographies call Fuller a Romantic. Margaret Fuller, Wandering Pilgrim illustrates how Fuller internalised the lives of the heroes and heroines in the ancient and modern Romantic literature that she had read as a child and adolescent, as well as how she used her Romantic imagination to broaden women’s roles in Woman in the Nineteenth Century, even as she wandered the earth in search of a home.
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Cormorant
How does prejudice grow and mutate? What does intolerance, when transferred from human beings onto animals, do to those creatures? And what, in return, does it do to us? Cormorant is the gripping story of a 'greedy' bird hated across the world, the object of global conflict between the fishing industry on the one hand and environmental science on the other. Gordon McMullan's book reveals that cormorants have been loathed for centuries, a detestation that has metamorphosed over time. Drawing on fields which include literature, art history and zoology, and ranging from America to China and from Britain to Peru, Cormorant explores racism, xenophobia and capitalism through the remarkable story of a bird. McMullan argues that if in the present we are to recognize prejudicial attitudes towards animals and our fellow human beings, then we need to look to the past to understand how those viewpoints have taken hold.
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Margaret Sullavan
In 1933, Margaret Sullavan made her film debut and was an overnight sensation. For the next three decades, she enchanted audiences and critics in any medium she chose—film, radio, television—and was regarded as one of our foremost dramatic actresses. Off screen, she epitomized the Hollywood vamp—mercurial, willful, flirtatious, bewitching. Deep down, she suffered from crippling insecurity, especially as a mother—a feeling exacerbated by progressive hearing loss. By age 50, she could no longer cope and took an overdose of sleeping pills.This biography covers her film career with insightful criticism from the period and details her personal life, including her marriage to Henry Fonda, her special friendship with James Stewart and her bitter rivalry with Katharine Hepburn.
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Shakespeare and the Idea of Late Writing
What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death.
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Margaret Bondfield
A groundbreaking biography of Margaret Bondfield, the remarkable political pioneer and working-class woman who rose to become the first female Cabinet Minister in the 1929 Labour government. Rising from modest semi-rural, semi-industrial origins in the West Country, and years of apprenticeship in shops in Brighton, Bondfield became the first woman to chair the TUC, one of the first female Labour MPs, the first woman to hold government office (1924) and in 1929, the first female Cabinet Minister. Most of her life was lived in the public eye, but what lay behind her public achievements? In this remarkable book, historian Nan Sloane looks beyond the public façade to reveal Bondfield's hidden personal story, from her complicated personality with a difficult background, a private life which was either secret or non-existent, and a lifelong struggle with imposter syndrome. Drawing on newly uncovered archival material, including Bondfield's own diaries, this is a fresh and vitally needed reassessment of Margaret Bondfield’s influential life and contribution. A vital and timely biography that restores Bondfield to her rightful and prominent place in British political history.
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Margaret Atwood
This introduction covers Atwood's work from the end of the 1960s to the present, drawing out her recurring themes of Canadian identity and the wilderness, the representation of women and female bodies, and history and its narration. Winner of the Margaret Atwood Society Best Book in 1997, the second edition is thoroughly revised and updated. It includes new chapters covering Atwood's recent novels Alias Grace, The Blind Assassin, and Oryx and Crake, and her 2002 book on writing Negotiating with the Dead.This introduction covers Atwood's work from the end of the 1960s to the present, drawing out her recurring themes of Canadian identity and the wilderness, the representation of women and female bodies, and history and its narration. Winner of the Margaret Atwood Society Best Book in 1997, the second edition is thoroughly revised and updated. It includes new chapters covering Atwood's recent novels Alias Grace, The Blind Assassin, and Oryx and Crake, and her 2002 book on writing Negotiating with the Dead.
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Cambridge Companion to Margaret Atwood
The field of Margaret Atwood studies, like her own work, is in constant evolution. This second edition of The Cambridge Companion to Margaret Atwood provides substantial reconceptualization of Atwood's writing in multiple genres that has spanned six decades, with particular focus on developments since 2000. Exploring Atwood in our contemporary context, this edition discusses the relationship between her Canadian identity and her role as an international literary celebrity and spokesperson on global issues, ranging from environmentalism to women's rights to digital technology. As well as providing novel insights into Atwood's recent dystopias and classic texts, this edition highlights a significant dimension in the reception of Atwood's work, with new material on the striking Hulu and MGM television adaptation of The Handmaid's Tale. This up-to-date volume illuminates new directions in Atwood's career, and introduces students, scholars and general readers alike to the ever-expanding dimensions of her literary art.
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Graceland, At Last
Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the EssayWinner of the 2022 Southern Book PrizeAn Indie Next Selection for September 2021A Book Marks Best Reviewed Essay Collection of 2021A Literary Hub Most Anticipated Book of 2021A Country Living Best Book of Fall 2021A Garden & Gun Recommended Read for Fall 2021A Book Marks Best Reviewed Book of September 2021For the past four years, Margaret Renkl’s columns have offered readers of The New York Times a weekly dose of natural beauty, human decency, and persistent hope from her home in Nashville. Now more than sixty of those pieces have been brought together in this sparkling new collection.“People have often asked me how it feels to be the ‘voice of the South,’” writes Renkl in her introduction. “But I’m not the voice of the South, and no one else is, either.” There are many Souths—red and blue, rural and urban, mountain and coast, Black and white and brown—and no one writer could possibly represent all of them. In Graceland, At Last, Renkl writes instead from her own experience about the complexities of her homeland, demonstrating along the way how much more there is to this tangled region than many people understand.In a patchwork quilt of personal and reported essays, Renkl also highlights some other voices of the South, people who are fighting for a better future for the region. A group of teenagers who organized a youth march for Black Lives Matter. An urban shepherd whose sheep remove invasive vegetation. Church parishioners sheltering the homeless. Throughout, readers will find the generosity of spirit and deep attention to the world, human and nonhuman, that keep readers returning to her columns each Monday morning.From a writer who “makes one of all the world’s beings” (NPR), Graceland, At Last is a book full of gifts for Southerners and non-Southerners alike.
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Renaissance Configurations
Renaissance Configurations is a ground-breaking collection of essays on the structures and strategies of Early Modern culture - as embodied in issues of gender, sexuality and politics - by a group of critics from the new generation of Early Modern specialists. The essays focus on the relations of public and private, of verbal and spatial, of textual and material, reading and re-reading texts, both canonical and non-canonical, with a textual and historical rigour often considered lacking in work with theoretical premises. The collection as a whole offers a clear sense of the direction to be taken by Early Modern studies over the next decade.
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Life of Margaret Fuller, 2nd Edition
This acclaimed biography of Margaret Fuller, first published nearly five decades ago, is now available in a new, expanded edition. Based on Fuller's detailed journals and other writings, it records the life and experiences of a literary critic, radical educator, and outspoken feminist who was deeply involved in the political, spiritual, and cultural ferment that characterized mid-nineteenth century America. It also provides a comprehensive update on recent scholarship and documentary materials that have come to light since the biography's original publication.Madeleine Stern examines Fuller's Massachusetts background, her friendship and literary collaboration with Ralph Waldo Emerson, her feminist writings, and her role as an educator of women. Universal in her interests, Fuller also concerned herself with the new sciences of phrenology and animal magnetisim, the advancement of the arts in Boston, the last stand of the Indians of the West, and the ill-fated Italian Republic. She became more widely known as the literary critic on Greeley's New York Tribune and later as America's first woman foreign correspondent. Stern includes a detailed chronology of Fuller's life and a review of Fuller scholarship, including biographies, editions of Fuller's works, and documentary sources. Drawn entirely from facts and impressions recorded by Margaret Fuller herself, this work provides a uniquely lifelike portrait, as well as the carefully researched resource for women's social history and the social, spiritual, and intellectual history of nineteenth-century America.
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Theatre on Trial
This book, first published in 1993, is the first full-length analysis of Samuel Beckett’s later drama in the context of contemporary critical and performance theory. It employs a close, textual examination of the later plays as a springboard for exploring ideas around authority, gender and the ideology of performance. Recent work in the world of critical theory has suggested new ways of looking at performance practice. McMullan argues that, while contemporary theory can deepen our understanding of Beckett’s dramatic practice, his drama places performance in the context of a metaphysical history and a metatheatrical tradition, thereby confronting and provoking some of the central debates in performance studies’ engagement with critical theory.
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Cambridge Introduction to Margaret Atwood
Margaret Atwood offers an immensely influential voice in contemporary literature. Her novels have been translated into over 22 languages and are widely studied, taught and enjoyed. Her style is defined by her comic wit and willingness to experiment. Her work has ranged across several genres, from poetry to literary and cultural criticism, novels, short stories and art. This Introduction summarizes Atwood's canon, from her earliest poetry and her first novel, The Edible Woman, through The Handmaid's Tale to The Year of the Flood. Covering the full range of her work, it guides students through multiple readings of her oeuvre. It features chapters on her life and career, her literary, Canadian and feminist contexts, and how her work has been received and debated over the course of her career. With a guide to further reading and a clear, well organised structure, this book presents an engaging overview for students and readers.
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Early Christian Women and Pagan Opinion
This is a study of how women figured in public reaction to the church from New Testament times to Christianity's encounter with the pagan critics of the second century CE. The reference to a hysterical woman was made by the most prolific critic of Christianity, Celsus. He was referring to a follower of Jesus - probably Mary Magdalene - who was at the centre of efforts to create and promote belief in the resurrection. MacDonald draws attention to the conviction, emerging from the works of several pagan authors, that female initiative was central to Christianity's development; she sets out to explore the relationship between this and the common Greco-Roman belief that women were inclined towards excesses in religion. The findings of cultural anthropologists of Mediterranean societies are examined in an effort to probe the societal values that shaped public opinion and early church teaching. Concerns expressed in New Testament and early Christian texts about the respectability of women, and even generally about their behaviour, are seen in a new light when one appreciates that outsiders focused on early church women and understood their activities as a reflection of the group as a whole.
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Cambridge Introduction to Margaret Atwood
Margaret Atwood offers an immensely influential voice in contemporary literature. Her novels have been translated into over 22 languages and are widely studied, taught and enjoyed. Her style is defined by her comic wit and willingness to experiment. Her work has ranged across several genres, from poetry to literary and cultural criticism, novels, short stories and art. This Introduction summarizes Atwood's canon, from her earliest poetry and her first novel, The Edible Woman, through The Handmaid's Tale to The Year of the Flood. Covering the full range of her work, it guides students through multiple readings of her oeuvre. It features chapters on her life and career, her literary, Canadian and feminist contexts, and how her work has been received and debated over the course of her career. With a guide to further reading and a clear, well organised structure, this book presents an engaging overview for students and readers.
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Decolonizing Feminism
What does it mean to decolonize transnational feminist theory in the context of globalization? As a project concerned with multiple power structures, feminist theory must address the historical legacies of colonialism, postcolonialism, and more recently, decoloniality. This book offers essays organized around a coherent set of research questions about how to conceptualize an inclusive feminist politics. This has been, and continues to be, a central project in feminist theory, particularly in light of neoliberal globalization.International and interdisciplinary in scope, this book introduces the key issues in, and addresses the most significant challenges for, contemporary transnational feminist politics. In the context of rapid globalization, it explores the theoretical frameworks for thinking through significant concepts in feminist theory and activism: rights, citizenship and immigration, feminist solidarity, decolonizing methodologies and practices, and freedom. From diverse socio-political locations and multiple and interdisciplinary perspectives authors propose new ways of thinking about feminist knowledges, methodologies, and practices. Ideal for students and scholars in Gender and Globalization, Transnational Feminism and Feminist Theory more broadly, the volume contributes to the ongoing project of advocating a decolonizing feminist approach to pressing social issues.
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